Painting: critical and primary sources

Harland, Beth and Manghani, Sunil (2015) Painting: critical and primary sources. Bloomsbury. ISBN 9781472558411

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Abstract

Painting: Critical and Primary Sources is a multi-volume reference work that brings together seminal writings on the history, philosophy and practice of painting. The collected essays range across the domains of philosophy, history, aesthetics, literature, science, anthropology, critical theory, cultural studies and art practice. Each volume is arranged thematically and separately introduced by the editors. Together the volumes trace a chronology of painting from the pre-Renaissance onwards, addressing notions and techniques of the artist and the artwork before setting out the key critical perspectives, problematics and approaches that frame modern painting practice from the nineteenth century through to the contemporary period. With key essays from Michel Foucault, Gilles Deleuze, Michael Fried, Hubert Damisch, Mieke Bal and many more, this set will be an essential resource for all students and scholars of fine art.

Item Type: Book/Report/Proceedings
Uncontrolled Keywords: /dk/atira/pure/subjectarea/aacsb/disciplinebasedresearch
Subjects:
Departments: Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts
ID Code: 73489
Deposited By: ep_importer_pure
Deposited On: 09 Apr 2015 08:51
Refereed?: No
Published?: Published
Last Modified: 02 Feb 2020 00:33
URI: https://eprints.lancs.ac.uk/id/eprint/73489

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