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Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 128.

A

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, E (2006) The French actress and her English audience. New Theatre Quarterly, 22 (86). pp. 204-205. ISSN 0266-464X

Aston, E (2004) Making a spectacle out of herself - Bobby Baker's take a peek! European journal of womens studies, 11 (3). pp. 277-294. ISSN 1350-5068

Aston, Elaine (2009) Black Feminism in Contemporary Drama. Signs, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (2000) Black South African women: An anthology of plays. New Theatre Quarterly, 16 (4). p. 393. ISSN 0266-464X

Aston, Elaine (1995) Daniels in the Lions Den, Daniels, Sarah and the British Backlash. Theatre Journal, 47 (3). pp. 393-403. ISSN 0192-2882

Aston, Elaine (2010) Editorial: Celebrating Thirty-Five Years of Publication. Theatre Research International, 35 (3). pp. 219-221. ISSN 0307-8833

Aston, Elaine (2012) Editorial: Critical Turning Points. Theatre Research International, 37 (1). pp. 1-4. ISSN 0307-8833

Aston, Elaine (2011) Editorial: Knowing Theatre Inside Out. Theatre Research International, 36 (3). pp. 193-195. ISSN 0307-8833

Aston, Elaine (2011) Editorial: On Censorship, Political Correctness, the Diagnostic and Community Building. Theatre Research International, 36 (2). pp. 99-101. ISSN 0307-8833

Aston, Elaine (1997) The Edwardian theatre: Essays on performance and the stage - Booth,MR, Kaplan,JH. Theatre Research International, 22 (1). p. 81. ISSN 0307-8833

Aston, Elaine (2010) Feeling the loss of feminism:Sarah Kane's Blasted and an experiential genealogy of contemporary women's playwriting. Theatre Journal, 62 (4). pp. 575-592. ISSN 0192-2882

Aston, Elaine (2007) Feminist performance as archive. In: Bobby Baker. Routledge, London, pp. 129-133. ISBN 9780415444118

Aston, Elaine (1997) Feminist theatres in the USA: Staging women's experience - Canning,C. New Theatre Quarterly, 13 (49). p. 92. ISSN 0266-464X

Aston, Elaine (2009) Footpaths and Bridges: Voices from the Native American Women Playwrights Archive. Signs, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1993) Girls on Stage, Contemporary British Womens Theater and the Teenage Question. Forum Modernes Theater, 8 (2). pp. 153-163. ISSN 0930-5874

Aston, Elaine (1996) Glaspell, Susan, Essays on Her Theater and Fiction - Benzvi,L. Modern Drama, 39 (2). pp. 369-370. ISSN 0026-7694

Aston, Elaine (1997) 'Hotel'. Theatre Journal, 49 (4). pp. 511-512. ISSN 0192-2882

Aston, Elaine (1992) Modern British Drama 1890-1990 - Innes,C. New Theatre Quarterly, 8 (31). pp. 291-292. ISSN 0266-464X

Aston, Elaine (1997) Modern drama by women, 1880s-1930s: an international anthology - Kelly,KE. New Theatre Quarterly, 13 (50). pp. 188-189. ISSN 0266-464X

Aston, Elaine (1992) The 'New Woman' at Manchester's Gaiety Theatre. In: The New Woman and Her Sisters. Harvester Wheatsheaf, Hemel Hempstead, pp. 205-220. ISBN 0710813805

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (2009) Radical Acts: Theatre and Feminist Pedagogies of Change. Signs, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1999) Re-dressing the canon. New Theatre Quarterly, 15 (3). pp. 285-286. ISSN 0266-464X

Aston, Elaine (1994) The Semiotics of Performance - Demarinis,M. New Theatre Quarterly, 10 (38). p. 203. ISSN 0266-464X

Aston, Elaine (1997) Signs of performance: An introduction to Twentieth-Century theatre - Counsell,C. Theatre Research International, 22 (2). p. 178. ISSN 0307-8833

Aston, Elaine (2008) Staging whiteness. New Theatre Quarterly, 24 (93). p. 100. ISSN 0266-464X

Aston, Elaine (1997) Susan Glaspell The 'Verge'. Theatre Journal, 49 (2). pp. 229-231. ISSN 0192-2882

