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Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Group by: Creators | Item Type
Number of items at this level: 79.

Book/Report/Proceedings

Brown, Paul and Gere, Charles and Lambert, Nick and Mason, Catherine (2009) White Heat Cold Logic:Early British Computer Art 1960-1980. MIT Press. ISBN 978-0-262-02653-6

Fortnum, Rebecca (2006) Contemporary British Women Artists: In their own words. I.B.Tauris. ISBN 1 84511 224 5

Frank, Fiona (2004) Hannah Frank, a Glasgow artist : drawings and sculpture. Scottish Jewish Archives Centre. ISBN 0951320556

Gardiner, Hazel and Gere, Charles (2010) Art Practice in a Digital Culture. AHRC ICT Methods Network . Ashgate. ISBN 978-0-7546-7623-2

Gere, Charlie (2006) Art, Time and Technology. Berg. ISBN 1845201353

Gere, Charlie (2002) Digital Culture. Reaktion. ISBN 1861891431

Harris, Geraldine (1999) Staging Femininities: Performance and Performativity. Manchester University Press.

Harris, Geraldine and Aston, Elaine (2012) A good night out for the girls:popular feminisms in contemporary theatre and performance. Palgrave Macmillan. ISBN 9780230281035

Kuhn, Annette (1999) Alien zone II : the spaces of science-fiction cinema. Verso. ISBN 1859842593

Rushton, Richard (2013) The politics of Hollywood cinema:popular film and contemporary political theory. Palgrave Macmillan. ISBN 9780230244580

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press. ISBN 9780719082689

Composition

Boynton, Neil and Quick, Andrew (2009) Kellerman. [Composition]

Contribution in Book/Report/Proceedings

Aston, Elaine (2012) Creative Futures/Creating Futures:Close Encounters of the Practice Kind. In: The politics of being on stage. Georg Olms, Hildesheim, pp. 113-115. ISBN 9783487148045

Aston, Elaine (2007) Feminist performance as archive. In: Bobby Baker. Routledge, London, pp. 129-133. ISBN 9780415444118

Aston, Elaine (1992) The 'New Woman' at Manchester's Gaiety Theatre. In: The New Woman and Her Sisters. Harvester Wheatsheaf, Hemel Hempstead, pp. 205-220. ISBN 0710813805

Bennett, Bruce (2008) Children and robots, technophobia and cinephilia. In: Cinema and Technology. Palgrave Macmillan, London and New York, pp. 168-182. ISBN 978-0230524774

Bennett, Bruce (2014) Loving the alien:indigenous protest and neo-colonial violence in Avatar. In: Immigrant protest. SUNY Press, New York, pp. 96-119. ISBN 9781438453118

Bennett, Bruce (2012) Lu Chuan. In: Directory of World Cinema: China. Directory of World Cinema . Intellect Books, Bristol, pp. 69-73. ISBN 9781841505589

Bennett, Bruce (2001) semic code, discourse, 180-degree system, indirect address. In: Critical Dictionary of Film and Television Theory. Routledge, London. ISBN 0-415-16218-1

Bennett, Bruce and Furstenau, Marc and Mackenzie, Adrian (2008) Introduction:Cinema and Technology/Cinema as Technology. In: Cinema and Technology. Palgrave Macmillan, Basingstoke, pp. 1-18. ISBN 978-0-230-52477-4

Bettinson, Gary (2010) Eraserhead : comprehension, complexity, and the midnight movie. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 40-57. ISBN 9788073083175

Bettinson, Gary (2009) Happy Together ? Generic hybridity in 2046 and In the Mood for Love. In: Puzzle films : complex storytelling in contemporary cinema. Wiley-Blackwell, pp. 167-186. ISBN 9781405168625

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

Gere, Charlie (2005) Jack Burnham and the work of art in the age of real-time systems. In: Get real : real time + art + theory + practice + history. Braziller, New York, pp. 149-164. ISBN 0807615641

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Gere, Charlie (2006) A history of network art. In: Network art : practices and positions. Routledge, London, pp. 11-23. ISBN 9780415364799

Harris, Geraldine (2011) Apres toutes ces elles/ after all this else:‘new’ French feminisms translated to the British scene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 224-235. ISBN 9780230580510

Harris, Geraldine (2007) How to shop. In: Bobby Baker. Routledge, London, pp. 191-195. ISBN 9780415444118

Harris, Geraldine (1998) The I of the Beholder: Annie Sprinkle Revisited. In: Shattered Anatomies: Traces of the Body in Performance. Arts Council Great Britan/Arnolfini.

Harris, Geraldine (1998) Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960. In: The Routledge Reader in Gender and Performance. Routledge, London. ISBN 0415165822

Harris, Geraldine (1994) The archetype and its shadow, Medea and the everyday. In: Women and theatre. Department of Drama and Theatre Arts, University of Birmingham, pp. 11-27. ISBN 0951887513

Harris, Geraldine and Aston, Elaine (2007) Integrity:the essential ingredient. In: Bobby Baker. Routledge, London, pp. 109-116. ISBN 9780415444118

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Kuhn, Annette (2000) Smart girls: growing up with cinema in the 1930s. In: Moving images, culture and the mind. University of Luton Press, Luton, pp. 31-42. ISBN 1860205739

Munby, L. J. (2007) From Gangsta to Gangster'the Hood Film's Criminal Allegiance with Hollywood. In: The New Film History: Approaches, Methods, Sources. Palgrave Macmillan. ISBN 0230001696

Munby, L. J. (2005) The Underworld Films of Oscar Mischeaux and Ralph Cooper: Toward a Genealogy of the Black Screen Gangster. In: Mob Culture: Hidden Histories of the American Gangster Film. Rutgers University Press. ISBN 0813535573

Richards, Jeffrey M. (2001) Imperial Heroes for a post-imperial age: films and the end of empire. In: British Culture and the Empire. Manchester University Press, Manchester, pp. 128-144. ISBN 0-7190-6047-8

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0

Whiteley, Nigel S. (2000) Sacred moments and profane gestures : de-traditionalisation and modernist art. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 11-32.

