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Items where Subject is "N Fine Arts > NX Arts in general"

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Number of items at this level: 100.

A

Agarwal, Pragya (2005) Topological and Geometric Operators for Ontological Classification of Vague Geographic Concepts. Spatial Cognition and Computation, 5 (1). pp. 69-88. ISSN 1542-7633

Aston, E. (2000) Staging ourselves. In: Representing lives : women and auto/biography. Macmillan, Basingstoke, pp. 119-128. ISBN 0333750764

Aston, E. F. (2003) Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press. ISBN 9780521800037

Aston, Elaine (2012) Aesthetics, Politics and the Public Sphere. Theatre Research International, 37 (2). pp. 101-103. ISSN 0307-8833

Aston, Elaine (2010) Caryl Churchill. Writers and their Work . Northcote House in association with the British Council. ISBN 9780746312087

Aston, Elaine (1999) Feminist theatre practice:a handbook. Routledge. ISBN 9780415139243

Aston, Elaine (2001) Finding a tradition : feminism and theatre. Aspekt (Slovakia), 2. pp. 108-114.

Aston, Elaine (2001) Frightening : a politics of damage in the theatre of Caryl Churchill. Slovene Nat. Theatre. pp. 19-21.

Aston, Elaine (1999) Geographies of oppression : the cross-border politics of (m)othering: 'The break of day' and 'A yearning'. Theatre Research International, 24 (3). pp. 247-253. ISSN 1474-0672

Aston, Elaine (2001) Jacqueline Rudet. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2001) Jean 'Binta' Breeze. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2012) Looking Back. Theatre Research International, 37 (3). pp. 203-204. ISSN 0307-8833

Aston, Elaine (2001) Maya Chowhry. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2010) Reviewing the Fabric of Blasted. In: Sarah Kane in context. Manchester University Press, Manchester, pp. 13-27. ISBN 9780719077395

Aston, Elaine (2007) Studies in Hysteria:Actress and Courtesan, Sarah Bernhardt and Mrs Patrick Campbell. In: The Cambridge companion to the actress. Cambridge University Press, Cambridge, pp. 253-271. ISBN 9780521846066

Aston, Elaine (2000) Transforming women's lives:Bobby Baker's performances of Daily Life. New Theatre Quarterly, 16 (1). pp. 17-25. ISSN 0266-464X

Aston, Elaine (2001) Yvonne Brewster. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine and Harris, Geraldine (2007) Performance practice and process: contemporary [women] practitioners. Palgrave Macmillan. ISBN 9780230001541

Aston, Elaine. (2005) 'A licence to kill': Caryl Churchill's socialist-feminist 'Ideas of nature'. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford. ISBN 9783039105571

B

Boyko, C. T. and Cooper, R. and Davey, C. L. and Wootton, A.B. (2010) Informing an urban design process by way of a practical example. Proceedings of the ICE - Urban Design and Planning, 163 (1). pp. 17-30. ISSN 1755-0807

C

Cooper, Rachel and Boyko, Christopher (2010) How to design a city in five easy steps : exploring VivaCity 2020’s process and tools for urban design decision making. Journal of Urbanism, 3 (3). pp. 253-273. ISSN 1754-9175

D

Devereaux, Emile (2010) Doctor Alan Hart: X-Ray Vision in the Archive. Australian Feminist Studies, 25 (64). pp. 175-187. ISSN 0816-4649

Devereaux, Emile (2008) Osmosis/Bajo La Piel (Under the Skin): Media Art. N/A, Fondo Nacional de las Artes, Buenos Aires, Argentina.

E

Etchells, T. J. (2003) Bloody Mess. .

Etchells, T. J. (2006) Instructions For Forgetting: Some Notes on Forced Entertainment's Recent Documentary Projects. TDR, 50 (3). pp. 108-130. ISSN 1054-2043

Etchells, T. J. and Heathfield, A. (2004) Manifesto on liveness'. In: Live: Art and Performance. Tate Books. ISBN 1854375016

F

Fenton, M. E. (2003) Nuffield New Works Programme. .

