Items where Subject is "N Fine Arts > NX Arts in general"

A

Agarwal, Pragya (2005) Topological and Geometric Operators for Ontological Classification of Vague Geographic Concepts. Spatial Cognition and Computation, 5 (1). pp. 69-88.

Aston, E. (2000) Staging ourselves. In: Representing lives : women and auto/biography. Macmillan, Basingstoke, pp. 119-128. ISBN 0333750764

Aston, E. F. (2003) Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press. ISBN 9780521800037

Aston, Elaine (2012) Aesthetics, Politics and the Public Sphere. Theatre Research International, 37 (2). pp. 101-103. ISSN 0307-8833

Aston, Elaine (2010) Caryl Churchill. Writers and their Work (3rd ed). Northcote House in association with the British Council, Tavistock. ISBN 9780746312087

Aston, Elaine (2011) Debbie Tucker Green. In: The Methuen drama guide to contemporary British playwrights. Methuen, London, pp. 183-202. ISBN 9781408122785

Aston, Elaine (2002) Feminist Performance as Archive: Bobby Baker's 'Daily Life' and Box Story. Performance Research, 7 (4). pp. 78-85.

Aston, Elaine (1999) Feminist theatre practice:a handbook. Routledge, London. ISBN 9780415139243

Aston, Elaine (2001) Finding a tradition : feminism and theatre. Aspekt (Slovakia), 2. pp. 108-114.

Aston, Elaine (2001) Frightening : a politics of damage in the theatre of Caryl Churchill. Slovene Nat. Theatre. pp. 19-21.

Aston, Elaine (2011) From Orlan to Bernhardt. In: Contemporary French theatre and performance. Palgrave Macmillan, Basingstoke, pp. 137-148. ISBN 9780230580510

Aston, Elaine (1999) Geographies of oppression : the cross-border politics of (m)othering: 'The break of day' and 'A yearning'. Theatre Research International, 24 (3). pp. 247-253. ISSN 0307-8833

Aston, Elaine (2008) A Good Night Out, For the Girls. In: Cool Britannia?: British political drama in the 1990s. Palgrave Macmillan, Basingstoke, pp. 114-130. ISBN 9781403988126

Aston, Elaine (2001) Jackie Kay. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2001) Jacqueline Rudet. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2001) Jean 'Binta' Breeze. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2012) Looking Back. Theatre Research International, 37 (3). pp. 203-204. ISSN 0307-8833

Aston, Elaine (2001) Maya Chowhry. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2010) Reviewing the Fabric of Blasted. In: Sarah Kane in context. Manchester University Press, Manchester, pp. 13-27. ISBN 9780719077395

Aston, Elaine (1989) Sarah Bernhardt:a French actress on the English stage. Berg, Oxford. ISBN 9780854960194

Aston, Elaine (2007) Studies in Hysteria:Actress and Courtesan, Sarah Bernhardt and Mrs Patrick Campbell. In: The Cambridge companion to the actress. Cambridge University Press, Cambridge, pp. 253-271. ISBN 9780521846066

Aston, Elaine (2000) Transforming women's lives:Bobby Baker's performances of Daily Life. New Theatre Quarterly, 16 (1). pp. 17-25. ISSN 0266-464X

Aston, Elaine (2001) Vayu Naidu. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2001) Women theatre collectives. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (2001) Yvonne Brewster. In: Companion to contemporary black British culture. Routledge, London.

Aston, Elaine (1995) An introduction to feminism and theatre. Routledge, London. ISBN 9780415087681

Aston, Elaine and Harris, Geraldine (2007) Performance practice and process: contemporary [women] practitioners. Palgrave Macmillan, Basingstoke. ISBN 9780230001541

Aston, Elaine and Savona, George (1991) Theatre as sign-system:a semiotics of text and performance /. Routledge, London. ISBN 0415-04932-6

Aston, Elaine. (2005) 'A licence to kill': Caryl Churchill's socialist-feminist 'Ideas of nature'. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford. ISBN 9783039105571

B

Boyko, C. T. and Cooper, R. and Davey, C. L. and Wootton, A.B. (2010) Informing an urban design process by way of a practical example. Urban Design and Planning, 163 (1). pp. 17-30.