Whiteley, Nigel S. (2003) Space-time (dis)continuities. In: Reality check. Penezic and Rogina, Zagreb, pp. 6-109.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

Contribution to Conference

Kuhn, Annette (2003) Living within the frame. In: Inaugural lecture, 2003-06-11.

Exhibition

Davies, Gerald (2010) Jenolan Caves: International Residency at the Study Centre for Drawing. The National Art School Sydney, NSW, Australia. July – August 2010:Solo exhibition of 60 new original drawings made in response to Jenolan Caves, NSW Australia. [Exhibition]

Journal Article

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, Elaine (1995) Daniels in the Lions Den, Daniels, Sarah and the British Backlash. Theatre Journal, 47 (3). pp. 393-403. ISSN 0192-2882

Aston, Elaine (2010) Feeling the loss of feminism:Sarah Kane's Blasted and an experiential genealogy of contemporary women's playwriting. Theatre Journal, 62 (4). pp. 575-592. ISSN 0192-2882

Aston, Elaine (1993) Girls on Stage, Contemporary British Womens Theater and the Teenage Question. Forum Modernes Theater, 8 (2). pp. 153-163. ISSN 0930-5874

Aston, Elaine (1996) Glaspell, Susan, Essays on Her Theater and Fiction - Benzvi,L. Modern Drama, 39 (2). pp. 369-370. ISSN 0026-7694

Aston, Elaine (1997) 'Hotel'. Theatre Journal, 49 (4). pp. 511-512. ISSN 0192-2882

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (2000) Staging femininities: Performance and performativity. Theatre Journal, 52 (3). pp. 436-437. ISSN 0192-2882

Aston, Elaine (1997) Susan Glaspell The 'Verge'. Theatre Journal, 49 (2). pp. 229-231. ISSN 0192-2882

Bennett, Bruce (2003) High theory:a report on the 'Figuring Addictions/Rethinking Consumption' conference, 1-5 April 2002, Lancaster University. Scope: An Online Journal of Film Studies. ISSN 1465-9166

Bettinson, Gary (2007) Made in Hong Kong, In the Mood for Love, and the metaphysics of melodrama. Asian Journal of Literature, Culture, and Society, 1 (2). pp. 21-39. ISSN 1905-856X

Bettinson, Gary (2008) New blood : an interview with Soi Cheang. Journal of Chinese Cinemas, 2 (3). pp. 211-224. ISSN 1750-8061

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies, 5 (1). pp. 66-79. ISSN 1469-0314

Gere, Charlie (2005) Online interview with artist Warren Neidlich. Interviewstream.

Harris, Geraldine (1994) Gender and Devising. Studies in Theatre Production (9). pp. 2-19.

Harris, Geraldine (1987) A Great Bath of Stupidity: Audience and Class in the Cafe-Concert. Theatrephile (2). pp. 3-15.

Harris, Geraldine (1996) Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic. TDR, 40 (4). pp. 70-84. ISSN 1054-2043

Juers-Munby, Karen (2009) ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances. Performance Paradigm, 5 (2). pp. 1-33. ISSN 1832-5580

Juers-Munby, Karen (2010) Text Exposed: Displayed texts as players onstage in contemporary theatre. Studies in Theatre and Performance, 30 (1). pp. 101-114. ISSN 1468-2761

Kuhn, Annette (2002) Generos de mujeres : teoria sobre el melodrama y el culebron (translated by E. P. Coppel). Secuencia, 15. pp. 7-17.

Rushton, Richard (2007) Douglas Sirk's Theatres of Imitation. Screening the Past: An International Electronic Journal of Visual Media and History, 21. ISSN 1328-9756

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Other

Davies, G. (2006) Crowds and Power: School. .

Davies, Gerry (2000) [30 drawings] A deluge of human indeifference. . (Unpublished)

Fortnum, Rebecca (2006) Inspiration to Order. .

Gere, Charlie (2007) Feedback: co-curated exhibition. .

Gere, Charlie (2004) Special issue on 'Brains in Vats'. .

Kane, Paula (2002) Contemplating Conservation (oil on linen, 112 x 143cm) and View Including Detour (oil on linen, 143 x 209cm). .

Kane, Paula (2006) Echoes in the Trees. .

Kane, Paula (2004) Flowers in the Wood (Oil on linen, 62 x 122 cm). .

Kane, Paula (2002) Paula Kane. .

Rose, Emma E. and Boynton, Neil (2005) rush: video and sound projection, duration 7 minutes 30 seconds. .

Rose, Emma E. and Boynton, Neil (2005) skyWriting, video and sound projection, duration 13 minutes 46 seconds. .

Performance

Stewart, Nigel and Wilson, Louise Ann (2011) Fissure. [Performance]

Stewart, Nigel and Wilson, Louise Ann (2010) Jack Scout. [Performance]

This list was generated on Sun Apr 22 02:18:47 2018 BST.