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Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 114.

A

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, E (2004) Making a spectacle out of herself - Bobby Baker's take a peek! European journal of womens studies, 11 (3). pp. 277-294. ISSN 1350-5068

Aston, Elaine (2009) Black Feminism in Contemporary Drama. Signs, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (2000) Black South African women: An anthology of plays. New Theatre Quarterly, 16 (4). p. 393. ISSN 0266-464X

Aston, Elaine (2012) Creative Futures/Creating Futures:Close Encounters of the Practice Kind. In: The politics of being on stage. Georg Olms, Hildesheim, pp. 113-115. ISBN 9783487148045

Aston, Elaine (1995) Daniels in the Lions Den, Daniels, Sarah and the British Backlash. Theatre Journal, 47 (3). pp. 393-403. ISSN 0192-2882

Aston, Elaine (2010) Editorial: Celebrating Thirty-Five Years of Publication. Theatre Research International, 35 (3). pp. 219-221. ISSN 0307-8833

Aston, Elaine (2012) Editorial: Critical Turning Points. Theatre Research International, 37 (1). pp. 1-4. ISSN 0307-8833

Aston, Elaine (2011) Editorial: Knowing Theatre Inside Out. Theatre Research International, 36 (3). pp. 193-195. ISSN 0307-8833

Aston, Elaine (2011) Editorial: On Censorship, Political Correctness, the Diagnostic and Community Building. Theatre Research International, 36 (2). pp. 99-101. ISSN 0307-8833

Aston, Elaine (1997) The Edwardian theatre: Essays on performance and the stage - Booth,MR, Kaplan,JH. Theatre Research International, 22 (1). p. 81. ISSN 0307-8833

Aston, Elaine (2010) Feeling the loss of feminism:Sarah Kane's Blasted and an experiential genealogy of contemporary women's playwriting. Theatre Journal, 62 (4). pp. 575-592. ISSN 0192-2882

Aston, Elaine (2007) Feminist performance as archive. In: Bobby Baker. Routledge, London, pp. 129-133. ISBN 9780415444118

Aston, Elaine (1996) Glaspell, Susan, Essays on Her Theater and Fiction - Benzvi,L. Modern Drama, 39 (2). pp. 369-370. ISSN 0026-7694

Aston, Elaine (1997) 'Hotel'. Theatre Journal, 49 (4). pp. 511-512. ISSN 0192-2882

Aston, Elaine (1992) The 'New Woman' at Manchester's Gaiety Theatre. In: The New Woman and Her Sisters. Harvester Wheatsheaf, Hemel Hempstead, pp. 205-220. ISBN 0710813805

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (1997) Signs of performance: An introduction to Twentieth-Century theatre - Counsell,C. Theatre Research International, 22 (2). p. 178. ISSN 0307-8833

Aston, Elaine (1997) Split-Britches: Lesbian practice/feminist performance - Case,SE. New Theatre Quarterly, 13 (51). p. 295. ISSN 0266-464X

Aston, Elaine (2008) Staging whiteness. New Theatre Quarterly, 24 (93). p. 100. ISSN 0266-464X

Aston, Elaine (1997) Susan Glaspell The 'Verge'. Theatre Journal, 49 (2). pp. 229-231. ISSN 0192-2882

Aston, Elaine (2010) Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria. New Theatre Quarterly, 26 (101). pp. 38-48. ISSN 0266-464X

Aston, Elaine (2001) Taking stage: Women directors on directing. New Theatre Quarterly, 17 (1). p. 94. ISSN 0266-464X

Aston, Elaine (1994) The Theater Industry in 19th-Century France - Hemmings, F.W.J. New Theatre Quarterly, 10 (40). p. 394. ISSN 0266-464X

Aston, Elaine (1996) Theatre and State in France, 1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 12 (45). p. 91. ISSN 0266-464X

Aston, Elaine (1995) Theatre and State in France,1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 11 (44). pp. 396-397. ISSN 0266-464X

Aston, Elaine (1998) Three tragic actresses: Siddons, Rachel, Ristori. New Theatre Quarterly, 14 (54). pp. 186-187. ISSN 0266-464X

Aston, Elaine (2011) Untitled. Theatre Research International, 36 (1). pp. 1-2. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (1). pp. 1-3. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (2). pp. 97-98. ISSN 0307-8833

