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Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Group by: Creators | Item Type
Number of items at this level: 95.

Article

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, E (2004) Making a spectacle out of herself - Bobby Baker's take a peek! European journal of womens studies, 11 (3). pp. 277-294. ISSN 1350-5068

Aston, Elaine (1995) Daniels in the Lions Den, Daniels, Sarah and the British Backlash. Theatre Journal, 47 (3). pp. 393-403. ISSN 0192-2882

Aston, Elaine (2010) Editorial: Celebrating Thirty-Five Years of Publication. Theatre Research International, 35 (3). pp. 219-221. ISSN 0307-8833

Aston, Elaine (2012) Editorial: Critical Turning Points. Theatre Research International, 37 (1). pp. 1-4. ISSN 0307-8833

Aston, Elaine (2011) Editorial: Knowing Theatre Inside Out. Theatre Research International, 36 (3). pp. 193-195. ISSN 0307-8833

Aston, Elaine (2011) Editorial: On Censorship, Political Correctness, the Diagnostic and Community Building. Theatre Research International, 36 (2). pp. 99-101. ISSN 0307-8833

Aston, Elaine (2010) Feeling the loss of feminism:Sarah Kane's Blasted and an experiential genealogy of contemporary women's playwriting. Theatre Journal, 62 (4). pp. 575-592. ISSN 0192-2882

Aston, Elaine (1993) Girls on Stage, Contemporary British Womens Theater and the Teenage Question. Forum Modernes Theater, 8 (2). pp. 153-163. ISSN 0930-5874

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (2000) Staging femininities: Performance and performativity. Theatre Journal, 52 (3). pp. 436-437. ISSN 0192-2882

Aston, Elaine (2010) Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria. New Theatre Quarterly, 26 (101). pp. 38-48. ISSN 0266-464X

Aston, Elaine (2011) Untitled. Theatre Research International, 36 (1). pp. 1-2. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (2). pp. 97-98. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (1). pp. 1-3. ISSN 0307-8833

Aston, Elaine (2007) A critical step to the side: Performing the loss of the mother. Theatre Research International, 32 (2). pp. 130-142. ISSN 0307-8833

Aston, Elaine (2008) A fair trade?: Staging female sex tourism in 'Sugar Mummies' and 'Trade'. Contemporary Theatre Review, 18 (2). pp. 180-192. ISSN 1048-6801

Aston, Elaine and Clarke, Ian (1996) The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly, 12 (45). pp. 30-42. ISSN 0266-464X

Bennett, Bruce (2003) High theory:a report on the 'Figuring Addictions/Rethinking Consumption' conference, 1-5 April 2002, Lancaster University. Scope: An Online Journal of Film Studies. ISSN 1465-9166

Bennett, Bruce (2000) Misrecognizing film studies:Review of Bordwell, David, and Noel Carroll, "Post-Theory: Reconstructing Film Studies". Film-Philosophy, 4 (5). ISSN 1466-4615

Bennett, Bruce (1999) Richard Dyer "White" (Book review). Parallax, 5 (1). p. 122. ISSN 1353-4645

Bennett, Bruce and Diken, Bulent (2011) The hurt locker:cinematic addiction, ‘critique’ and the war on terror. Cultural Politics, 7 (2). pp. 165-188. ISSN 1751-7435

Bennett, Bruce and Tyler, Imogen (1999) Report on 1998 Screen studies conference. Screen, 40 (1). pp. 96-100. ISSN 1460-2474

Bettinson, G. J. (2005) Reflections on a Screen Narcissist: Leslie Cheung's Star Persona in the Films of Wong Kar-wai'. Asian Cinema, 16 (1). pp. 220-238. ISSN 1059-440X

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies, 5 (1). pp. 66-79. ISSN 1469-0314

Cooper, Rachel (2004) Can sociologists understand other forms of life? Perspectives on Science, 12 (1). pp. 29-54. ISSN 1530-9274

Cruickshank, Leon and Tsekleves, Emmanuel and Whitham, Roger and Hill, Annette and Kondo, Kaoruko (2007) Making interactive TV easier to use:interface design for a second screen approach. The Design Journal, 10 (3). pp. 41-53. ISSN 1756-3062

Gere, Charlie (2005) Online interview with artist Warren Neidlich. Interviewstream.

Griffin, Gabriele and Aston, Elaine (1997) Subversions - Playing with history in women's theatre - Playing history in the 1990s - Introduction. Contemporary Theatre Review, 6 (3). pp. 1-10. ISSN 1048-6801

Harris, Geraldine (2002) Double acts, theatrical couples, and Split Britches' 'Double Agency'. New Theatre Quarterly, 18 (3). pp. 211-221. ISSN 0266-464X

Harris, Geraldine (2004) Foreshadowings and After Blows: Fiona Templeton’s The Medead. Studies in Theatre and Performance, 23 (3). pp. 165-177. ISSN 1468-2761

Harris, Geraldine (1987) A Great Bath of Stupidity: Audience and Class in the Cafe-Concert. Theatrephile (2). pp. 3-15.

