Items where Author is "Mawer, Deborah"

Journal Article

Mawer, Deborah and Borém, Fausto (2013) A música francesca reconfigurado no jazz modal de Bill Evans. Revista Per Musi, 28. pp. 7-14.

Mawer, Deborah (2012) Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste. Music and Letters, 93 (4). pp. 615-617. ISSN 0027-4224

Mawer, Deborah (2011) Book review: Barbara Lebrun, Protest Music in France. French History, 25 (1). pp. 130-132. ISSN 1477-4542

Mawer, Deborah (2011) Book review: Sylvia Kahan, In Search of New Scales. Journal of Music Theory, 55 (1). pp. 147-153. ISSN 1941-7497

Mawer, Deborah (2010) Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. Music and Letters, 91 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2007) Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940. Music and Letters, 88 (2). pp. 367-370. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Barbara L. Kelly, Tradition and Style in the Works of Darius Milhaud 1912–1939. Music and Letters, 85 (4). pp. 660-662. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger. Music and Letters, 85 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Roger Nichols, The Harlequin Years: Music in Paris 1917-1929. Music and Letters, 85 (1). pp. 120-123. ISSN 0027-4224

Mawer, Deborah (1999) Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. British Journal of Music Education, 16 (2). pp. 179-195. ISSN 1469-2104

Mawer, Deborah (1997) Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'. Musicus: Computer Applications in Music Education, 5. pp. 19-29.

Mawer, Deborah (1997) Book review: Howard Boatwright, Chromaticism: Theory and Practice. Music Analysis, 16 (1). pp. 137-144. ISSN 0262-5245

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Contribution in Book/Report/Proceedings

Mawer, Deborah (2018) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet : music, art and literature. Lund Humphries. ISBN 9781472442956

Mawer, Deborah (2014) Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'. In: Darius Milhaud : Compositeur et expérimentateur. Musicologies . Librairie Vrin, Paris. ISBN 9782711625277

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings] :. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

Mawer, Deborah (2012) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In: Musique française: Esthétique et identité en mutation 1892-1992 :. Editions Delatour France, Sampzon, pp. 215-225. ISBN 978-2-7521-0106-8

Mawer, Deborah (2011) French music reconfigured in the modal jazz of Bill Evans. In: Jazz Chameleon: 9th Nordic Jazz Conference Proceedings :. Finnish Jazz and Pop Archive, Helsinki, pp. 77-89. ISBN 978-952-67401-5-7

Mawer, Deborah (2011) Maurice Ravel. In: Oxford Bibliographies Online: Music :. Oxford University Press, New York, 130 annotated citations.

Mawer, Deborah (2010) Appendix: itinerary for Ravel’s tour. In: Ravel Studies :. Cambridge University Press, Cambridge, pp. 110-113. ISBN 9780-521-886-970

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies :. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Epstein, David and Mawer, Deborah (2010) Encountering La Valse: perspectives and pitfalls. In: Ravel Studies :. Cambridge University Press, Cambridge, pp. 138-164. ISBN 9780-521-886-970

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies :. Cambridge University Press, Cambridge, pp. 1-8. ISBN 9780-521-886-970

Mawer, Deborah (2008) Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939 :. University of Rochester Press, Rochester NY, pp. 172-193. ISBN 978-1580462723

Mawer, Deborah (2007) Ricard Viñes i Maurice Ravel: una amistat inspiradora. In: Ricard Viñes: el pianista de les avantguardes :. Fundació Caixa Catalunya/Museu d’Art Jaume Morera, Barcelona & Lleida, 132-137, 318-321, 427-430. ISBN 978-84-89781-94-8

Nichols, Roger and Mawer, Deborah (2000) Appendix: early reception of Ravel’s music (1899–1939). In: The Cambridge Companion to Ravel :. Cambridge companions to music . Cambridge University Press, Cambridge, 251-266, 281-282. ISBN 0521640264

Mawer, Deborah (2000) Introduction: the many masks of Ravel. In: The Cambridge Companion to Ravel :. Cambridge companions to music . Cambridge University Press, Cambridge, 1-4, 266. ISBN 0521648564

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician : ISME Commission on the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

Contribution to Conference

Mawer, Deborah (2010) (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell. In: 46th Annual Conference of the Royal Musical Association, 2010, 2010-07-15 - 2010-07-17. (Unpublished)

Mawer, Deborah (1994) Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922). In: Lancaster Music Analysis Conference (LancMAC), 1994, 1994-09-01 - 1994-09-04. (Unpublished)

Book/Report/Proceedings

Mawer, Deborah (1997) Darius Milhaud: Modality & Structure in Music of the 1920s. Ashgate, Aldershot. ISBN 1-85928-249-0

Other

Mawer, Deborah (2006) Ravel, Daphnis et Chloé: a fantasy tale of time and place. Deutsche Grammophon, Hamburg.

Mawer, Deborah (2001) A very French affair: 'Les Six' and the flute. Hyperion, London.

Mawer, Deborah and Pengelly, Michael (1996) Darius Milhaud: La Création du monde (Analytical Listening Guide). TLTP Music Consortium, Lancaster.