Items where Author is "Findlay, Alison"

Johnson, David and Findlay, Alison and Egan, Clare (2025) Changing attitudes towards the operations of early modern law in Shakespeare. PhD thesis, Lancaster University.

Findlay, Alison (2025) ‘The Law in Performance: Middleton’s Michelmas Term and Edward’s Boys’. In: Reciprocal Realms : Law as Literature, Literature as Law c.1200-1700. Routledge. (In Press)

Findlay, Alison and Archer, Dawn and Murphy, Sean Edward (2024) The Arden Encyclopedia of Shakespeare's Language : Plays and Characters. The Arden Encyclopedia of Shakespeare's Language . Bloomsbury The Arden Shakespeare, London. ISBN 9781350261938 (In Press)

Findlay, Alison (2024) Playing in Private? : Household Performance in Mary Wroth's Love's Victory. In: Shakespeare / Play : Contemporary Readings in Playing, Playmaking and Performance. Arden Shakespeare Intersections . Bloomsbury, London. ISBN 9781350304437

Findlay, Alison (2024) Playing in Private? : Lady Mary Wroth's Love's Victory. In: Shakespeare / Play : Contemporary Readings in Playing, Playmaking and Performance. The Arden Shakespeare . Bloomsbury, London, pp. 154-164. ISBN 9781350304437

Findlay, Alison and Sterrett, Joseph and Wilcox, Helen (2024) Early Modern Bonds of Trust : Shakespeare to Milton. Routledge. (In Press)

Findlay, Alison (2024) Henry V in Shire Hall Lancaster Castle : A site specific performance of Shakespeare's "Henry V" in Lancaster Castle. UNSPECIFIED.

Findlay, Alison (2024) 'If I were a woman' : the performativity of gender in Shakespeare. Actes des congres de la Societe francaise Shakespeare, 41. pp. 1-18.

Findlay, Alison (2023) Edward III by Shakespeare and ? : A site-specific production at Lancaster Castle. Length: 2 hours and 45 minutes. [Performance]

Findlay, Alison (2022) "Love's Victory" by Lady Mary Wroth 2022 : A site specific performance at Penshurst Place. [Performance]

Felstead, Imogen and Findlay, Alison (2020) Stage(d) hands in early modern drama and culture. PhD thesis, Lancaster University.

Findlay, Alison (2018) Prayer, Performance and Community in Early Modern Drama. In: Prayer and Performance in Early Modern English Literature : Gesture, Word and Devotion. Cambridge University Press, pp. 84-99. ISBN 9781108555135

Culpeper, Jonathan and Archer, Dawn and Findlay, Alison and Thelwall, Mike (2018) John Webster, the dark and violent playwright? ANQ - Quarterly Journal of Short Articles Notes and Reviews, 31 (3). pp. 201-210. ISSN 0895-769X

Cortese, Beth and Findlay, Alison (2018) Women's wit on stage, 1660-1720. PhD thesis, Lancaster University.

Findlay, Alison (2016) For love not money : Community making in non-commercial drama. In: Community-Making in Early Stuart Theatres : Stage and Audiences. Routledge, pp. 114-139. ISBN 97810409427018

Nusen, Rachod and Findlay, Alison (2016) English productions of 'Measure for Measure' on stage and screen : the play's indeterminacy and the authority of performance. PhD thesis, Lancaster University.

Findlay, Alison (2016) Women's Culture. In: The Cambridge Guide to the Worlds of Shakespeare :. Cambridge University Press, Cambridge, pp. 529-536. ISBN 9780521113946

Hamamra, Belal and Findlay, Alison (2016) Silence, speech and gender in early modern drama : a presentist, Palestinian perspective. PhD thesis, Lancaster University.

Findlay, Alison and Oakley-Brown, Liz (2013) Introduction. In: Twelfth Night : a critical guide. Continuum Renaissance Drama . Continuum, London. ISBN 9781441128782

Findlay, Alison (2013) Make my image but an alehouse sign : the poetry of women in Shakespeare's drama. In: The Oxford handbook of Shakespeare’s poetry :. Oxford University Press, Oxford. ISBN 9780199607747

Findlay, Alison (2013) Marlowe and women. In: Christopher Marlowe in context :. Cambridge University Press, Cambridge. ISBN 9781107016255

Findlay, Alison (2012) Ceremony and Selfhood in The Comedy of Errors (c.1592). In: The Oxford handbook of Tudor drama :. Oxford University Press, Oxford, pp. 338-354. ISBN 9780199566471

Findlay, Alison (2012) Relative Values: Gendering Time and Space. Renaissance and Reformation, 35 (1). pp. 169-185.

