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Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 167.

A

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, E (2006) The French actress and her English audience. New Theatre Quarterly, 22 (86). pp. 204-205. ISSN 0266-464X

Aston, E (2004) Languages of theatre shaped by women. New Theatre Quarterly, 20 (4). p. 398. ISSN 0266-464X

Aston, E (2004) Making a spectacle out of herself - Bobby Baker's take a peek! European journal of womens studies, 11 (3). pp. 277-294. ISSN 1350-5068

Aston, Elaine (2009) Black Feminism in Contemporary Drama. Signs : Journal of Women in Culture and Society, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (2000) Black South African women: An anthology of plays. New Theatre Quarterly, 16 (4). p. 393. ISSN 0266-464X

Aston, Elaine (2012) Creative Futures/Creating Futures:Close Encounters of the Practice Kind. In: The politics of being on stage. Georg Olms, Hildesheim, pp. 113-115. ISBN 9783487148045

Aston, Elaine (1995) Daniels in the Lions Den, Daniels, Sarah and the British Backlash. Theatre Journal, 47 (3). pp. 393-403. ISSN 0192-2882

Aston, Elaine (2010) Editorial: Celebrating Thirty-Five Years of Publication. Theatre Research International, 35 (3). pp. 219-221. ISSN 0307-8833

Aston, Elaine (2012) Editorial: Critical Turning Points. Theatre Research International, 37 (1). pp. 1-4. ISSN 0307-8833

Aston, Elaine (2011) Editorial: Knowing Theatre Inside Out. Theatre Research International, 36 (3). pp. 193-195. ISSN 0307-8833

Aston, Elaine (2011) Editorial: On Censorship, Political Correctness, the Diagnostic and Community Building. Theatre Research International, 36 (2). pp. 99-101. ISSN 0307-8833

Aston, Elaine (1997) The Edwardian theatre: Essays on performance and the stage - Booth,MR, Kaplan,JH. Theatre Research International, 22 (1). p. 81. ISSN 0307-8833

Aston, Elaine (2010) Feeling the loss of feminism:Sarah Kane's Blasted and an experiential genealogy of contemporary women's playwriting. Theatre Journal, 62 (4). pp. 575-592. ISSN 0192-2882

Aston, Elaine (2007) Feminist performance as archive. In: Bobby Baker. Routledge, London, pp. 129-133. ISBN 9780415444118

Aston, Elaine (1997) Feminist theatres in the USA: Staging women's experience - Canning,C. New Theatre Quarterly, 13 (49). p. 92. ISSN 0266-464X

Aston, Elaine (2009) Footpaths and Bridges: Voices from the Native American Women Playwrights Archive. Signs : Journal of Women in Culture and Society, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1993) Girls on Stage, Contemporary British Womens Theater and the Teenage Question. Forum modernes theater, 8 (2). pp. 153-163. ISSN 0930-5874

Aston, Elaine (1996) Glaspell, Susan, Essays on Her Theater and Fiction - Benzvi,L. Modern Drama, 39 (2). pp. 369-370. ISSN 0026-7694

Aston, Elaine (1997) 'Hotel'. Theatre Journal, 49 (4). pp. 511-512. ISSN 0192-2882

Aston, Elaine (1988) Male Impersonation in the Music Hall, The Case of Vesta Tilley. New Theatre Quarterly, 4 (15). pp. 247-257. ISSN 0266-464X

Aston, Elaine (1992) Modern British Drama 1890-1990 - Innes,C. New Theatre Quarterly, 8 (31). pp. 291-292. ISSN 0266-464X

Aston, Elaine (1997) Modern drama by women, 1880s-1930s: an international anthology - Kelly,KE. New Theatre Quarterly, 13 (50). pp. 188-189. ISSN 0266-464X

Aston, Elaine (2000) Ms-directing Shakespeare: Women direct Shakespeare. New Theatre Quarterly, 16 (3). pp. 299-300. ISSN 0266-464X

Aston, Elaine (1992) The 'New Woman' at Manchester's Gaiety Theatre. In: The New Woman and Her Sisters. Harvester Wheatsheaf, Hemel Hempstead, pp. 205-220. ISBN 0710813805

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (2009) Radical Acts: Theatre and Feminist Pedagogies of Change. Signs : Journal of Women in Culture and Society, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1999) Re-dressing the canon. New Theatre Quarterly, 15 (3). pp. 285-286. ISSN 0266-464X

