Popular propaganda:John Heywood's wedding ballad and Mary I’s Spanish match

Hyde, Jenni (2022) Popular propaganda:John Heywood's wedding ballad and Mary I’s Spanish match. Transactions of the Royal Historical Society, 32. pp. 73-91. ISSN 0080-4401

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Abstract

The text of John Heywood's wedding ballad for Mary I and Philip of Spain, A Balade specifienge partly the maner, has been underestimated for many years. It is criticised for the poor quality of its poetry and lambasted for its tortured imagery. Instead, this article re-evaluates the ballad as a highly effective popular song intended to spread propaganda defending the queen's Spanish match. It argues that the song performed an excellent job of addressing complex constitutional issues through a quintessentially popular genre, while at the same time successfully overcoming the problem of fitting new words to a pre-existing tune. Furthermore, it is proposed that the song was deliberately set to the melody from Henry VIII's ballad 'Pastyme with good companye' and, by drawing on the latest research into cultures of creativity and examining what resonances the tune would have had for its listeners, it suggests that the potential multivalency of the melody was crucially important for understanding the song and its reception.

Item Type:
Journal Article
Journal or Publication Title:
Transactions of the Royal Historical Society
Uncontrolled Keywords:
/dk/atira/pure/subjectarea/asjc/1200/1202
Subjects:
ID Code:
164956
Deposited By:
Deposited On:
21 Jan 2022 14:23
Refereed?:
Yes
Published?:
Published
Last Modified:
02 Feb 2023 01:37