C

Cooper, Rachel and Boyko, Christopher (2010) How to design a city in five easy steps : exploring VivaCity 2020’s process and tools for urban design decision making. Journal of Urbanism, 3 (3). pp. 253-273. ISSN 1754-9183

D

Devereaux, Emile (2011) Accessing the Otherworld Through Pervasive Media. In: Rewire 2011: Fourth International Conference on the histories of Media Art, Science and Technology, 2011-09-28, Liverpool.

Devereaux, Emile (2010) Doctor Alan Hart: X-Ray Vision in the Archive. Australian Feminist Studies, 25 (64). pp. 175-187. ISSN 0816-4649

Devereaux, Emile (2008) Osmosis/Bajo La Piel (Under the Skin): Media Art. N/A, Fondo Nacional de las Artes, Buenos Aires, Argentina.

E

Etchells, T. J. (2003) Bloody Mess. UNSPECIFIED.

Etchells, T. J. (2006) Instructions For Forgetting: Some Notes on Forced Entertainment's Recent Documentary Projects. The Drama Review, 50 (3). pp. 108-130. ISSN 1054-2043

Etchells, T. J. (2005) The World in Pictures. UNSPECIFIED.

Etchells, T. J. and Heathfield, A. (2004) Manifesto on liveness'. In: Live: Art and Performance. Tate Books. ISBN 1854375016

F

Fenton, M. E. (2003) Nuffield New Works Programme. UNSPECIFIED.

Fenton, M. E. (2006) Practice Reflected Conference & Symposium programme. UNSPECIFIED.

Fiddler, Allyson (1993) Jelinek’s Ibsen : “Noras” past and present. Austrian Studies, 4. pp. 126-138. ISSN 1350-7532

G

Gere, Charles (2012) Digital Art and Visual Culture. In: The Handbook of Visual Culture. Berg, London. ISBN 9781847885739

Gere, Charles (2010) The Incredible Shrinking Human. In: Criticism, Crisis, and Contemporary Narrative. Routledge, London. ISBN 9780415879491

Gere, Charles (2008) New Media Art and the Gallery in the Digital Age. In: New Media in the White Cube and Beyond. University of California Press, pp. 13-25. ISBN 9780520255975

Gere, Charles (2010) Slitting open the Kantian Eye. In: Revisualising Visual Culture. Ashgate, London, pp. 151-164. ISBN 978-0-7546-7568-6

Giannachi, Gabriella (2000) 48 dictionary entries on contemporary Italian practitioners. In: Who's who in contemporary world theatre. Routledge who's who series . Routledge, London, various. ISBN 0415141613

Giannachi, Gabriella (2000) Passione' by Laura Curino. In: Mythic women / real women. Faber, London, pp. 87-112. ISBN 0571191401

Griffin, Gabriele and Aston, Elaine and Wilkinson, Julie and Lavery, Bryony (1991) Herstory : volume 1:plays by women for women. Sheffield Academic Press, Sheffield. ISBN 1-85075-707-0

H

Harris, G. M. (2006) Beyond Representation: Television Drama and the Politics and Aesthetics of Identity. Manchester University Press. ISBN 0719074584

Harris, G. M. (2006) Turing Test: doo-cot Theatre Company's Frankenstein : The Final Blasphemy and the limits of the (post) human. In: Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang. ISBN 3039105574

Harris, G. M. and Aston, E. (2006) Feminist futures?:theatre, performance, theory. Palgrave Macmillan. ISBN 9781403945327

Harris, Geraldine (2008) Susan and Darren : the appearance of authenticity. Performance Research, 13 (4). pp. 4-15. ISSN 1469-9990

Harris, Geraldine (2009) Watching Whoopi : the politics and ethics of the ethics of witnessing. Performance Paradigm ( online), 5 (1). n/a. ISSN 1832-5580

Harris, Geraldine (1992) Yvette Guilbert:la femme moderne on the British stage. In: The New Woman and Her Sisters. University of Michigan Press, Ann Arbor, pp. 115-133. ISBN 9780472081684

Harris, Gerry (1999) Repetition, quoting, plagerism and iterability (Europe after the rain - again). Studies in Theatre Production, 19.

Hemment, Drew (2010) Environment 2.0 : participatory mass observation. Leonardo, 43 (2). p. 104. ISSN 0024-094X

Hemment, Drew (2008) Environment 2.0: Through Cracks in the Pavement - Leonardo Call For Papers. Leonardo.

Hemment, Drew (2008) Freeing urban space. Filter, 67.