Harris, Geraldine (1996) Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic. TDR, 40 (4). pp. 70-84. ISSN 1054-2043

Harris, Geraldine (2012) A return to form?:postmasculinist television drama and tragic heroes in the wake of The Sopranos. New Review of Film and Television Studies, 10 (4). pp. 443-463. ISSN 1740-0309

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hunt, Dexter and Lombardi, D. Rachel and Atkinson, Stuart and Barber, Austin R. G. and Barnes, Matthew and Boyko, Christopher and Brown, Julie and Bryson, John and Butler, David and Caputo, Silvio and Caserio, Maria and Coles, Richard and Cooper, Rachel and Farmani, Raziyeh and Gaterell, Mark and Hale, James and Hales, A. Chantal and Hewitt, C. N. and Jankovic, Lubo and Jefferson, Ian and Leach, J. and Mackenzie, Rob and Memon, Fayyaz A. and Sadler, Jon P. and Weingaertner, Carina and Whyatt, Duncan and Rogers, Christopher D.F. (2012) Scenario archetypes:converging rather than diverging themes. Sustainability, 4 (4). pp. 740-772.

Juers-Munby, Karen (2009) ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances. Performance Paradigm, 5 (2). pp. 1-33. ISSN 1832-5580

Juers-Munby, Karen (2009) The Resistant Text in Postdramatic Theatre: Performing Elfriede Jelinek's ‘Sprachflächen’. Performance Research, 14 (1). pp. 46-56. ISSN 1352-8165

Kuhn, Annette (1999) Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television, 19 (4). pp. 531-543. ISSN 0143-9685

Kuhn, Annette (2002) Generos de mujeres : teoria sobre el melodrama y el culebron (translated by E. P. Coppel). Secuencia, 15. pp. 7-17.

Lund, Kate and Coulton, Paul and Wilson, Andrew (2014) Revealing the participation inequality in mobile location based games. Computers in Entertainment (CIE), 11 (3). ISSN 1544-3574

Munby, L. J. (2007) Signifyin' Cinema: Rudy Ray Moore and the Quality of Badness. Journal for Cultural Research, 11 (3). pp. 203-219. ISSN 1479-7585

Rushton, Richard (2007) Absorption and theatricality in the cinema : some thoughts on narrative and spectacle. Screen, 48 (1). pp. 109-112. ISSN 1460-2474

Rushton, Richard (2010) Acknowledgement and Unknown Women : The Films of Catherine Breillat. Journal for Cultural Research, 14 (1). pp. 85-101. ISSN 1479-7585

Rushton, Richard (2009) Deleuzian spectatorship. Screen, 50 (1). pp. 45-53. ISSN 1460-2474

Rushton, Richard (2004) Early, classical and modern cinema : absorption and theatricality. Screen, 45 (3). pp. 226-244. ISSN 1460-2474

Rushton, Richard J. (2002) What can a face do? On Deleuze and faces. Cultural Critique, 51 (1). pp. 219-237.

Tyler, Imogen and Bennett, Bruce (2010) Celebrity chav : fame, femininity and social class. European Journal of Cultural Studies, 13 (3). pp. 375-393. ISSN 1460-3551

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Book/Report/Proceedings

Bennett, Bruce (2013) The cinema of Michael Winterbottom:borders, intimacy, terror. Directors' Cuts . Wallflower Press, Columbia University Press. ISBN 9780231167369

Boynton, Neil A. and Rose, Emma E. (2005) White-out + skywriting : white-out : paintings and drawings by Emma Rose ; Skywriting : a video and sound installation by Neil Boynton and Emma Rose. North Tyneside Arts. ISBN 0953447766

Brown, Paul and Gere, Charles and Lambert, Nick and Mason, Catherine (2009) White Heat Cold Logic:Early British Computer Art 1960-1980. MIT Press. ISBN 978-0-262-02653-6

Frank, Fiona (2004) Hannah Frank, a Glasgow artist : drawings and sculpture. Scottish Jewish Archives Centre. ISBN 0951320556

Gardiner, Hazel and Gere, Charles (2010) Art Practice in a Digital Culture. AHRC ICT Methods Network . Ashgate. ISBN 978-0-7546-7623-2

Gere, Charlie (2006) Art, Time and Technology. Berg. ISBN 1845201353

Harris, Geraldine (1999) Staging Femininities: Performance and Performativity. Manchester University Press.

Harris, Geraldine and Aston, Elaine (2012) A good night out for the girls:popular feminisms in contemporary theatre and performance. Palgrave Macmillan. ISBN 9780230281035

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press. ISBN 9780719082689

Whiteley, Nigel S. (2000) De-traditionalisation and art : aesthetic, authority, authenticity. Middlesex University Press.

Composition

Boynton, Neil and Quick, Andrew (2009) Kellerman. [Composition]

Conference or Workshop Item

Devereaux, Emile (2008) Foreign Skin in Sebastian Liftshitz's Wild Side. In: Society of Cinema and Media Studies Conference, 2008-03-08.

Contribution in Book/Report/Proceedings

Aston, Elaine (2012) Creative Futures/Creating Futures:Close Encounters of the Practice Kind. In: The politics of being on stage. Georg Olms, Hildesheim, pp. 113-115. ISBN 9783487148045

Bennett, Bruce (2014) Loving the alien:indigenous protest and neo-colonial violence in Avatar. In: Immigrant protest. SUNY Press, New York, pp. 96-119. ISBN 9781438453118

Bennett, Bruce (2012) Lu Chuan. In: Directory of World Cinema: China. Directory of World Cinema . Intellect Books, Bristol, pp. 69-73. ISBN 9781841505589

Bennett, Bruce (2012) X-Ray visions:photography, propaganda and Guantánamo Bay. In: Controversial Images. Palgrave Macmillan, pp. 67-84. ISBN 9780230284050

Bennett, Bruce and Furstenau, Marc and Mackenzie, Adrian (2008) Introduction:Cinema and Technology/Cinema as Technology. In: Cinema and Technology. Palgrave Macmillan, Basingstoke, pp. 1-18. ISBN 978-0-230-52477-4

Bettinson, Gary (2010) Eraserhead : comprehension, complexity, and the midnight movie. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 40-57. ISBN 9788073083175

Bettinson, Gary (2009) Happy Together ? Generic hybridity in 2046 and In the Mood for Love. In: Puzzle films : complex storytelling in contemporary cinema. Wiley-Blackwell, pp. 167-186. ISBN 9781405168625

Bettinson, Gary and Gleyzon, Francois-Xavier (2010) David Lynch and the cinema d'auteur : a conversation with Michel Chion. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 182-187. ISBN 9788073083175

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

Gere, Charlie (2005) Jack Burnham and the work of art in the age of real-time systems. In: Get real : real time + art + theory + practice + history. Braziller, New York, pp. 149-164. ISBN 0807615641

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Gere, Charlie (2006) A history of network art. In: Network art : practices and positions. Routledge, London, pp. 11-23. ISBN 9780415364799

Harris, Geraldine (2011) Apres toutes ces elles/ after all this else:‘new’ French feminisms translated to the British scene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 224-235. ISBN 9780230580510

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Juers-Munby, Karen (2011) Der fremde, faszinierende, paradoxe Ort Theater: Gedanken zu Elfriede Jelineks neueren theatertheoretischen Essays. In: Jelinek[Jahr]buch 2011. Praesens Verlag, Vienna, pp. 85-102. ISBN 9783706904476

Juers-Munby, Karen (2010) Ticker-Theater: von der Krise des Dramas und postdramatischem Echtzeittheater im Umgang mit der globalen Finanzkrise. In: Lücken sehen... Universitätsverlag C. Winter, pp. 251-264. ISBN 978-3-8253-5777-1

Munby, L. J. (2003) The 'No' to the Great American 'Yes': Hollywood's Criminal Representation of Organised Crime, 1929-1951. In: Crime & Hollywood Inc.,1929-1951: Le Crime Organis' ' la Ville et ' l''cran (1929-1951). Publications de l'Universit' de Rouen, Rouen. ISBN 2877753492

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0

Whiteley, Nigel S. (2000) Sacred moments and profane gestures : de-traditionalisation and modernist art. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 11-32.

Whiteley, Nigel S. (2003) Space-time (dis)continuities. In: Reality check. Penezic and Rogina, Zagreb, pp. 6-109.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

Other

Boynton, Neil (2013) Au fil du temps. Lucerne International Film Festival.

Davies, G. (2006) Crowds and Power: School. .

Davies, Gerry (2000) [8 drawings] A drawing show. .

Gere, Charlie (2007) Feedback: co-curated exhibition. .

Gere, Charlie (2004) Special issue on 'Brains in Vats'. .

Kane, Paula (2002) Contemplating Conservation (oil on linen, 112 x 143cm) and View Including Detour (oil on linen, 143 x 209cm). .

Kane, Paula (2006) Echoes in the Trees. .

Kane, Paula (2004) Flowers in the Wood (Oil on linen, 62 x 122 cm). .

Kane, Paula (2002) Paula Kane. .

Rose, Emma E. and Boynton, Neil (2005) skyWriting, video and sound projection, duration 13 minutes 46 seconds. .

Show/Exhibition

Davies, Gerald (2009) Contemporary Drawings, Recent acquisitions. Leighton Room, Victoria & Albert Museum. London. 9th March – 30th July 2009.:Contribution to a group exhibition of 40 drawings by 40 contemprary British artists sepecialising in drawing. [Show/Exhibition]

Davies, Gerald (2010) Jenolan Caves: International Residency at the Study Centre for Drawing. The National Art School Sydney, NSW, Australia. July – August 2010:Solo exhibition of 60 new original drawings made in response to Jenolan Caves, NSW Australia. [Show/Exhibition]

This list was generated on Thu Mar 23 02:24:47 2017 GMT.