Fenton, M. E. (2006) Practice Reflected Conference & Symposium programme. .

G

Gere, Charles (2012) Digital Art and Visual Culture. In: The Handbook of Visual Culture. Berg, London. ISBN 9781847885739

Gere, Charles (2010) The Incredible Shrinking Human. In: Criticism, Crisis, and Contemporary Narrative. Routledge, London. ISBN 9780415879491

Gere, Charles (2010) Slitting open the Kantian Eye. In: Revisualising Visual Culture. Ashgate, London, pp. 151-164. ISBN 978-0-7546-7568-6

Giannachi, Gabriella (2000) Passione' by Laura Curino. In: Mythic women / real women. Faber, London, pp. 87-112. ISBN 0571191401

Griffin, Gabriele and Aston, Elaine and Wilkinson, Julie and Lavery, Bryony (1991) Herstory : volume 1:plays by women for women. Sheffield Academic Press. ISBN 1-85075-707-0

H

Harris, G. M. (2006) Beyond Representation: Television Drama and the Politics and Aesthetics of Identity. Manchester University Press. ISBN 0719074584

Harris, G. M. and Aston, E. (2006) Feminist futures?:theatre, performance, theory. Palgrave Macmillan. ISBN 9781403945327

Harris, Geraldine (2008) Susan and Darren : the appearance of authenticity. Performance Research, 13 (4). pp. 4-15. ISSN 1352-8165

Harris, Geraldine (2009) Watching Whoopi : the politics and ethics of the ethics of witnessing. Performance Paradigm, 5 (1). n/a. ISSN 1832-5580

Harris, Gerry (1999) Repetition, quoting, plagerism and iterability (Europe after the rain - again). Studies in Theatre Production, 19.

Hemment, Drew (2010) Environment 2.0 : participatory mass observation. Leonardo, 43 (2). p. 104. ISSN 0024-094X

Hemment, Drew (2008) Environment 2.0: Through Cracks in the Pavement - Leonardo Call For Papers. Leonardo.

Hemment, Drew (2006) Locative media guest editorial. Leonardo Electronic Almanac, 14 (3).

Hemment, Drew (2004) Mobile connections : curator's statement. In: Futuresonic 2004. Futuresonic, Manchester, p. 5.

Hemment, Drew (1997) e is for Ekstasis. New Formations: A Journal of Culture, Theory and Politics, Spring (31). pp. 23-38. ISSN 1741-0789

Hemment, Drew (2004) The locative dystopia. nettime.org.

Hemment, Drew (2005) The mobile effect. Convergence: The International Journal of Research into New Media Technologies, 11 (2). pp. 32-40. ISSN 1748-7382

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hemment, Drew and El-Sherbini, Yara and Carlo, Buontempo and John, Tweddle (2011) 100 years of climate change : project development and trial. Leonardo, 44 (1). pp. 68-69. ISSN 0024-094X

Hemment, Drew and Ellis, Rebecca and Wynne, Brian (2011) Participatory mass observation and citizen science. Leonardo, 44 (1). pp. 62-63. ISSN 0024-094X

Hemment, Drew and Raento, Mika and Humphries, Theo and Evans, John (2006) The Loca Project: Locative media and pervasive surveillance. In: The Hothaus Papers: Paradigms and Perspectives in Media Arts. Vivid Publication in association with Article Press, UCE, pp. 163-166. ISBN 1-873352-24-7

Heywood, Ian (2002) Deleuze on Francis Bacon. In: A Companion to Art Theory. Blackwell Publishing. ISBN 0-631-20762-7

J

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Johansson, Ola (2007) Eschatological Field Notes: Community Theatre, AIDS, and the Fate of Informant D. in Ilemera, Tanzania. Nordic Theatre Studies (19). ISSN 0904-6380