Hemment, Drew (2006) Locative arts. Leonardo, 39 (4). pp. 348-355. ISSN 0024-094X

Hemment, Drew (2006) Locative media guest editorial. Leonardo Electronic Almanac, 14 (3).

Hemment, Drew (2004) Mobile connections : curator's statement. In: Futuresonic 2004. Futuresonic, Manchester, p. 5.

Hemment, Drew (1997) e is for Ekstasis. New Formations, Spring (31). pp. 23-38.

Hemment, Drew (2004) The locative dystopia. nettime.org.

Hemment, Drew (2005) The mobile effect. Convergence : the International Journal of Research into New Media Technologies, 11 (2). pp. 32-40.

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hemment, Drew and El-Sherbini, Yara and Carlo, Buontempo and John, Tweddle (2011) 100 years of climate change : project development and trial. Leonardo, 44 (1). pp. 68-69. ISSN 0024-094X

Hemment, Drew and Ellis, Rebecca and Wynne, Brian (2011) Participatory mass observation and citizen science. Leonardo, 44 (1). pp. 62-63. ISSN 0024-094X

Hemment, Drew and Raento, Mika and Humphries, Theo and Evans, John (2006) The Loca Project: Locative media and pervasive surveillance. In: The Hothaus Papers: Paradigms and Perspectives in Media Arts. Vivid Publication in association with Article Press, UCE, pp. 163-166. ISBN 1-873352-24-7

Heywood, Ian (2002) Deleuze on Francis Bacon. In: A Companion to Art Theory. Blackwell Publishing. ISBN 0-631-20762-7

J

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Johansson, Ola (2007) Eschatological Field Notes: Community Theatre, AIDS, and the Fate of Informant D. in Ilemera, Tanzania. Nordic Theatre Studies (19). ISSN 0904-6380

Johansson, Ola (2007) The Lives and Deaths of Zakia: How AIDS changed African Community Theatre and vice versa. Theatre Research International, 32 (1). pp. 85-100. ISSN 0307-8833

Johansson, Ola (2006) Performative Interventions: African Community Theatre in the Age of AIDS. In: Ritual and Event: Interdisciplinary Perspectives. Routledge. ISBN 0-415-70181-3

Johansson, S. O. M. and Reinelt, J. R. and Sauter, W. (2001) "It's the real thing": performance and murder in Sweden. European Review, 9 (3). pp. 319-337.

Jürs-Munby, Karen (2007) Hanswurst and Herr Ich: Subjection and Abjection in the Enlightenment Censorship of the Comic Figure. New Theatre Quarterly, 23 (2). pp. 124-135.

Jürs-Munby, Karen (2006) 'Ich will seicht sein':Elfriede Jelinek's Schauspielmodel (l) als Ideologiekritik und Medienst'rung. In: Das Analoge sträubt sich gegen das Digitale:. Theater der Zeit Recherchen, pp. 86-100. ISBN 9783934344815

Jürs-Munby, Karen (2005) Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy. Theatre Research International, 30 (1). pp. 19-35. ISSN 0307-8833

Jürs-Munby, Karen and Lehmann, H. T. (2006) Postdramatic Theatre. UNSPECIFIED.

K

Koo, Yoori and Cooper, Rachel (2011) Managing corporate social responsibility through design. The Design Management Institute, 22 (1). pp. 68-79. ISSN 1948-7169

L

Lavery, C. (2005) The state of Genet studies. Contemporary Theatre Review, 15 (4). pp. 470-475. ISSN 1477-2264

Lavery, Carl (2005) Teaching Performance Studies: 25 instructions for performance in cities. Studies in Theatre and Performance, 25 (3). pp. 229-238. ISSN 1468-2761

Lavery, Carl I. (2006) Between negativity and resistance: Jean Genet and Committed Theatre. Contemporary Theatre Review, 16 (2). pp. 220-234.

Lavery, Carl I. (2005) The Pepys of London E11: Graeme Miller and the Politics of Linked' and 'An Interview with Graeme Miller: Walking The Walk, Talking the Talk: Re-imagining the Urban Landscape. New Theatre Quarterly, 21 (2). pp. 148-165.