Aston, Elaine (1998) Women in the American theatre: Actresses and audiences, 1790-1870. New Theatre Quarterly, 14 (56). pp. 395-396. ISSN 0266-464X

Aston, Elaine (2007) A critical step to the side: Performing the loss of the mother. Theatre Research International, 32 (2). pp. 130-142. ISSN 0307-8833

Aston, Elaine (2008) A fair trade?: Staging female sex tourism in 'Sugar Mummies' and 'Trade'. Contemporary Theatre Review, 18 (2). pp. 180-192. ISSN 1048-6801

Aston, Elaine and Clarke, Ian (1996) The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly, 12 (45). pp. 30-42. ISSN 0266-464X

Aston, Elaine and Reinelt, Janelle (2001) Building Bridges: Life on Dunbar's Arbor, Past and Present. Theatre Research International, 26 (3). pp. 285-293. ISSN 0307-8833

B

Bennett, Bruce (2008) Children and robots, technophobia and cinephilia. In: Cinema and Technology. Palgrave Macmillan, London and New York, pp. 168-182. ISBN 978-0230524774

Bennett, Bruce (2014) Loving the alien:indigenous protest and neo-colonial violence in Avatar. In: Immigrant protest. SUNY Press, New York, pp. 96-119. ISBN 9781438453118

Bennett, Bruce (2012) Lu Chuan. In: Directory of World Cinema: China. Directory of World Cinema . Intellect Books, Bristol, pp. 69-73. ISBN 9781841505589

Bennett, Bruce (2004) Mary Anne Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA and London: Harvard University Press, 2002, 288 pp. Screen, 45 (4). pp. 461-466. ISSN 1460-2474

Bennett, Bruce (1999) Richard Dyer "White" (Book review). Parallax, 5 (1). p. 122. ISSN 1353-4645

Bennett, Bruce (2001) semic code, discourse, 180-degree system, indirect address. In: Critical Dictionary of Film and Television Theory. Routledge, London. ISBN 0-415-16218-1

Bennett, Bruce and Diken, Bulent (2011) The hurt locker:cinematic addiction, ‘critique’ and the war on terror. Cultural Politics, 7 (2). pp. 165-188. ISSN 1751-7435

Bennett, Bruce and Tyler, Imogen (1999) Report on 1998 Screen studies conference. Screen, 40 (1). pp. 96-100. ISSN 1460-2474

Bettinson, Gary (2009) Happy Together ? Generic hybridity in 2046 and In the Mood for Love. In: Puzzle films : complex storytelling in contemporary cinema. Wiley-Blackwell, pp. 167-186. ISBN 9781405168625

Bettinson, Gary (2007) Made in Hong Kong, In the Mood for Love, and the metaphysics of melodrama. Asian Journal of Literature, Culture, and Society, 1 (2). pp. 21-39. ISSN 1905-856X

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies, 5 (1). pp. 66-79. ISSN 1469-0314

Bettinson, Gary (2009) Reappraising Always. New Review of Film and Television Studies, 7 (1). pp. 33-49. ISSN 1740-0309

Bettinson, Gary and Gleyzon, Francois-Xavier (2010) David Lynch and the cinema d'auteur : a conversation with Michel Chion. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 182-187. ISBN 9788073083175

Boynton, Neil (2013) Au fil du temps. Lucerne International Film Festival.

Boynton, Neil and Quick, Andrew (2009) Kellerman. [Composition]

Brown, Paul and Gere, Charles and Lambert, Nick and Mason, Catherine (2009) White Heat Cold Logic:Early British Computer Art 1960-1980. MIT Press. ISBN 978-0-262-02653-6

C

Cooper, Rachel (2004) Can sociologists understand other forms of life? Perspectives on Science, 12 (1). pp. 29-54. ISSN 1530-9274

Coulton, Paul and Wilson, Andrew (2012) The Peoples Republic of Monsters. In: Performing Monstrosity in the City, 2012-09-01.

Cruickshank, Leon and Tsekleves, Emmanuel and Whitham, Roger and Hill, Annette and Kondo, Kaoruko (2007) Making interactive TV easier to use:interface design for a second screen approach. The Design Journal, 10 (3). pp. 41-53. ISSN 1756-3062

D

Davies, Gerald (2010) Jenolan Caves: International Residency at the Study Centre for Drawing. The National Art School Sydney, NSW, Australia. July – August 2010:Solo exhibition of 60 new original drawings made in response to Jenolan Caves, NSW Australia. [Show/Exhibition]

Davies, Gerry (2000) [30 drawings] A deluge of human indeifference. . (Unpublished)

F

Fortnum, Rebecca (2006) Contemporary British Women Artists: In their own words. I.B.Tauris. ISBN 1 84511 224 5

Fortnum, Rebecca (2006) Inspiration to Order. .