Aston, Elaine (1994) The Semiotics of Performance - Demarinis,M. New Theatre Quarterly, 10 (38). p. 203. ISSN 0266-464X

Aston, Elaine (1997) Signs of performance: An introduction to Twentieth-Century theatre - Counsell,C. Theatre Research International, 22 (2). p. 178. ISSN 0307-8833

Aston, Elaine (1997) Split-Britches: Lesbian practice/feminist performance - Case,SE. New Theatre Quarterly, 13 (51). p. 295. ISSN 0266-464X

Aston, Elaine (2000) Staging femininities: Performance and performativity. Theatre Journal, 52 (3). pp. 436-437. ISSN 0192-2882

Aston, Elaine (2008) Staging whiteness. New Theatre Quarterly, 24 (93). p. 100. ISSN 0266-464X

Aston, Elaine (1997) Susan Glaspell The 'Verge'. Theatre Journal, 49 (2). pp. 229-231. ISSN 0192-2882

Aston, Elaine (2010) Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria. New Theatre Quarterly, 26 (101). pp. 38-48. ISSN 0266-464X

Aston, Elaine (2007) Take a peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444118

Aston, Elaine (2001) Taking stage: Women directors on directing. New Theatre Quarterly, 17 (1). p. 94. ISSN 0266-464X

Aston, Elaine (2009) Teatro Chicana: A Collective Memoir and Selected Plays. Signs : Journal of Women in Culture and Society, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1994) The Theater Industry in 19th-Century France - Hemmings, F.W.J. New Theatre Quarterly, 10 (40). p. 394. ISSN 0266-464X

Aston, Elaine (1996) Theatre and State in France, 1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 12 (45). p. 91. ISSN 0266-464X

Aston, Elaine (1995) Theatre and State in France,1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 11 (44). pp. 396-397. ISSN 0266-464X

Aston, Elaine (1998) Three tragic actresses: Siddons, Rachel, Ristori. New Theatre Quarterly, 14 (54). pp. 186-187. ISSN 0266-464X

Aston, Elaine (2011) Untitled. Theatre Research International, 36 (1). pp. 1-2. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (2). pp. 97-98. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (1). pp. 1-3. ISSN 0307-8833

Aston, Elaine (1998) Women in the American theatre: Actresses and audiences, 1790-1870. New Theatre Quarterly, 14 (56). pp. 395-396. ISSN 0266-464X

Aston, Elaine (2007) A critical step to the side: Performing the loss of the mother. Theatre Research International, 32 (2). pp. 130-142. ISSN 0307-8833

Aston, Elaine (2008) A fair trade?: Staging female sex tourism in 'Sugar Mummies' and 'Trade'. Contemporary Theatre Review, 18 (2). pp. 180-192. ISSN 1048-6801

Aston, Elaine and Clarke, Ian (1996) The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly, 12 (45). pp. 30-42. ISSN 0266-464X

Aston, Elaine and Reinelt, Janelle (2001) Building Bridges: Life on Dunbar's Arbor, Past and Present. Theatre Research International, 26 (3). pp. 285-293. ISSN 0307-8833

B

Bennett, Bruce (2008) Children and robots, technophobia and cinephilia. In: Cinema and Technology. Palgrave Macmillan, London and New York, pp. 168-182. ISBN 978-0230524774

Bennett, Bruce (2010) Framing terror : cinema, docudrama and the war on terror. Studies in Documentary Film, 4 (3). pp. 209-225. ISSN 1750-3280

Bennett, Bruce (2003) High theory:a report on the 'Figuring Addictions/Rethinking Consumption' conference, 1-5 April 2002, Lancaster University. Scope: An Online Journal of Film & TV Studies. ISSN 1465-9166

Bennett, Bruce (2012) Lu Chuan. In: Directory of World Cinema: China. Directory of World Cinema . Intellect Books, Bristol, pp. 69-73. ISBN 9781841505589

Bennett, Bruce (2004) Mary Anne Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA and London: Harvard University Press, 2002, 288 pp. Screen, 45 (4). pp. 461-466.

Bennett, Bruce (2000) Misrecognizing film studies:Review of Bordwell, David, and Noel Carroll, "Post-Theory: Reconstructing Film Studies". Film-Philosophy, 4 (5). ISSN 1466-4615

Bennett, Bruce (2007) Review of Vivian Sobchack, 'Carnal Thoughts: Embodiment and Moving Image Culture'. Feminist Review (85). pp. 136-138.