Lavery, Carl I. (2007) Sacred Theatres. Intellect. ISBN 9781841501536

Lavery, Carl I. and Finburgh, C. and Shevtsova, M. (2006) Jean Genet: Performance and Politics. Palgrave Macmillan. ISBN 1403994803

Lochrie, Mark and Coulton, Paul (2012) Creating a playful experience to encourage participation in the meta-narrative of conference discussions. In: MindTrek '12 Proceeding of the 16th International Academic MindTrek Conference. ACM, New York, pp. 263-266. ISBN 978-1-4503-1637-8

N

Newey, K. (2000) Women and early British film: finding a screen of her own. In: Moving performance: British stage and screen, 1890s-1920s. Flicks Books, Trowbridge, pp. 151-165. ISBN 0948911549

Newey, K. (2000) Women and history on the romantic stage: More, Yearsley, Burney and Mitford. In: Women in British romantic theatre: drama, performance and society, 1790-1840. Cambridge University Press, Cambridge, pp. 79-101. ISBN 0521662249

Newey, Kate (2000) Climbing boys and factory girls : popular melodramas of working life. Journal of Victorian Culture, 5 (1). pp. 28-44.

Newey, Kate (2002) Embodied history : reflections on the Jane Scott project. Nineteenth Century Theatre & Film, 29 (2). pp. 66-70. ISSN 1748-3727

Newey, Kate (1998) Home plays for ladies : women's work in home theatricals. Nineteenth Century Theatre, 26 (2). ISSN 0893-3766

Newey, Kate (1998) Recent readings of 'Othello'. Sydney Studies in English, 24 (1). ISSN 0156-5419

Newey, Kate (2003) When is an Australian playwright not an Australian playwright? The case of May Holt. In: Playing Australia : Australian theatre and the international stage. Australian playwrights (monogr). Rodopi, Amsterdam, pp. 93-107. ISBN 9042008172

Newey, Kate (2001) Women and the theatre. In: Women and literature in Britain, 1800-1900. Cambridge University Press, Cambridge, pp. 189-208.

Newey, Kate (2001) Women's playwriting and the popular theatre in the late Victorian era. In: Feminist readings of Victorian popular texts : divergent femininities. Ashgate, Aldershot, pp. 147-167.

Q

Quick, Andrew (2000) Dedicated : the violence of messages. Performance Research, 5 (3). ISSN 1469-9990

Quick, Andrew (2009) Hotel Methuselah: theatricalising cinema. In: Practice-as-Research in Performance and Screen. Palgrave Macmillan, London, Unpaginated. ISBN 9780230220010

Quick, Andrew (2000) On memory. Performance Research, 5 (3). ISSN 1469-9990

Quick, Andrew (2000) Resisting memorialisation : an interview with Fiona Templeton. Performance Research, 5 (3). pp. 115-124. ISSN 1469-9990

Quick, Andrew (2009) The Stay of Illusion. Performance Research, 14 (1). pp. 29-36. ISSN 1469-9990

Quick, Andrew (1999) Stills of the night. Performance Research, 4 (2). pp. 106-109. ISSN 1469-9990

Quick, Andrew (2010) Tales from the bar of lost souls. N/A.

Quick, Andrew (2007) The Wooster Group Work Book. Routledge, London. ISBN 9780415353335

Quick, Andrew (2003) The artist as director. In: Art, lies and videotape : exposing performance. Tate Publishing, London, pp. 80-91. ISBN 1854375377

Quick, Andrew and Brooks, Pete (2011) Hotel Methuselah. In: Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration: An Anthology of Playtexts 1966-2010. Methuen, London, pp. 125-153. ISBN 9781408139967

Quick, Andrew and Brooks, Pete (2011) Kellerman. Presses Universitaires du Mirall, Toulouse. ISBN 281070144X

Quick, Andrew and Brooks, Pete (2008) Kellerman. UNSPECIFIED, National Tour: West Yorkshire Playhouse, Bristol Old Vic, Exeter Northcott, Lowry, Manchester, Cochrane Theatre, London, Nuffield Theatre, Lancaster, Theatre Royal, Winchester, Made in Britain Festival, National Theatre of France, St Etienne..

Quick, Andrew and Brooks, Pete (2012) Stunde Null. N/A.

Quick, Andrew J. (2006) The Gift of Play: Ubung and the Secret signal of Gesture. In: Contemporary Theatres in Europe: a Critical Companion. Routledge. ISBN 9780415329408

Quick, Andrew J. (2004) Taking Place: Encountering the Live. In: Live: Art and Performance. Tate Publishing. ISBN 1854375016

Quick, Andrew J. and Brooks, P. (2005) Hotel Methuselah. UNSPECIFIED.

