Film Theory

Bettinson, Gary (2020) Film Theory. Year's Work in Critical and Cultural Theory, 8 (1). pp. 124-145. ISSN 1077-4254

[img]
Text (Bettinson YWCCT 2020)
Bettinson_YWCCT_2020.pdf - Accepted Version
Restricted to Repository staff only until 5 June 2022.
Available under License Creative Commons Attribution-NonCommercial.

Download (280kB)

Abstract

Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.

Item Type:
Journal Article
Journal or Publication Title:
Year's Work in Critical and Cultural Theory
Additional Information:
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, 7 Film Theory, The Year's Work in Critical and Cultural Theory, Volume 28, Issue 1, 2020, Pages 124–145, https://doi.org/10.1093/ywcct/mbaa007 is available online at: https://academic.oup.com/ywcct/article-abstract/28/1/124/5854093
Uncontrolled Keywords:
/dk/atira/pure/subjectarea/asjc/1200/1203
Subjects:
ID Code:
155641
Deposited By:
Deposited On:
04 Jun 2021 15:20
Refereed?:
Yes
Published?:
Published
Last Modified:
01 Sep 2021 01:21