Aston, Elaine (2010) Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria. New Theatre Quarterly, 26 (101). pp. 38-48. ISSN 0266-464X

Aston, Elaine (2001) Taking stage: Women directors on directing. New Theatre Quarterly, 17 (1). p. 94. ISSN 0266-464X

Aston, Elaine (2009) Teatro Chicana: A Collective Memoir and Selected Plays. Signs, 35 (1). pp. 260-265. ISSN 0097-9740

Aston, Elaine (1994) The Theater Industry in 19th-Century France - Hemmings, F.W.J. New Theatre Quarterly, 10 (40). p. 394. ISSN 0266-464X

Aston, Elaine (1996) Theatre and State in France, 1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 12 (45). p. 91. ISSN 0266-464X

Aston, Elaine (1995) Theatre and State in France,1760-1905 - Hemmings, F.W.J. New Theatre Quarterly, 11 (44). pp. 396-397. ISSN 0266-464X

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (2). pp. 97-98. ISSN 0307-8833

Aston, Elaine (2010) Untitled. Theatre Research International, 35 (1). pp. 1-3. ISSN 0307-8833

Aston, Elaine (2011) Untitled. Theatre Research International, 36 (1). pp. 1-2. ISSN 0307-8833

Aston, Elaine (1998) Women in the American theatre: Actresses and audiences, 1790-1870. New Theatre Quarterly, 14 (56). pp. 395-396. ISSN 0266-464X

Aston, Elaine (2007) A critical step to the side: Performing the loss of the mother. Theatre Research International, 32 (2). pp. 130-142. ISSN 0307-8833

Aston, Elaine (2008) A fair trade?: Staging female sex tourism in 'Sugar Mummies' and 'Trade'. Contemporary Theatre Review, 18 (2). pp. 180-192. ISSN 1048-6801

Aston, Elaine and Clarke, Ian (1996) The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly, 12 (45). pp. 30-42. ISSN 0266-464X

Aston, Elaine and Reinelt, Janelle (2001) Building Bridges: Life on Dunbar's Arbor, Past and Present. Theatre Research International, 26 (3). pp. 285-293. ISSN 0307-8833

B

Bennett, Bruce (2008) Children and robots, technophobia and cinephilia. In: Cinema and Technology. Palgrave Macmillan, London and New York, pp. 168-182. ISBN 978-0230524774

Bennett, Bruce (2014) Loving the alien:indigenous protest and neo-colonial violence in Avatar. In: Immigrant protest. SUNY Press, New York, pp. 96-119. ISBN 9781438453118

Bennett, Bruce (2012) Lu Chuan. In: Directory of World Cinema: China. Directory of World Cinema . Intellect Books, Bristol, pp. 69-73. ISBN 9781841505589

Bennett, Bruce (2004) Mary Anne Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA and London: Harvard University Press, 2002, 288 pp. Screen, 45 (4). pp. 461-466. ISSN 1460-2474

Bennett, Bruce (2000) Misrecognizing film studies:Review of Bordwell, David, and Noel Carroll, "Post-Theory: Reconstructing Film Studies". Film-Philosophy, 4 (5). ISSN 1466-4615

Bennett, Bruce (1999) Richard Dyer "White" (Book review). Parallax, 5 (1). p. 122. ISSN 1353-4645

Bennett, Bruce (2013) The cinema of Michael Winterbottom:borders, intimacy, terror. Directors' Cuts . Wallflower Press, Columbia University Press. ISBN 9780231167369

Bennett, Bruce and Diken, Bulent (2011) The hurt locker:cinematic addiction, ‘critique’ and the war on terror. Cultural Politics, 7 (2). pp. 165-188. ISSN 1751-7435

Bennett, Bruce and Tyler, Imogen (1999) Report on 1998 Screen studies conference. Screen, 40 (1). pp. 96-100. ISSN 1460-2474

Bettinson, G. J. (2005) Reflections on a Screen Narcissist: Leslie Cheung's Star Persona in the Films of Wong Kar-wai'. Asian Cinema, 16 (1). pp. 220-238. ISSN 1059-440X

Bettinson, Gary (2009) Happy Together ? Generic hybridity in 2046 and In the Mood for Love. In: Puzzle films : complex storytelling in contemporary cinema. Wiley-Blackwell, pp. 167-186. ISBN 9781405168625

Bettinson, Gary (2007) Made in Hong Kong, In the Mood for Love, and the metaphysics of melodrama. Asian Journal of Literature, Culture, and Society, 1 (2). pp. 21-39. ISSN 1905-856X

Bettinson, Gary (2008) New blood : an interview with Soi Cheang. Journal of Chinese Cinemas, 2 (3). pp. 211-224. ISSN 1750-8061

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies, 5 (1). pp. 66-79. ISSN 1469-0314

Bettinson, Gary (2009) Reappraising Always. New Review of Film and Television Studies, 7 (1). pp. 33-49. ISSN 1740-0309

Bettinson, Gary and Gleyzon, Francois-Xavier (2010) David Lynch and the cinema d'auteur : a conversation with Michel Chion. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 182-187. ISBN 9788073083175

Boynton, Neil (2013) Au fil du temps. Lucerne International Film Festival.

Boynton, Neil and Quick, Andrew (2009) Kellerman. [Composition]

Boynton, Neil A. and Rose, Emma E. (2005) White-out + skywriting : white-out : paintings and drawings by Emma Rose ; Skywriting : a video and sound installation by Neil Boynton and Emma Rose. North Tyneside Arts. ISBN 0953447766

C

Cooper, Rachel (2004) Can sociologists understand other forms of life? Perspectives on Science, 12 (1). pp. 29-54. ISSN 1530-9274

Coulton, Paul and Wilson, Andrew (2012) The Peoples Republic of Monsters. In: Performing Monstrosity in the City, 2012-09-01.

Cruickshank, Leon and Tsekleves, Emmanuel and Whitham, Roger and Hill, Annette and Kondo, Kaoruko (2007) Making interactive TV easier to use:interface design for a second screen approach. The Design Journal, 10 (3). pp. 41-53. ISSN 1756-3062

D

Davies, Gerald (2009) Contemporary Drawings, Recent acquisitions. Leighton Room, Victoria & Albert Museum. London. 9th March – 30th July 2009.:Contribution to a group exhibition of 40 drawings by 40 contemprary British artists sepecialising in drawing. [Show/Exhibition]

Davies, Gerry (2000) [30 drawings] A deluge of human indeifference. . (Unpublished)

Davies, Gerry (2000) [8 drawings] A drawing show. .

Devereaux, Emile (2008) Foreign Skin in Sebastian Liftshitz's Wild Side. In: Society of Cinema and Media Studies Conference, 2008-03-08.

F

Fortnum, Rebecca (2006) Contemporary British Women Artists: In their own words. I.B.Tauris. ISBN 1 84511 224 5

Fortnum, Rebecca (2006) Inspiration to Order. .

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

Frank, Fiona (2004) Hannah Frank, a Glasgow artist : drawings and sculpture. Scottish Jewish Archives Centre. ISBN 0951320556

G

Gardiner, Hazel and Gere, Charles (2010) Art Practice in a Digital Culture. AHRC ICT Methods Network . Ashgate. ISBN 978-0-7546-7623-2

Gere, Charlie (2005) Book Review: Art is not terrorism! Steve Kurtz, Robert Ferrell, bioterrorism and mail fraud. Visual Communication, 4 (1). pp. 65-68. ISSN 1741-3214

Gere, Charlie (2002) Digital Culture. Reaktion. ISBN 1861891431

Gere, Charlie (2005) Jack Burnham and the work of art in the age of real-time systems. In: Get real : real time + art + theory + practice + history. Braziller, New York, pp. 149-164. ISBN 0807615641

Gere, Charlie (2004) Special issue on 'Brains in Vats'. .

