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Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 64.

Article

Marsden, Alan (2012) Interrogating melodic similarity:a definitive phenomenon or the product of interpretation? Journal of New Music Research, 41 (4). pp. 323-335. ISSN 1744-5027

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9737

Marsden, Alan (2010) Schenkerian analysis by computer:a proof of concept. Journal of New Music Research, 39 (3). pp. 269-289. ISSN 1744-5027

Marsden, Alan A. (2005) Generative Structural Representation of Tonal Music. Journal of New Music Research, 34 (4). pp. 409-428. ISSN 1744-5027

Marsden, Alan A. and Lindsay, A. and MacKenzie, A. and Nock, H. (2007) Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey. Literary and Linguistic Computing, 22 (4). pp. 469-488. ISSN 1477-4615

Mawer, D. H. (2006) Balanchine's La Valse: meanings and implications for Ravel studies. The Opera Quarterly, 22 (1). pp. 90-116. ISSN 0736-0053

Mawer, Deborah (2012) Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste. Music and Letters, 93 (4). pp. 615-617. ISSN 0027-4224

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Otondo, Felipe (2008) Contemporary trends in the use of space in electroacoustic music. Organised Sound, 13 (1). pp. 77-81. ISSN 1469-8153

Otondo, Felipe (2007) Creating sonic spaces : an interview with Natasha Barrett. Computer Music Journal, 31 (2). pp. 10-19. ISSN 1531-5169

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Venn, Edward (2005) CD Review: George Benjamin on Nimbus. Tempo, 59 (233). pp. 73-74. ISSN 1478-2286

Venn, Edward (2005) CD Review: Harrison Birtwistle's Complete Piano Works. Tempo, 59 (234). pp. 64-65. ISSN 1478-2286

Venn, Edward (2006) CD Review: Maxwell Davies compilation CDs and Naxos Quartets. Tempo, 60 (237). pp. 70-71. ISSN 1478-2286

Venn, Edward (2005) CD Review: Maxwell Davies' Naxos Quartets 3 and 4. Tempo, 59 (234). pp. 58-59. ISSN 1478-2286

Venn, Edward (2005) CD Review: Peter Maxwell Davies' new and classic. Tempo, 59 (233). pp. 79-80. ISSN 1478-2286

Venn, Edward (2005) CD Review: Thomas Adès’s Piano Quintet. Tempo, 59 (234). pp. 73-74. ISSN 1478-2286

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: London, Royal College of Music, Ades, 'Court Studies'. Tempo, 60 (235). pp. 80-81. ISSN 1478-2286

Venn, Edward (2005) First Performance Review: London, Temple Church and Cheltenham, Pittville Pump Room: Wood’s 'Cantilena and Fugue' and 'Tribute to Michael Berkeley'. Tempo, 59 (231). pp. 52-53. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: Manchester, Bridgewater Hall: Casken premiere and CDs. Tempo, 60 (235). pp. 73-75. ISSN 1478-2286

Venn, Edward (2004) First Performance Review: Manchester, RNCM: Robin Holloway’s String Quartet, op. 97. Tempo, 58 (228). pp. 64-66. ISSN 1478-2286

Venn, