The oddness of Julian Barnes and The Sense of an Ending

Greaney, Michael (2014) The oddness of Julian Barnes and The Sense of an Ending. English, 63 (242). pp. 225-240. ISSN 0013-8215

Full text not available from this repository.

Abstract

This article examines the range of responses to oddness – everything that is offbeat, lopsided, or decategorized in human experience – dramatized by the fiction of Julian Barnes. Barnes is a connoisseur of eccentricity: the figure of the oddball – the crank, hobbyist, or obsessive – frequently takes centre stage in his fiction, often in the guise of a distinctly unreliable narrator. And odd numbers, especially triptychs of inter-related stories and triangular romantic relations, seem to dominate his narrative structures. Yet, his fiction also displays misgivings about its own connoisseurial delight in oddness. These misgivings are particularly legible in his Booker Prize-winning novel, The Sense of an Ending, a text in which the Barnesian language of oddness is both deployed and subtly undermined.

Item Type: Journal Article
Journal or Publication Title: English
Uncontrolled Keywords: /dk/atira/pure/subjectarea/asjc/1200/1208
Subjects:
Departments: Faculty of Arts & Social Sciences > English & Creative Writing
ID Code: 70466
Deposited By: ep_importer_pure
Deposited On: 21 Aug 2014 08:41
Refereed?: Yes
Published?: Published
Last Modified: 02 Jul 2019 08:45
URI: https://eprints.lancs.ac.uk/id/eprint/70466

Actions (login required)

View Item View Item