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Gere, Charlie (2006) A history of network art. In: Network art : practices and positions. Routledge, London, pp. 11-23. ISBN 9780415364799

Griffin, Gabriele and Aston, Elaine (1997) Subversions - Playing with history in women's theatre - Playing history in the 1990s - Introduction. Contemporary Theatre Review, 6 (3). pp. 1-10. ISSN 1048-6801

H

Harris, Geraldine (2011) Apres toutes ces elles/ after all this else:‘new’ French feminisms translated to the British scene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 224-235. ISBN 9780230580510

Harris, Geraldine (2002) Double acts, theatrical couples, and Split Britches' 'Double Agency'. New Theatre Quarterly, 18 (3). pp. 211-221. ISSN 0266-464X

Harris, Geraldine (2004) Foreshadowings and After Blows: Fiona Templeton’s The Medead. Studies in Theatre and Performance, 23 (3). pp. 165-177. ISSN 1468-2761

Harris, Geraldine (2007) How to shop. In: Bobby Baker. Routledge, London, pp. 191-195. ISBN 9780415444118

Harris, Geraldine (1998) Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960. In: The Routledge Reader in Gender and Performance. Routledge, London. ISBN 0415165822

Harris, Geraldine (1994) The archetype and its shadow, Medea and the everyday. In: Women and theatre. Department of Drama and Theatre Arts, University of Birmingham, pp. 11-27. ISBN 0951887513

Harris, Geraldine (2012) A return to form?:postmasculinist television drama and tragic heroes in the wake of The Sopranos. New Review of Film and Television Studies, 10 (4). pp. 443-463. ISSN 1740-0309

Harris, Geraldine and Aston, Elaine (2007) Integrity:the essential ingredient. In: Bobby Baker. Routledge, London, pp. 109-116. ISBN 9780415444118

Hemment, Drew and Buontempo, Carlo and Dennen, Alfie (2011) Climate bubbles : project development and trial. Leonardo, 44 (1). pp. 64-65. ISSN 0024-094X

Hunt, Dexter and Lombardi, D. Rachel and Atkinson, Stuart and Barber, Austin R. G. and Barnes, Matthew and Boyko, Christopher and Brown, Julie and Bryson, John and Butler, David and Caputo, Silvio and Caserio, Maria and Coles, Richard and Cooper, Rachel and Farmani, Raziyeh and Gaterell, Mark and Hale, James and Hales, A. Chantal and Hewitt, C. N. and Jankovic, Lubo and Jefferson, Ian and Leach, J. and Mackenzie, Rob and Memon, Fayyaz A. and Sadler, Jon P. and Weingaertner, Carina and Whyatt, Duncan and Rogers, Christopher D.F. (2012) Scenario archetypes:converging rather than diverging themes. Sustainability, 4 (4). pp. 740-772.

J

Jardine, Lisa and Slater, Nigel and Aston, Elaine (2007) Daily Life 3:Take a Peek! In: Bobby Baker. Routledge, London, pp. 200-204. ISBN 9780415444101

Juers-Munby, Karen (2011) Der fremde, faszinierende, paradoxe Ort Theater: Gedanken zu Elfriede Jelineks neueren theatertheoretischen Essays. In: Jelinek[Jahr]buch 2011. Praesens Verlag, Vienna, pp. 85-102. ISBN 9783706904476

Juers-Munby, Karen (2009) The Resistant Text in Postdramatic Theatre: Performing Elfriede Jelinek's ‘Sprachflächen’. Performance Research, 14 (1). pp. 46-56. ISSN 1352-8165

Juers-Munby, Karen (2010) Text Exposed: Displayed texts as players onstage in contemporary theatre. Studies in Theatre and Performance, 30 (1). pp. 101-114. ISSN 1468-2761

Juers-Munby, Karen (2010) Ticker-Theater: von der Krise des Dramas und postdramatischem Echtzeittheater im Umgang mit der globalen Finanzkrise. In: Lücken sehen... Universitätsverlag C. Winter, pp. 251-264. ISBN 978-3-8253-5777-1

K

Kane, Paula (2006) Echoes in the Trees. .

Kuhn, Annette (1999) Alien zone II : the spaces of science-fiction cinema. Verso. ISBN 1859842593

Kuhn, Annette (1999) Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television, 19 (4). pp. 531-543. ISSN 0143-9685

Kuhn, Annette (2003) Living within the frame. In: Inaugural lecture, 2003-06-11.

