Adaptation as compendium:Tim Burton’s Alice in Wonderland

Elliott, Kamilla (2010) Adaptation as compendium:Tim Burton’s Alice in Wonderland. Adaptation, 3 (2). pp. 193-201. ISSN 1755-0637

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Abstract

Most reviewers decree Tim Burton's Alice in Wonderland ‘disappointinger and disappointinger’, both as a literary adaptation and as a film, largely because the film adapts so many things besides Carroll's books, rendering it digressive and derivative. The script, which expresses anxieties about being ‘the wrong Alice’, figures the adaptation/sequel as a compendium (a brief treatment of a subject). Compendium's second sense, inventory, points more centrally to the film as pastiche. Since literary film adaptations are increasingly constructed as deliberate pastiches of other cultural productions, I argue that it is time to ask new questions of these processes rather than view them solely as failing the books and copying rather than creating. The review ends with a discussion of how CGI (computer-generated imagery) and 3D displace Carroll's nonsense as superior sense with fantasy as alternative reality and how the film's colonial ending reflects Disney's own, very real capitalist enterprises in China.

Item Type:
Journal Article
Journal or Publication Title:
Adaptation
Additional Information:
This article has been accepted for publication in Adaptation. Published by Oxford University Press.
Uncontrolled Keywords:
/dk/atira/pure/subjectarea/asjc/1200/1213
Subjects:
ID Code:
53070
Deposited By:
Deposited On:
09 Mar 2012 02:43
Refereed?:
Yes
Published?:
Published
Last Modified:
05 Dec 2020 01:23