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

Frank, Fiona (2004) Hannah Frank, a Glasgow artist : drawings and sculpture. Scottish Jewish Archives Centre. ISBN 0951320556

G

Gardiner, Hazel and Gere, Charles (2010) Art Practice in a Digital Culture. AHRC ICT Methods Network . Ashgate. ISBN 978-0-7546-7623-2

Gere, Charlie (2005) Book Review: Art is not terrorism! Steve Kurtz, Robert Ferrell, bioterrorism and mail fraud. Visual Communication, 4 (1). pp. 65-68. ISSN 1741-3214

Gere, Charlie (2002) Digital Culture. Reaktion. ISBN 1861891431

Gere, Charlie (2007) Feedback: co-curated exhibition. .

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Griffin, Gabriele and Aston, Elaine (1997) Subversions - Playing with history in women's theatre - Playing history in the 1990s - Introduction. Contemporary Theatre Review, 6 (3). pp. 1-10. ISSN 1048-6801

H

Harris, Geraldine (2011) Apres toutes ces elles/ after all this else:‘new’ French feminisms translated to the British scene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 224-235. ISBN 9780230580510

Harris, Geraldine (2002) Double acts, theatrical couples, and Split Britches' 'Double Agency'. New Theatre Quarterly, 18 (3). pp. 211-221. ISSN 0266-464X

Harris, Geraldine (2004) Foreshadowings and After Blows: Fiona Templeton’s The Medead. Studies in Theatre and Performance, 23 (3). pp. 165-177. ISSN 1468-2761

Harris, Geraldine (1987) A Great Bath of Stupidity: Audience and Class in the Cafe-Concert. Theatrephile (2). pp. 3-15.

Harris, Geraldine (2007) How to shop. In: Bobby Baker. Routledge, London, pp. 191-195. ISBN 9780415444118

Harris, Geraldine (1998) The I of the Beholder: Annie Sprinkle Revisited. In: Shattered Anatomies: Traces of the Body in Performance. Arts Council Great Britan/Arnolfini.

Harris, Geraldine (1998) Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960. In: The Routledge Reader in Gender and Performance. Routledge, London. ISBN 0415165822

Harris, Geraldine (1996) Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic. TDR, 40 (4). pp. 70-84. ISSN 1054-2043

Harris, Geraldine (1999) Staging Femininities: Performance and Performativity. Manchester University Press.

Harris, Geraldine (1994) The archetype and its shadow, Medea and the everyday. In: Women and theatre. Department of Drama and Theatre Arts, University of Birmingham, pp. 11-27. ISBN 0951887513

Harris, Geraldine (2012) A return to form?:postmasculinist television drama and tragic heroes in the wake of The Sopranos. New Review of Film and Television Studies, 10 (4). pp. 443-463. ISSN 1740-0309

Harris, Geraldine and Aston, Elaine (2007) Integrity:the essential ingredient. In: Bobby Baker. Routledge, London, pp. 109-116. ISBN 9780415444118

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hunt, Dexter and Lombardi, D. Rachel and Atkinson, Stuart and Barber, Austin R. G. and Barnes, Matthew and Boyko, Christopher and Brown, Julie and Bryson, John and Butler, David and Caputo, Silvio and Caserio, Maria and Coles, Richard and Cooper, Rachel and Farmani, Raziyeh and Gaterell, Mark and Hale, James and Hales, A. Chantal and Hewitt, C. N. and Jankovic, Lubo and Jefferson, Ian and Leach, J. and Mackenzie, Rob and Memon, Fayyaz A. and Sadler, Jon P. and Weingaertner, Carina and Whyatt, Duncan and Rogers, Christopher D.F. (2012) Scenario archetypes:converging rather than diverging themes. Sustainability, 4 (4). pp. 740-772.

J

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Juers-Munby, Karen (2009) The Resistant Text in Postdramatic Theatre: Performing Elfriede Jelinek's ‘Sprachflächen’. Performance Research, 14 (1). pp. 46-56. ISSN 1352-8165

Juers-Munby, Karen (2010) Text Exposed: Displayed texts as players onstage in contemporary theatre. Studies in Theatre and Performance, 30 (1). pp. 101-114. ISSN 1468-2761

K

Kane, Paula (2006) Echoes in the Trees. .

