Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

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Abstract

This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.

Item Type:
Contribution in Book/Report/Proceedings
Uncontrolled Keywords:
/dk/atira/pure/researchoutput/libraryofcongress/m1
Subjects:
ID Code:
54472
Deposited By:
Deposited On:
22 May 2012 12:14
Refereed?:
No
Published?:
Published
Last Modified:
09 Sep 2020 07:23