R

Richards, J. M. (2005) Sir Henry Irving: A Victorian Actor and His World. Hambledon & London, London. ISBN 1-85285-345-X

S

Sheller, Mimi B. (2003) The city and the cybercar. In: The cybercities reader. Routledge, New York and London, pp. 167-172. ISBN 0415279550

Stewart, N. (2005) Dancing the time of space: fieldwork, phenomenology and nature's choreography. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford, pp. 363-376. ISBN 9783039105571

Stewart, N. (2005) Introduction: spectacle, world, environment, void. In: Performing nature : explorations in ecology and the arts. Peter Lang, Oxford, pp. 19-62. ISBN 9783039105571

Stewart, N. (2003) To and fro and in-between: the ontology of the image in Thomas Lehman's Stations. In: Stationen. Podewil/Thomas Lehmen, Berlin, pp. 19-28.

Stewart, N. (2005) Understanding understanding: phenomenological hermeneutics in Thomas Lehmen's clever. In: Ethnicity and Identity : Global Performance. Rawat, New Delhi, pp. 65-77. ISBN 81-7033-916-2

Stewart, N. H. (2002) Understanding understanding: Phenomenological Hermeneutics in Thomas Lehmen's Clever. In: Ethnicity and Identity: Global Performance. Rawat Publishers, New Delhi:. ISBN 81-7033-916-2

Stewart, Nigel (2002) The Actor as Refusenik: Theatre Anthropology, Semiotics, and the Paradoxical Work of the Body. In: Negotiating Cultures: Eugenio Barba and the Intercultural Debate. Theatre . Manchester: Manchester University Press, pp. 46-58. ISBN 0719061709

Stewart, Nigel (2001) Clever. UNSPECIFIED.

Stewart, Nigel (2010) Dancing the Face Of Place:Environmental Dance and Eco-Phenomenology. Performance Research, 15 (4). pp. 32-39. ISSN 1469-9990

Stewart, Nigel (2006) The Saturated Moment. UNSPECIFIED.

Stewart, Nigel and Giannachi, Gabriella (2005) Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang. ISBN 3039105574

Stewart, Nigel S. (2001) Belongings : the art of us and them. UNSPECIFIED, Bentham. (Unpublished)

T

Templeton, Fiona (2001) Recognition [playtext]. Performing Arts Journal : A Journal of Performance and Art, 23 (3). pp. 103-121. ISSN 1537-9477

Templeton, Fiona (2001) [Stage play] The Medead. UNSPECIFIED.

Templeton, Fiona (2001) Translations of poetry in Christopher Tarkos : ma Langue est Poetique. Roof Books, New York.

Templeton, Fiona (2001) You - the city [stage play]. UNSPECIFIED. (Unpublished)

W

Whiteley, N .S. (2003) Intensity of Scrutiny and a Good Eyeful. Journal of Architectural Education, 56 (4). 8 -16.

Whiteley, N .S. (2004) Lawrence Alloway on Pop Since 1949. Artforum, 63 (2). 57 -58. ISSN 0004-3532

Whiteley, N .S. (2003) Learning from Las Vegas' and Los Angeles and Reyner Banham. Visible Language, special issue on 'Relearning from Las Vegas', 37 (3). 314 -330. ISSN 0022-2224

Whitton, D. W. (2001) Whatever happened to theatre populaire? The Unfinished History of People's Theatre in France. In: Morality and Justice. The Challenge of European Theatre. Rodopi. ISBN 90-420-1398-2

Whitton, David (2008) Proliferation and Differentiation of National Theatres in France. In: National Theatres in a Changing Europe. Studies in International Performance . Palgrave Macmillan, Basingstoke, pp. 153-163. ISBN 1-4039-4435-00 (Hb) 1-4039-4436-9 (Pb)

Whitton, David (2007) The 'practical turn' in theatre research. Journal of Korean Theatre Studies Association, 33. pp. 267-314. ISSN 1229-2877

Wilkie, Alex and Gaver, William and Hemment, Drew and Giannachi, Gabriella (2010) Creative assemblages : organisation and outputs of practice-led research. Leonardo, 43 (1). pp. 98-99. ISSN 0024-094X