Kane, Paula (2004) Flowers in the Wood (Oil on linen, 62 x 122 cm). .

Kuhn, Annette (1999) Alien zone II : the spaces of science-fiction cinema. Verso. ISBN 1859842593

Kuhn, Annette (1999) Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television, 19 (4). pp. 531-543. ISSN 0143-9685

Kuhn, Annette (2002) Generos de mujeres : teoria sobre el melodrama y el culebron (translated by E. P. Coppel). Secuencia, 15. pp. 7-17.

Kuhn, Annette (2003) Living within the frame. In: Inaugural lecture, 2003-06-11.

Kuhn, Annette (2000) Smart girls: growing up with cinema in the 1930s. In: Moving images, culture and the mind. University of Luton Press, Luton, pp. 31-42. ISBN 1860205739

L

Lund, Kate and Coulton, Paul and Wilson, Andrew (2014) Revealing the participation inequality in mobile location based games. Computers in Entertainment (CIE), 11 (3). ISSN 1544-3574

M

Munby, L. J. (2007) From Gangsta to Gangster'the Hood Film's Criminal Allegiance with Hollywood. In: The New Film History: Approaches, Methods, Sources. Palgrave Macmillan. ISBN 0230001696

Munby, L. J. (2007) Signifyin' Cinema: Rudy Ray Moore and the Quality of Badness. Journal for Cultural Research, 11 (3). pp. 203-219. ISSN 1479-7585

Munby, L. J. (2005) The Underworld Films of Oscar Mischeaux and Ralph Cooper: Toward a Genealogy of the Black Screen Gangster. In: Mob Culture: Hidden Histories of the American Gangster Film. Rutgers University Press. ISBN 0813535573

R

Richards, Jeffrey M. (2001) Imperial Heroes for a post-imperial age: films and the end of empire. In: British Culture and the Empire. Manchester University Press, Manchester, pp. 128-144. ISBN 0-7190-6047-8

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Rose, Emma E. and Boynton, Neil (2005) rush: video and sound projection, duration 7 minutes 30 seconds. .

Rose, Emma E. and Boynton, Neil (2005) skyWriting, video and sound projection, duration 13 minutes 46 seconds. .

Rushton, Richard (2007) Absorption and theatricality in the cinema : some thoughts on narrative and spectacle. Screen, 48 (1). pp. 109-112. ISSN 1460-2474

Rushton, Richard (2010) Acknowledgement and Unknown Women : The Films of Catherine Breillat. Journal for Cultural Research, 14 (1). pp. 85-101. ISSN 1479-7585

Rushton, Richard (2009) Deleuzian spectatorship. Screen, 50 (1). pp. 45-53. ISSN 1460-2474

Rushton, Richard (2007) Douglas Sirk's Theatres of Imitation. Screening the Past: An International Electronic Journal of Visual Media and History, 21. ISSN 1328-9756

Rushton, Richard (2004) Early, classical and modern cinema : absorption and theatricality. Screen, 45 (3). pp. 226-244. ISSN 1460-2474

Rushton, Richard (2008) Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies, 2 (2). pp. 121-139. ISSN 1755-1684

Rushton, Richard (2013) The politics of Hollywood cinema:popular film and contemporary political theory. Palgrave Macmillan. ISBN 9780230244580

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press. ISBN 9780719082689

Rushton, Richard J. (2002) What can a face do? On Deleuze and faces. Cultural Critique, 51 (1). pp. 219-237.

S

Stewart, Nigel and Wilson, Louise Ann (2011) Fissure. [Performance]

Stewart, Nigel and Wilson, Louise Ann (2010) Jack Scout. [Performance]

T

Tyler, Imogen and Bennett, Bruce (2010) Celebrity chav : fame, femininity and social class. European Journal of Cultural Studies, 13 (3). pp. 375-393. ISSN 1460-3551

W

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Whiteley, Nigel S. (2000) Sacred moments and profane gestures : de-traditionalisation and modernist art. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 11-32.

Whiteley, Nigel S. (2003) Space-time (dis)continuities. In: Reality check. Penezic and Rogina, Zagreb, pp. 6-109.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

This list was generated on Wed Jun 28 02:21:59 2017 BST.