Kuhn, Annette (2000) Smart girls: growing up with cinema in the 1930s. In: Moving images, culture and the mind. University of Luton Press, Luton, pp. 31-42. ISBN 1860205739

L

Lund, Kate and Coulton, Paul and Wilson, Andrew (2014) Revealing the participation inequality in mobile location based games. Computers in Entertainment (CIE), 11 (3). ISSN 1544-3574

M

Munby, L. J. (2007) From Gangsta to Gangster'the Hood Film's Criminal Allegiance with Hollywood. In: The New Film History: Approaches, Methods, Sources. Palgrave Macmillan. ISBN 0230001696

Munby, L. J. (2003) The 'No' to the Great American 'Yes': Hollywood's Criminal Representation of Organised Crime, 1929-1951. In: Crime & Hollywood Inc.,1929-1951: Le Crime Organis' ' la Ville et ' l''cran (1929-1951). Publications de l'Universit' de Rouen, Rouen. ISBN 2877753492

Munby, L. J. (2007) Signifyin' Cinema: Rudy Ray Moore and the Quality of Badness. Journal for Cultural Research, 11 (3). pp. 203-219. ISSN 1479-7585

Munby, L. J. (2005) The Underworld Films of Oscar Mischeaux and Ralph Cooper: Toward a Genealogy of the Black Screen Gangster. In: Mob Culture: Hidden Histories of the American Gangster Film. Rutgers University Press. ISBN 0813535573

R

Richards, Jeffrey M. (2001) Imperial Heroes for a post-imperial age: films and the end of empire. In: British Culture and the Empire. Manchester University Press, Manchester, pp. 128-144. ISBN 0-7190-6047-8

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Rose, Emma and Boynton, Neil (2012) mirror. .

Rose, Emma E. and Boynton, Neil (2005) rush: video and sound projection, duration 7 minutes 30 seconds. .

Rushton, Richard (2007) Absorption and theatricality in the cinema : some thoughts on narrative and spectacle. Screen, 48 (1). pp. 109-112. ISSN 1460-2474

Rushton, Richard (2010) Acknowledgement and Unknown Women : The Films of Catherine Breillat. Journal for Cultural Research, 14 (1). pp. 85-101. ISSN 1479-7585

Rushton, Richard (2009) Deleuzian spectatorship. Screen, 50 (1). pp. 45-53. ISSN 1460-2474

Rushton, Richard (2007) Douglas Sirk's Theatres of Imitation. Screening the Past: An International Electronic Journal of Visual Media and History, 21. ISSN 1328-9756

Rushton, Richard (2004) Early, classical and modern cinema : absorption and theatricality. Screen, 45 (3). pp. 226-244. ISSN 1460-2474

Rushton, Richard (2013) The politics of Hollywood cinema:popular film and contemporary political theory. Palgrave Macmillan. ISBN 9780230244580

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press. ISBN 9780719082689

Rushton, Richard J. (2002) Cinema's double: some reflections on Metz. Screen, 43 (2). pp. 107-118. ISSN 1460-2474

Rushton, Richard J. (2002) What can a face do? On Deleuze and faces. Cultural Critique, 51 (1). pp. 219-237.

Rushton, Richard J. (2005) The perversion of The Silence of the Lambs and the dilemma of The Searchers: on psychoanalytic 'reading'. Psychoanalysis, Culture and Society, 10 (3). pp. 252-268. ISSN 1543-3390

S

Stewart, Nigel (2011) A Theological Turn? French Postmodern Dance and Herman Diephuis’ D’après J C. In: Contemporary French Theatre and Performance. Palgrave, Basingstoke, pp. 200-212. ISBN 978 0 230 58051 0

Stewart, Nigel and Wilson, Louise Ann (2011) Fissure. [Performance]

Stewart, Nigel and Wilson, Louise Ann (2010) Jack Scout. [Performance]

T

Tyler, Imogen and Bennett, Bruce (2010) Celebrity chav : fame, femininity and social class. European Journal of Cultural Studies, 13 (3). pp. 375-393. ISSN 1460-3551

W

Whiteley, Nigel S. (2000) De-traditionalisation and art : aesthetic, authority, authenticity. Middlesex University Press.

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Whiteley, Nigel S. (2000) Sacred moments and profane gestures : de-traditionalisation and modernist art. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 11-32.

Whiteley, Nigel S. (2003) Space-time (dis)continuities. In: Reality check. Penezic and Rogina, Zagreb, pp. 6-109.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

This list was generated on Wed Dec 13 02:27:25 2017 GMT.