Bennett, Bruce (1999) Richard Dyer "White" (Book review). Parallax, 5 (1). p. 122. ISSN 1460-700X

Bennett, Bruce (2007) 'Very un-British films: Michael Winterbottom and the Cinema of Incompatibility'. In: Re-Reading Britain Today. Shanghai Foreign Language Education Press, Shanghai, pp. 285-299. ISBN 978-7-5446-0417-8

Bennett, Bruce (2012) X-Ray visions:photography, propaganda and Guantánamo Bay. In: Controversial Images. Palgrave Macmillan, pp. 67-84. ISBN 9780230284050

Bennett, Bruce (2013) The cinema of Michael Winterbottom:borders, intimacy, terror. Directors' Cuts . Wallflower Press, Columbia University Press, New York. ISBN 9780231167369

Bennett, Bruce (2001) semic code, discourse, 180-degree system, indirect address. In: Critical Dictionary of Film and Television Theory. Routledge, London. ISBN 0-415-16218-1

Bennett, Bruce and Diken, Bulent (2011) The hurt locker:cinematic addiction, ‘critique’ and the war on terror. Cultural Politics, 7 (2). pp. 165-188.

Bennett, Bruce and Furstenau, Marc and Mackenzie, Adrian (2008) Introduction:Cinema and Technology/Cinema as Technology. In: Cinema and Technology. Palgrave Macmillan, Basingstoke, pp. 1-18. ISBN 978-0-230-52477-4

Bennett, Bruce and Tyler, Imogen (1999) Report on 1998 Screen studies conference. Screen, 40 (1). pp. 96-100. ISSN 1460-2474

Bettinson, G. J. (2005) Reflections on a Screen Narcissist: Leslie Cheung's Star Persona in the Films of Wong Kar-wai'. Asian Cinema, 16 (1). pp. 220-238. ISSN 1059-440X

Bettinson, Gary (2008) Effects of the dominant in Secret Window. New Review of Film and Television Studies, 6 (2). pp. 151-167. ISSN 1740-7923

Bettinson, Gary (2010) Eraserhead : comprehension, complexity, and the midnight movie. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 40-57. ISBN 9788073083175

Bettinson, Gary (2009) Happy Together ? Generic hybridity in 2046 and In the Mood for Love. In: Puzzle films : complex storytelling in contemporary cinema. Wiley-Blackwell, pp. 167-186. ISBN 9781405168625

Bettinson, Gary (2007) Made in Hong Kong, In the Mood for Love, and the metaphysics of melodrama. Asian Journal of Literature, Culture, and Society, 1 (2). pp. 21-39. ISSN 1905-856X

Bettinson, Gary (2008) New blood : an interview with Soi Cheang. Journal of Chinese Cinemas, 2 (3). pp. 211-224. ISSN 1750-8061

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies: An International Review, 5 (1). pp. 66-79. ISSN 1469-0314

Bettinson, Gary (2009) Reappraising Always. New Review of Film and Television Studies, 7 (1). pp. 33-49. ISSN 1740-7923

Bettinson, Gary and Gleyzon, Francois-Xavier (2010) David Lynch and the cinema d'auteur : a conversation with Michel Chion. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 182-187. ISBN 9788073083175

Boynton, Neil (2013) Au fil du temps. Lucerne International Film Festival.

Boynton, Neil (2013) Listening to Landscapes: On the Relationship between sound and image in The Sonification of Morecambe Bay and au fil du temps. In: Aux Ecoutes des Images. UNSPECIFIED. (Submitted)

Boynton, Neil and Quick, Andrew (2009) Kellerman. [Composition]

Boynton, Neil A. and Rose, Emma E. (2005) White-out + skywriting : white-out : paintings and drawings by Emma Rose ; Skywriting : a video and sound installation by Neil Boynton and Emma Rose. North Tyneside Arts, Wallsend. ISBN 0953447766

Brown, Paul and Gere, Charles and Lambert, Nick and Mason, Catherine (2009) White Heat Cold Logic:Early British Computer Art 1960-1980. MIT Press, Cambridge, Mass.. ISBN 978-0-262-02653-6

C

CRUICKSHANK, Leon and TSEKLEVES, E. and WHITHAM, R. and HILL, A. (2007) MAKING INTERACTIVE TV EASIER TO USE:INTERFACE DESIGN FOR A SECOND SCREEN APPROACH . The Design Journal, 10 (3).

