Hua, Chudi and Gere, Charlie and Perry, Rachel (2025) In the key of nostalgia : exploring the rhythm of nostalgia theory through the Beatles' cultural legacy. PhD thesis, Lancaster University.
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Abstract
This thesis conducts a comprehensive examination of nostalgia, using the iconic phenomenon of the Beatles as a key case study. Their enduring popularity exemplifies how nostalgia generates complex, cross-generational resonances, serving as a conduit for collective memory and identity formation. It encapsulates how past cultural phenomena continue to shape present experiences and future expectations. The research initially reveals the theoretical foundations of nostalgia, tracing its evolution from a psychological issue to a powerful tool for understanding human experience. It explores how nostalgia, once considered a malaise, has transformed into a complex web of emotions and memories, influencing individual well-being and social dynamics. An important aspect of the research is the exploration of nostalgia in the context of postmodernism, particularly how postmodern theories and hauntology, intertwine with nostalgic sentiments. At its core, the study investigates the complexity of nostalgia, tracing its evolution from a psychological phenomenon to a potent cultural force. Through the unique perspective of the Beatles cultural phenomenon, it introduces the key concept of "The Rhythms of Nostalgia." The concept of nostalgic rhythms is the cornerstone of this research. I introduce a novel framework for understanding how nostalgia operates in a cyclical manner, influencing and being influenced by cultural trends, social changes, and personal experiences. This rhythm pattern of nostalgia is dissected through national development and cultural practices, highlighting its decisive role in cultural narratives and practices. Additionally, the thesis explores the practical impact of nostalgia on contemporary society. It delves into the phenomenon of nostalgic consumption, particularly how nostalgia bidirectionally influences urban development and cultural consumption in the context of Liverpool's cultural heritage. Furthermore, this thesis offers a detailed description of the application of "rhythms of nostalgia" in different cultural contexts, which can be understood through different perspectives. The thesis concludes with a critical reflection on the limitations of nostalgia research and potential future directions. This study advocates for a broader, more inclusive understanding of nostalgia's role in shaping global cultural characteristics.