Items where Author is "Rai, Takayuki"

Rai, Takayuki (2013) 莱孝之. In: 日本の電子音楽　続　インタビュー編 :. engine books, Japan. (Submitted)

Rai, Takayuki (2012) 音楽とコンピュータの歩み : 音楽とサウンド技術は融合して [Development of Music and Computer : the fusion of music and sound technology]. Sound, Kawai Foundation for Sound Technology & Music, 27. p. 20.

Rai, Takayuki (2012) Discrete Transfer for piano and computer, 11'. [Composition]

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演 [Research Briefing Report of Funded Study in 2011: The creation of the piece for piano and a live computer system, and its premier]. Kawai Foundation for Sound Technology & Music, Japan, Tokyo.

Rai, Takayuki (2011) Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay. Periferia Sheet Music, Spain.

Rai, Takayuki (2009) Active Figuration for violin and computer, 13'. [Composition]

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Fukuda, Takuto and Hamano, Takayuki and Takahashi, Keitaro (2009) DIPS4 : Digital Image Processing with Sound. N/A.

Rai, Takayuki (2009) Horizontal stillness for electroacoustic, 11'. [Composition]

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽 [Music Creation and Computer Music]. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Rai, Takayuki (2007) Lucent Aquarelle for harp and computer [12 minutes]. [Composition]

Rai, Takayuki (2007) Time flows… for bass-fl./fl., perc., guitar, and computer, 13'. [Composition]

Rai, Takayuki and Matsuda, Shu and Miyama, Chiakshi (2006) DIPS3 : Digital Image Processing with Sound. UNSPECIFIED, dips.dacreation.com.

Rai, Takayuki (2004) DVD Program Notes : Part One, Takayuki Rai, Curator. Computer Music Journal, 28 (4). pp. 116-126. ISSN 0148-9267

Rai, Takayuki (2004) Labyrinth for tape [10 minutes]. [Composition]

Rai, Takayuki (2004) Programme note of Lucent Aquarelle for harp and computer. Computer Music Journal, 28 (4). pp. 120-121. ISSN 0148-9267

Rai, Takayuki (2003) Facade for guitar and computer [11 minutes]. [Composition]

Miyama, Chikashi and Rai, Takayuki and Matsuda, Shu and Ando, Daichi (2003) Introduction of DIPS Programming Technique. In: International Computer Music Conference (ICMC 2003), Singapore, 2003-09-01.

Matsuda, Shu and Miyama, Chikashi and Ando, Daichi and Rai, Takayuki (2002) DIPS for Linux and Mac OS X. In: International Computer Music Conference (ICMC 2002), Gothenburg, Sweden, 2002-09-01.

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

Rai, Takayuki (2001) Seven Refractions for flute and a signal processing computer. Classico.

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Ando, Daichi (2000) DIPS2 : Digital Image Processing with Sound. UNSPECIFIED.

Rai, Takayuki and Matsuda, Shu (2000) DIPS: the real-time digital image processing objects for Max environment. In: International Computer Music Conference (ICMC 2000), Berlin, Germany, 2000-09-01.

Rai, Takayuki (2000) Mirage for 17-stringed koto and computer [8 minutes]. [Composition]

Rai, Takayuki (2000) Sparkle for bass clarinet and tape. Mnémosyne, France.

Rai, Takayuki (1999) Transfiguration for clarinet and computer (rev. 2003) [10 minutes]. [Composition]

Rai, Takayuki (1998) Kinetic figuration : five works with computers. Digital Art Creation, Japan.

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996 :. Editions MNEMOSYNE, France,, pp. 64-65.

Rai, Takayuki (1997) Impulse for percussion and computer (rev. 2004) [20 minutes]. [Composition]

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Rai, Takayuki and Ando, Yoshiko (1997) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Ohkura, Yasuyoshi and Rai, Takayuki (1996) 音楽分野の授業 [Classes in the field of music]. In: 私立大学の授業を変える : マルチメディアを活用した教育の方向性. Japan Universities Association for Computer Education, Japan, Japan, pp. 261-274.

Rai, Takayuki (1995) 国立音楽大学音楽デザイン学科スタジオレポート　高城が消せない [Sonology Department, Kunitachi College of Music: Studio Report]. In: SIGMUS 1995-MUS-13, Information Processing Society of Japan, 1995-12-01.

Rai, Takayuki (1995) Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]. [Composition]

Rai, Takayuki (1995) Sparkle for bass clarinet and tape. Olufsen Records, Denmark.

Rai, Takayuki (1995) Three Inventions for soprano saxophone, double bass, piano, harp and a signal processing computer. Centaur, USA.

Rai, Takayuki (1995) Transparency for harp and tape. Olufsen Records, Denmark.

Rai, Takayuki and Takasaki, Kozue and Mokusho, Sachiko and Matsunuma, Kouichi (1994) コンピュータ音楽スタジオ・アーカイブ (曲渕追加、木松沼削除）[Computer Music Studio Database]. InterCommunication, 9. pp. 151-159.

Rai, Takayuki (1994) Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]. [Composition]

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki (1993) Meteor for harp solo, in memory of Dr.Mori [9 minutes]. [Composition]

Rai, Takayuki (1993) Static Sequence for solo violin and 8 instruments (flute, oboe, clarinet, bassoon, violin, viola, cello, double bass) [8 minutes]. [Composition]

Rai, Takayuki (1993) Three Unknown Spaces for gamelan instruments and tape (bonang barung, gender panerus, saron peking, saron barung, saron demung, kenongs, kempuls, gongs) [14 minutes]. [Composition]

Rai, Takayuki (1992) Five inventions accompanied by computers for clarinet, cello and piano. Wergo, Germany.

Rai, Takayuki (1992) Three Inventions for soprano saxophone, double bass, piano, harp and a signal processing computer [14 minutes]. [Composition]

Rai, Takayuki (1991) Style for string quartet [11 minutes]. [Composition]

Rai, Takayuki (1990) Broken White for 8 instruments (flute, oboe, clarinet, trombone, violin, viola, cello, piano) [10 minutes]. [Composition]

Rai, Takayuki (1989) The Application of Computers in my Compositions : from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki (1989) Four Inventions for piano and a signal processing computer. Le Chant du Monde, France.

Rai, Takayuki (1989) Sparkle for bass clarinet and tape [11 minutes]. [Composition]

Rai, Takayuki (1988) Four inventions for piano and a signal processing computer (rev. 1996) [15 minutes]. [Composition]

Rai, Takayuki (1987) Recursive Figuration for 6 cellos [8 minutes]. [Composition]

Rai, Takayuki (1986) Five inventions accompanied by computers for clarinet, cello and piano [15 minutes]. [Composition]

Rai, Takayuki (1986) Friction for alto flute, clarinet, piano and harp [9 minutes]. [Composition]

Rai, Takayuki (1986) Transparency for harp and tape. Le Chant du Monde, France.

Rai, Takayuki (1984) Transparency for harp and tape [8 minutes]. [Composition]

Rai, Takayuki (1983) Junction for alto flute, violin, cello and harp [7 minutes]. [Composition]

Rai, Takayuki (1983) Pain for two computers (tape) [11 minutes]. [Composition]

Rai, Takayuki (1983) Solidity : the transformation of my internal dialogue for 10 instruments (oboe, clarinet, bass clarinet, bassoon, 2 violins, viola, cello, piano, harp) [8 minutes]. [Composition]

Rai, Takayuki (1980) Isolation for bass clarinet and tape. [Composition]

Rai, Takayuki (1980) Isolation for bass clarinet and tape (or three bass clarinets), 11'. [Composition]