Lancaster EPrints

Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Group by: Creators | Item Type
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Number of items at this level: 31.

A

Aston, E (2003) The 'Bogus Woman' : Feminism and asylum theatre (Kay Adshead). Modern Drama, 46 (1). pp. 5-21. ISSN 0026-7694

Aston, Elaine (2012) Creative Futures/Creating Futures:Close Encounters of the Practice Kind. In: The politics of being on stage. Georg Olms, Hildesheim, pp. 113-115. ISBN 9783487148045

Aston, Elaine (2006) Queer mythologies: The original stageplays of Pam Gems. Modern Drama, 49 (3). pp. 409-410. ISSN 0026-7694

Aston, Elaine (2000) Staging femininities: Performance and performativity. Theatre Journal, 52 (3). pp. 436-437. ISSN 0192-2882

B

Bennett, Bruce (2003) High theory:a report on the 'Figuring Addictions/Rethinking Consumption' conference, 1-5 April 2002, Lancaster University. Scope: An Online Journal of Film Studies. ISSN 1465-9166

Bennett, Bruce and Furstenau, Marc and Mackenzie, Adrian (2008) Introduction:Cinema and Technology/Cinema as Technology. In: Cinema and Technology. Palgrave Macmillan, Basingstoke, pp. 1-18. ISBN 978-0-230-52477-4

Bettinson, Gary (2010) Eraserhead : comprehension, complexity, and the midnight movie. In: David Lynch / In Theory. Litteraria Pragensia, Prague, pp. 40-57. ISBN 9788073083175

Bettinson, Gary (2004) Penning Dramatic Chance : Adaptation, Durrenmatt, and The Pledge. Film Studies, 5 (1). pp. 66-79. ISSN 1469-0314

Brown, Paul and Gere, Charles and Lambert, Nick and Mason, Catherine (2009) White Heat Cold Logic:Early British Computer Art 1960-1980. MIT Press. ISBN 978-0-262-02653-6

D

Davies, G. (2006) Crowds and Power: School. .

Davies, Gerald (2010) Jenolan Caves: International Residency at the Study Centre for Drawing. The National Art School Sydney, NSW, Australia. July – August 2010:Solo exhibition of 60 new original drawings made in response to Jenolan Caves, NSW Australia. [Exhibition]

F

Fortnum, Rebecca (2004) Seeing and Feeling. In: Unframed: Practices and Politics of Women's Contemporary Painting. I B Tauris. ISBN 1 86064 771 5

G

Gere, Charlie (2006) Art, Time and Technology. Berg. ISBN 1845201353

Gere, Charlie (2007) Feedback: co-curated exhibition. .

Gere, Charlie (2005) Jack Burnham and the work of art in the age of real-time systems. In: Get real : real time + art + theory + practice + history. Braziller, New York, pp. 149-164. ISBN 0807615641

Gere, Charlie (2005) Online interview with artist Warren Neidlich. Interviewstream.

Gere, Charlie (2004) When new media was new. In: New media art : practice and context in the UK, 1994-2004. Cornerhouse, Manchester, pp. 46-63. ISBN 0948797886 (pbk.)

Gere, Charlie (2006) A history of network art. In: Network art : practices and positions. Routledge, London, pp. 11-23. ISBN 9780415364799

H

Harris, Geraldine (1994) Gender and Devising. Studies in Theatre Production (9). pp. 2-19.

Harris, Geraldine (1996) Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic. TDR, 40 (4). pp. 70-84. ISSN 1054-2043

Harris, Geraldine (1999) Staging Femininities: Performance and Performativity. Manchester University Press.

Harris, Geraldine and Aston, Elaine (2012) A good night out for the girls:popular feminisms in contemporary theatre and performance. Palgrave Macmillan. ISBN 9780230281035

J

Juers-Munby, Karen (2009) ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances. Performance Paradigm, 5 (2). pp. 1-33. ISSN 1832-5580

K

Kane, Paula (2002) Contemplating Conservation (oil on linen, 112 x 143cm) and View Including Detour (oil on linen, 143 x 209cm). .

Kane, Paula (2004) Flowers in the Wood (Oil on linen, 62 x 122 cm). .

Kane, Paula (2002) Paula Kane. .

R

Rose, Emma (2000) A sustainable practice? : painting, criticism and theory. In: De-traditionalism and art : aesthetic, authority, authenticity. Middlesex University Press, London, pp. 149-162.

Rose, Emma E. and Boynton, Neil (2005) skyWriting, video and sound projection, duration 13 minutes 46 seconds. .

Rushton, Richard (2011) The reality of film:theories of filmic reality. Manchester University Press. ISBN 9780719082689

W

Whiteley, Nigel S. (2003) Introduction to 'Reyner Banham : historian of the immediate future' : translated and published. Cahiers Musee National Art Modern (82). pp. 66-89.

Whiteley, Nigel S. (2003) The space age (the 1960s). In: The elements of design : an encyclopaedia of the decorative arts. Mitchell Beazley, London, pp. 450-481.

This list was generated on Thu Jun 21 05:46:39 2018 BST.