Additional Information:
Export Date: 24 June 2021 References: Bishop, C., Kirsty: The Life and Songs of Kirsty MacColl (Television Documentary), BBC, 2001, , https://en.wikipedia.org/wiki/The_Joshua_Tree, Event occurs at 23:32, cited on Wikipedia, last accessed 09.04.19; Merriman, P., Jones, M., Introduction (2012) Dialogues in Human Geography, 2 (1), pp. 3-22 and 4. , Merriman et al. (eds), ‘Space and spatial-ity in theory’; Massey, D., (2006) For Space, pp. 47 and 55 and 56. , London: Sage Publications Ltd; Chew, S., “A kind of pursuit”: On Boey Kim Cheng’s poetry (2017) Singapore Literature and Culture: Current Directions in Local and Global Contexts, p. 49. , A. Mui Cheng Poon and A. Whitehead (eds), New York: Routledge; Duncan, J.S., Johnson, N.C., Schein, R.H., (2004) A Companion to Cultural Geog-raphy, , Oxford: Blackwell; Stearns, P.N., Some comments on social history (1967) Journal of Social History, 1 (1), p. 3; Stearns, P.N., Goals in history teaching (1998) Learning and Reasoning in History, pp. 261-93 and 261. , J. F. Voss and M. Carretero (eds), London and Portland, OR: Woborn Press; Evans, R.J., (2001) In Defence of History, p. 288. , new edn., London: Granta; Heinze, A.R., But Is It History? “World of Our Fathers” as a Historized Text (2000) American Jewish History, 88 (4), pp. 495-510; Zammito, J.H., Ankersmit’s postmodern historiography: The hyperbole of “opacity” (1988) History and Theory, 37 (3), pp. 330-346; Kleinberg, E., Back to where we’ve never been: Heidegger, Levinas, and Derrida on tradition and history (2012) History and Theory, 51 (4), pp. 114-135; Zammito, J.H., Are we being theoretical yet? The New Historicism, the New Philosophy of History, and “practicing historians”', review article (1993) Journal of Modern History, 65 (4), pp. 783-814; Barber, S., Peniston-Bird, C.M., (2009) History Beyond the Text: A Student’s Guide to Approaching Alternative Sources, , London: Routledge; Barber, P.-B., History Beyond the Text, pp. 5-8 and 17; Newton, D., Performativity and the performer-audience relationship: Shifting perspec- tives and collapsing binaries (2014) The SOAS Journal of Postgraduate Research, 7, pp. 3-13 and 3; Shakespeare, W., (1609) Shake-speares sonnets, , London: G. Eld for T[homas] T[horpe], Sonnet v, sig.B v; Lacan, J., (1977) The Four Fundamental Concepts of Psycho-analysis, 6, p. 73. , ed. J. Miller, London: Hogarth Press; Drummond, K.G., The queering of Swan Lake. A new male gaze for the performance of sexual desire (2003) Journal of Homosexuality, 45 (2-4), pp. 235-255; Baron, A., Mascu-linity, the embodied male worker, and the Historian’s gaze (2006) International Labor and Working-Class History, 69 (1), pp. 153-160; Wickstead, H., The Uber Archaeologist: Art, GIS and the male gaze revisited (2009) Journal of Social Archaeology, 9 (2), pp. 249-271; Hooks, B., The oppositional gaze: Black female spectators (2003) The Feminism and Visual Culture Reader, pp. 94-105. , A. Jones (ed.), , New York: Routledge; Simons, P., Women in frames: The gaze, the eye, the profile in Renaissance portraiture (1988) History Workshop Journal, 25 (1), pp. 4-30; Anderson Gayle, C., China in the Japanese radical gaze, 1945-1955 (2009) Modern Asian Studies, 43 (5), pp. 1255-1286; Hollinshead, K., “White” gaze, “red” people - shadow visions: The disidentification of “Indians” in cultural tourism (1992) Leisure Studies, 11 (1), pp. 43-64; Hunt, T., Whose truth? Objective truth and a challenge for History (2004) Criminal Law Forum, 15, pp. 193-198; Brilliant, R., How an Art Historian connects art objects and information (1988) Library Trends, 37 (2), pp. 120-129; Kitson Clark, G., (1967) The Critical Histo-rian, , London: Routledge