Casey, Sarah (2013) Hidden Drawers:a solo exhibition of new drawings. [Show/Exhibition]

Cooper, Rachel (2004) Can sociologists understand other forms of life? Perspectives on Science, 12 (1). pp. 29-54.

Coulton, Paul and Wilson, Andrew (2012) The Peoples Republic of Monsters. In: Performing Monstrosity in the City, 2012-09-01, London.

D

Davies, G. (2006) Crowds and Power: School. UNSPECIFIED.

Davies, Gerald (2009) Contemporary Drawings, Recent acquisitions. Leighton Room, Victoria & Albert Museum. London. 9th March – 30th July 2009.:Contribution to a group exhibition of 40 drawings by 40 contemprary British artists sepecialising in drawing. [Show/Exhibition]

Davies, Gerald (2010) Jenolan Caves: International Residency at the Study Centre for Drawing. The National Art School Sydney, NSW, Australia. July – August 2010:Solo exhibition of 60 new original drawings made in response to Jenolan Caves, NSW Australia. [Show/Exhibition]

Davies, Gerry (2000) [30 drawings] A deluge of human indeifference. UNSPECIFIED. (Unpublished)

Davies, Gerry (2000) [8 drawings] A drawing show. UNSPECIFIED.

Devereaux, Emile (2008) Foreign Skin in Sebastian Liftshitz's Wild Side. In: Society of Cinema and Media Studies Conference, 2008-03-08, Philadelphia, Pennsylvania.

F

Fortnum, Rebecca (2006) Contemporary British Women Artists: In their own words. I.B.Tauris. ISBN 1 84511 224 5

Fortnum, Rebecca (2006) Inspiration to Order. UNSPECIFIED.

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

Frank, Fiona (2004) Hannah Frank, a Glasgow artist : drawings and sculpture. Scottish Jewish Archives Centre, Glasgow. ISBN 0951320556

G

Gardiner, Hazel and Gere, Charles (2010) Art Practice in a Digital Culture. AHRC ICT Methods Network . Ashgate, London. ISBN 978-0-7546-7623-2

Gere, Charlie (2006) Art, Time and Technology. Berg. ISBN 1845201353

Gere, Charlie (2005) Book Review: Art is not terrorism! Steve Kurtz, Robert Ferrell, bioterrorism and mail fraud. Visual Communication, 4 (1). pp. 65-68. ISSN 1741-3214

Gere, Charlie (2002) Digital Culture. Reaktion. ISBN 1861891431

Gere, Charlie (2007) Feedback: co-curated exhibition. UNSPECIFIED.

Gere, Charlie (2005) Jack Burnham and the work of art in the age of real-time systems. In: Get real : real time + art + theory + practice + history. Braziller, New York, pp. 149-164. ISBN 0807615641

Gere, Charlie (2005) Online interview with artist Warren Neidlich. Interviewstream.

Gere, Charlie (2004) Special issue on 'Brains in Vats'. UNSPECIFIED.

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Gere, Charlie (2006) A history of network art. In: Network art : practices and positions. Routledge, London, pp. 11-23. ISBN 9780415364799

Griffin, Gabriele and Aston, Elaine (1997) Subversions - Playing with history in women's theatre - Playing history in the 1990s - Introduction. Contemporary Theatre Review, 6 (3). pp. 1-10. ISSN 1048-6801

H

Harris, Geraldine (2011) Apres toutes ces elles/ after all this else:‘new’ French feminisms translated to the British scene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 224-235. ISBN 9780230580510

Harris, Geraldine (1994) The Archetype and Its Shadow, Medea and the Everyday. Women and Theatre Occasional Papers (2). pp. 9-17.

Harris, Geraldine (1989) But Is It Art? Female Performers in the Café-Concert. New theatre quarterly, 5 (20). pp. 334-347. ISSN 0266-464X

Harris, Geraldine (1994) Confusions of identity in theory and practice. Contemporary Theatre Review, 2 (1). pp. 11-23. ISSN 1048-6801

Harris, Geraldine (2002) Double acts, theatrical couples, and Split Britches' 'Double Agency'. New theatre quarterly, 18 (3). pp. 211-221. ISSN 0266-464X

Harris, Geraldine (2004) Foreshadowings and After Blows: Fiona Templeton’s The Medead. Studies in Theatre and Performance, 23 (3). pp. 165-177. ISSN 1468-2761

Harris, Geraldine (1994) Gender and Devising. Studies in Theatre Production (9). pp. 2-19.

Harris, Geraldine (1987) A Great Bath of Stupidity: Audience and Class in the Cafe-Concert. Theatrephile (2). pp. 3-15.

