Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0
Full text not available from this repository.Abstract
This essay “uses the theologically-inspired phenomenology of Marion to show how [Herman Diephuis’s 2004 piece D’après J C] contests the opposition that Derrida set up between a theological and non-theological stage. [The essay] finishes […] by touching on a transcendent form of ethics and politics that recalls the humanism of French Catholic thinkers and writers of the early to mid-twentieth century” (Finburgh and Lavery 2011: 23).
| Item Type: | Contribution in Book/Report/Proceedings |
|---|---|
| Uncontrolled Keywords: | Postmodern dance ; Phenomenology ; Jean-Luc Marion ; Theology |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| Departments: | Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts |
| ID Code: | 55975 |
| Deposited By: | ep_importer_pure |
| Deposited On: | 19 Jul 2012 17:17 |
| Refereed?: | No |
| Published?: | Published |
| Last Modified: | 26 Jul 2012 23:44 |
| Identification Number: | |
| URI: | http://eprints.lancs.ac.uk/id/eprint/55975 |
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