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A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C

Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0

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Abstract

This essay “uses the theologically-inspired phenomenology of Marion to show how [Herman Diephuis’s 2004 piece D’après J C] contests the opposition that Derrida set up between a theological and non-theological stage. [The essay] finishes […] by touching on a transcendent form of ethics and politics that recalls the humanism of French Catholic thinkers and writers of the early to mid-twentieth century” (Finburgh and Lavery 2011: 23).

Item Type: Contribution in Book/Report/Proceedings
Uncontrolled Keywords: Postmodern dance ; Phenomenology ; Jean-Luc Marion ; Theology
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
Departments: Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts
ID Code: 55975
Deposited By: ep_importer_pure
Deposited On: 19 Jul 2012 17:17
Refereed?: No
Published?: Published
Last Modified: 26 Jul 2012 23:44
Identification Number:
URI: http://eprints.lancs.ac.uk/id/eprint/55975

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