Harris, Geraldine (2007) How to shop. In: Bobby Baker. Routledge, London, pp. 191-195. ISBN 9780415444118

Harris, Geraldine (1998) The I of the Beholder: Annie Sprinkle Revisited. In: Shattered Anatomies: Traces of the Body in Performance. Arts Council Great Britan/Arnolfini.

Harris, Geraldine (1998) Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960. In: The Routledge Reader in Gender and Performance. Routledge, London. ISBN 0415165822

Harris, Geraldine (1996) Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic. Tdr-The drama review-A journal of performance studies, 40 (4). pp. 70-84. ISSN 1054-2043

Harris, Geraldine (1999) Staging Femininities: Performance and Performativity. Manchester University Press, Manchester.

Harris, Geraldine (2012) A return to form?:postmasculinist television drama and tragic heroes in the wake of The Sopranos. New Review of Film and Television Studies, 10 (4). pp. 443-463. ISSN 1740-7923

Harris, Geraldine and Aston, Elaine (2007) Integrity:the essential ingredient. In: Bobby Baker. Routledge, London, pp. 109-116. ISBN 9780415444118

Harris, Geraldine and Aston, Elaine (2012) A good night out for the girls:popular feminisms in contemporary theatre and performance. Palgrave Macmillan, London. ISBN 9780230281035

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hunt, Dexter and Lombardi, D. Rachel and Atkinson, Stuart and Barber, Austin R. G. and Barnes, Matthew and Boyko, Christopher and Brown, Julie and Bryson, John and Butler, David and Caputo, Silvio and Caserio, Maria and Coles, Richard and Cooper, Rachel and Farmani, Raziyeh and Gaterell, Mark and Hale, James and Hales, A. Chantal and Hewitt, C. N. and Jankovic, Lubo and Jefferson, Ian and Leach, J. and Mackenzie, Rob and Memon, Fayyaz A. and Sadler, Jon P. and Weingaertner, Carina and Whyatt, Duncan and Rogers, Christopher D.F. (2012) Scenario archetypes:converging rather than diverging themes. Sustainability, 4 (4). pp. 740-772. ISSN 2071-1050

J

Juers-Munby, Karen (2011) Der fremde, faszinierende, paradoxe Ort Theater: Gedanken zu Elfriede Jelineks neueren theatertheoretischen Essays. In: Jelinek[Jahr]buch 2011. Praesens Verlag, Vienna, pp. 85-102. ISBN 9783706904476

Juers-Munby, Karen (2009) ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances. Performance Paradigm ( online), 5 (2). pp. 1-33. ISSN 1832-5580

Juers-Munby, Karen (2009) The Resistant Text in Postdramatic Theatre: Performing Elfriede Jelinek's ‘Sprachflächen’. Performance Research, 14 (1). pp. 46-56. ISSN 1469-9990

Juers-Munby, Karen (2010) Text Exposed: Displayed texts as players onstage in contemporary theatre. Studies in Theatre and Performance, 30 (1). pp. 101-114. ISSN 1468-2761

Juers-Munby, Karen (2010) Ticker-Theater: von der Krise des Dramas und postdramatischem Echtzeittheater im Umgang mit der globalen Finanzkrise. In: Lücken sehen... Universitätsverlag C. Winter, pp. 251-264. ISBN 978-3-8253-5777-1

K

Kane, Paula (2002) Contemplating Conservation (oil on linen, 112 x 143cm) and View Including Detour (oil on linen, 143 x 209cm). UNSPECIFIED.

Kane, Paula (2006) Echoes in the Trees. UNSPECIFIED.

Kane, Paula (2004) Flowers in the Wood (Oil on linen, 62 x 122 cm). UNSPECIFIED.

Kane, Paula (2002) Paula Kane. UNSPECIFIED.

Kuhn, Annette (1999) Alien zone II : the spaces of science-fiction cinema. Verso, London. ISBN 1859842593

Kuhn, Annette (1999) Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television, 19 (4). pp. 531-543. ISSN 1465-3451

Kuhn, Annette (2003) Entries (inter alia) on Terence Davies and his films, and on Sally Potter and her films. [Dataset]

Kuhn, Annette (2002) Generos de mujeres : teoria sobre el melodrama y el culebron (translated by E. P. Coppel). Secuencia, 15. pp. 7-17.

Kuhn, Annette (2003) Living within the frame. In: Inaugural lecture, 2003-06-11, University of Lancaster.