Findlay, Alison (2012) A day to remember : wedding and ceremony in Shakespeare. Shakespeare, 8 (4). pp. 411-423. ISSN 1745-0926

Findlay, Alison (2011) The Madcap and Politic Prince of Wales: Ceremony and Courtly Performance in Henry IV. In: 1 Henry IV : a critical guide. Continuum, London. ISBN 9780826441966

Findlay, Alison (2011) Much ado about nothing : a guide to the text and the play in performance. The Shakespeare handbooks . Palgrave Macmillan, Basingstoke. ISBN 978-0-230-22261-8

Findlay, Alison (2011) Where Noble Virgins Still Shall Meet : Spaces of Sisterhood in Early Women’s Drama. In: Ein Platz für sich selbst : schreibende Frauen und ihre Lebenswelten (1450-1700) : [A place of their own : women writers and their social environments (1450-1700)]. Medieval to early modern culture . Peter Lang, Frankfurt am Main. ISBN 9783631613375

Findlay, Alison (2010) Playing for All in the City. Feminist Review, 96 (1). pp. 41-57. ISSN 1466-4380

Twycross, Meg and Hinds, Hilary and Findlay, Alison (2010) The Journeys of George Fox, 1652-1653 — an interim report on a research project and website’. Quaker Studies, 14 (2). pp. 224-235. ISSN 1363-013X

Findlay, Alison (2010) Surface tensions : ceremony and shame in 'Much Ado About Nothing'. Shakespeare Survey, 63 (n/a). pp. 282-290.

Findlay, Alison (2010) “Though it be not written down, yet forget not” : cultural amnesia in Shakespeare’s Much Ado About Nothing. SYNTHESIS (2). pp. 7-16. ISSN 0039-7881

Findlay, Alison (2010) Women in Shakespeare : a dictionary. Continuum Shakespeare dictionary series . Continuum, London. ISBN 978-0-8264-5889-6

Findlay, Alison (2009) Remaking Homes: Gender and the Representation of Place. Home Cultures, 6 (2). pp. 115-121. ISSN 1740-6315

Findlay, Alison (2009) Dramatizing home and memory : Lady Mary Sidney and Lady Mary Wroth. Home Cultures, 6 (2). pp. 135-147. ISSN 1740-6315

Findlay, Alison (2009) Highe excellente Queene: The Rhetoric of Majesty in Diplomatic Letters Relating to Mary, Queen of Scots. In: The Ritual and Rhetoric of Queenship: Medieval to Early Modern :. Four Courts Press, Dublin, pp. 118-130. ISBN 9781846821783

Findlay, Alison (2008) Theatres for Early Modern Women: From Household to Playhouse. In: Heroines of the Golden StAge : women and drama in Spain and England 1500-1700. Edition Reichenberger, Kassel, pp. 205-224. ISBN 9783937734422

Hinds, Hilary and Findlay, Alison (2007) Journal of George Fox: A Technology of Presence. Quaker Studies, 12 (1). pp. 89-106. ISSN 1363-013X

O'Leary, Kathleen Mary and Findlay, Alison (2007) ‘The art of salvation is but the art of memory’ : soul-agency, remembrance and expression in Donne and Shakespeare. PhD thesis, Lancaster University.

Findlay, Alison (2006) 'As you like it'. In: The literary encyclopedia. :. UNSPECIFIED.

Findlay, Alison (2006) Sisterly feelings in the drama of Cavendish and Brackley. In: Sibling relations and gender in the early modern world. :. Ashgate, Aldershot, pp. 195-205.

Findlay, Alison (1999) Playing the 'scene self' : Jane Cavendish and Elizabeth Brackley's The concealed fancies. In: Enacting gender on the English Renaissance stage :. University of Illinois Press, Urbana, pp. 154-176. ISBN 0252024230

Findlay, Alison (1999) Review of Shakespeare's life, times and stage. In: Shakespeare and the Globe :. Shakespeare survey (52). Cambridge University Press, Cambridge [England]. ISBN 0521660742

Findlay, Alison (1999) A feminist perspective on Renaissance drama. Blackwell, Oxford. ISBN 063120508X