Johansson, Ola (2007) The Lives and Deaths of Zakia: How AIDS changed African Community Theatre and vice versa. Theatre Research International, 32 (1). pp. 85-100. ISSN 1474-0672

Johansson, Ola (2006) Performative Interventions: African Community Theatre in the Age of AIDS. In: Ritual and Event: Interdisciplinary Perspectives. Routledge. ISBN 0-415-70181-3

Johansson, S. O. M. and Reinelt, J. R. and Sauter, W. (2001) "It's the real thing": performance and murder in Sweden. European Review, 9 (3). pp. 319-337. ISSN 1474-0575

Jürs-Munby, Karen (2007) Hanswurst and Herr Ich: Subjection and Abjection in the Enlightenment Censorship of the Comic Figure. New Theatre Quarterly, 23 (2). pp. 124-135. ISSN 1474-0613

Jürs-Munby, Karen (2005) Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy. Theatre Research International, 30 (1). pp. 19-35. ISSN 1474-0672

Jürs-Munby, Karen and Lehmann, H. T. (2006) Postdramatic Theatre. .

L

Lavery, C. (2005) The state of Genet studies. Contemporary Theatre Review, 15 (4). pp. 470-475. ISSN 1048-6801

Lavery, Carl (2005) Teaching Performance Studies: 25 instructions for performance in cities. Studies in Theatre and Performance, 25 (3). pp. 229-238. ISSN 1468-2761

Lavery, Carl I. (2006) Between negativity and resistance: Jean Genet and Committed Theatre. Contemporary Theatre Review, 16 (2). pp. 220-234. ISSN 1048-6801

Lavery, Carl I. (2005) The Pepys of London E11: Graeme Miller and the Politics of Linked' and 'An Interview with Graeme Miller: Walking The Walk, Talking the Talk: Re-imagining the Urban Landscape. New Theatre Quarterly, 21 (2). pp. 148-165. ISSN 1474-0613

Lavery, Carl I. and Finburgh, C. and Shevtsova, M. (2006) Jean Genet: Performance and Politics. Palgrave Macmillan. ISBN 1403994803

Lochrie, Mark and Coulton, Paul (2012) Creating a playful experience to encourage participation in the meta-narrative of conference discussions. In: MindTrek '12 Proceeding of the 16th International Academic MindTrek Conference. ACM, New York, pp. 263-266. ISBN 9781450316378

N

Newey, K. (2000) Women and early British film: finding a screen of her own. In: Moving performance: British stage and screen, 1890s-1920s. Flicks Books, Trowbridge, pp. 151-165. ISBN 0948911549

Newey, Kate (2000) Climbing boys and factory girls : popular melodramas of working life. Journal of Victorian Culture, 5 (1). pp. 28-44. ISSN 1750-0133

Newey, Kate (2002) Embodied history : reflections on the Jane Scott project. Nineteenth Century Theatre and Film, 29 (2). pp. 66-70. ISSN 1748-3727

Newey, Kate (1998) Home plays for ladies : women's work in home theatricals. Nineteenth Century Theatre, 26 (2). ISSN 0893-3766

Newey, Kate (1998) Recent readings of 'Othello'. Sydney Studies in English, 24 (1). ISSN 0156-5419

Newey, Kate (2001) Women and the theatre. In: Women and literature in Britain, 1800-1900. Cambridge University Press, Cambridge, pp. 189-208.

Q

Quick, Andrew (2010) 6 Degrees Below the Horizon. N/A.

