Passions and Actions : Deleuze's Cinematographic Cogito.

Rushton, Richard (2008) Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies, 2 (2). pp. 121-139. ISSN 1755-1684

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Abstract

When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a ‘cinematographic Cogito’. In this way, the article offers a way of understanding the processes of cinema spectatorship from a Deleuzian perspective.

Item Type:
Journal Article
Journal or Publication Title:
Deleuze Studies
Additional Information:
©2008 Edinburgh University Press
Uncontrolled Keywords:
/dk/atira/pure/researchoutput/libraryofcongress/n1
Subjects:
ID Code:
34744
Deposited By:
Deposited On:
08 Dec 2010 16:32
Refereed?:
Yes
Published?:
Published
Last Modified:
15 Jul 2020 02:37