Kuhn, Annette (2000) Smart girls: growing up with cinema in the 1930s. In: Moving images, culture and the mind. University of Luton Press, Luton, pp. 31-42. ISBN 1860205739

L

Lund, Kate and Coulton, Paul and Wilson, Andrew (2014) Revealing the Participation Inequality in Mobile Location Based Games. Computers in Entertainment (CIE). ISSN 1544-3574 (In Press)

M

Munby, L. J. (2007) From Gangsta to Gangster'the Hood Film's Criminal Allegiance with Hollywood. In: The New Film History: Approaches, Methods, Sources. Palgrave Macmillan. ISBN 0230001696

Munby, L. J. (2003) The 'No' to the Great American 'Yes': Hollywood's Criminal Representation of Organised Crime, 1929-1951. In: Crime & Hollywood Inc.,1929-1951: Le Crime Organis' ' la Ville et ' l''cran (1929-1951). Publications de l'Universit' de Rouen, Rouen. ISBN 2877753492

Munby, L. J. (2007) Signifyin' Cinema: Rudy Ray Moore and the Quality of Badness. Journal for Cultural Research, 11 (3). pp. 203-219. ISSN 1479-7585

Munby, L. J. (2005) The Underworld Films of Oscar Mischeaux and Ralph Cooper: Toward a Genealogy of the Black Screen Gangster. In: Mob Culture: Hidden Histories of the American Gangster Film. Rutgers University Press. ISBN 0813535573

R

Richards, Jeffrey M. (2001) Imperial Heroes for a post-imperial age: films and the end of empire. In: British Culture and the Empire. Manchester University Press, Manchester, pp. 128-144. ISBN 0-7190-6047-8

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Rose, Emma and Boynton, Neil (2012) mirror. UNSPECIFIED.

Rose, Emma E. and Boynton, Neil (2005) rush: video and sound projection, duration 7 minutes 30 seconds. UNSPECIFIED.

Rose, Emma E. and Boynton, Neil (2005) skyWriting, video and sound projection, duration 13 minutes 46 seconds. UNSPECIFIED.

Rushton, Richard (2007) Absorption and theatricality in the cinema : some thoughts on narrative and spectacle. Screen, 48 (1). pp. 109-112.

Rushton, Richard (2010) Acknowledgement and Unknown Women : The Films of Catherine Breillat. Journal for Cultural Research, 14 (1). pp. 85-101. ISSN 1479-7585

Rushton, Richard (2009) Deleuzian spectatorship. Screen, 50 (1). pp. 45-53.

Rushton, Richard (2007) Douglas Sirk's Theatres of Imitation. Screening the Past, 21. ISSN 1328-9756

Rushton, Richard (2004) Early, classical and modern cinema : absorption and theatricality. Screen, 45 (3). pp. 226-244.

Rushton, Richard (2008) Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies, 2 (2). pp. 121-139.

Rushton, Richard (2013) The politics of Hollywood cinema:popular film and contemporary political theory. Palgrave Macmillan, Basingstoke. ISBN 9780230244580

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press, Manchester. ISBN 9780719082689

Rushton, Richard J. (2002) Cinema's double: some reflections on Metz. Screen, 43 (2). pp. 107-118.

Rushton, Richard J. (2002) What can a face do? On Deleuze and faces. Cultural Critique, 51 (1). pp. 219-237.

Rushton, Richard J. (2005) The perversion of The Silence of the Lambs and the dilemma of The Searchers: on psychoanalytic 'reading'. Psychoanalysis Culture & Society, 10 (3). pp. 252-268.

S

Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0

Stewart, Nigel and Wilson, Louise Ann (2011) Fissure. [Performance]

Stewart, Nigel and Wilson, Louise Ann (2010) Jack Scout. [Performance]

T

Tyler, Imogen and Bennett, Bruce (2010) Celebrity chav : fame, femininity and social class. European Journal of Cultural Studies, 13 (3). pp. 375-393.

W

Whiteley, Nigel S. (2000) De-traditionalisation and art : aesthetic, authority, authenticity. Middlesex University Press, London.

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Whiteley, Nigel S. (2000) Sacred moments and profane gestures : de-traditionalisation and modernist art. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 11-32.

Whiteley, Nigel S. (2003) Space-time (dis)continuities. In: Reality check. Penezic and Rogina, Zagreb, pp. 6-109.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

This list was generated on Mon Oct 20 02:18:15 2014 BST.