Quick, Andrew (2009) Hotel Methuselah: theatricalising cinema. In: Practice-as-Research in Performance and Screen. Palgrave Macmillan, London, Unpaginated. ISBN 9780230220010

Quick, Andrew (2000) Resisting memorialisation:an interview with Fiona Templeton. Performance Research, 5 (3). pp. 115-124. ISSN 1352-8165

Quick, Andrew (2009) The Stay of Illusion. Performance Research, 14 (1). pp. 29-36. ISSN 1352-8165

Quick, Andrew (2003) The artist as director. In: Art, lies and videotape : exposing performance. Tate Publishing, London, pp. 80-91. ISBN 1854375377

Quick, Andrew and Brooks, Pete (2011) Hotel Methuselah. In: Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration: An Anthology of Playtexts 1966-2010. Methuen, London, pp. 125-153. ISBN 9781408139967

Quick, Andrew and Brooks, Pete (2009) Kellerman. [Performance]

Quick, Andrew and Brooks, Pete (2008) Kellerman. , National Tour: West Yorkshire Playhouse, Bristol Old Vic, Exeter Northcott, Lowry, Manchester, Cochrane Theatre, London, Nuffield Theatre, Lancaster, Theatre Royal, Winchester, Made in Britain Festival, National Theatre of France, St Etienne..

Quick, Andrew J. (2006) The Gift of Play: Ubung and the Secret signal of Gesture. In: Contemporary Theatres in Europe: a Critical Companion. Routledge. ISBN 9780415329408

Quick, Andrew J. (2004) Taking Place: Encountering the Live. In: Live: Art and Performance. Tate Publishing. ISBN 1854375016

Quick, Andrew J. and Brooks, P. (2005) Hotel Methuselah. .

R

Richards, J. M. (2005) Sir Henry Irving: A Victorian Actor and His World. Hambledon & London. ISBN 1-85285-345-X

S

Sheller, Mimi B. (2003) The city and the cybercar. In: The cybercities reader. Routledge, New York and London, pp. 167-172. ISBN 0415279550

Stewart, N. (2005) Dancing the time of space: fieldwork, phenomenology and nature's choreography. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford, pp. 363-376. ISBN 9783039105571

Stewart, N. (2005) Introduction: spectacle, world, environment, void. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford, pp. 19-62. ISBN 9783039105571

Stewart, N. (2003) To and fro and in-between: the ontology of the image in Thomas Lehman's Stations. In: Stationen. Podewil/Thomas Lehmen, Berlin, pp. 19-28.

Stewart, Nigel (2002) The Actor as Refusenik: Theatre Anthropology, Semiotics, and the Paradoxical Work of the Body. In: Negotiating Cultures: Eugenio Barba and the Intercultural Debate. Theatre . Manchester: Manchester University Press, pp. 46-58. ISBN 0719061709

Stewart, Nigel (2010) Dancing the Face Of Place:Environmental Dance and Eco-Phenomenology. Performance Research, 15 (4). pp. 32-39. ISSN 1352-8165

Stewart, Nigel S. (2001) Belongings : the art of us and them. , Bentham. (Unpublished)

T

Templeton, Fiona (2001) [Stage play] The Medead. .

Templeton, Fiona (2001) You - the city [stage play]. . (Unpublished)

W

Whiteley, N .S. (2003) Intensity of Scrutiny and a Good Eyeful. Journal of Architectural Education, 56 (4). 8 -16. ISSN 1531-314X

Whiteley, N .S. (2004) Lawrence Alloway on Pop Since 1949. Artforum, 63 (2). 57 -58. ISSN 0004-3532

Whiteley, N .S. (2003) Learning from Las Vegas' and Los Angeles and Reyner Banham. Visible Language, 37 (3). 314 -330. ISSN 0022-2224

Whitton, David (2008) Proliferation and Differentiation of National Theatres in France. In: National Theatres in a Changing Europe. Studies in International Performance . Palgrave Macmillan, Basingstoke, pp. 153-163. ISBN 1-4039-4435-00 (Hb) 1-4039-4436-9 (Pb)

Wilkie, Alex and Gaver, William and Hemment, Drew and Giannachi, Gabriella (2010) Creative assemblages : organisation and outputs of practice-led research. Leonardo, 43 (1). pp. 98-99. ISSN 0024-094X

This list was generated on Sat Jun 24 02:20:49 2017 BST.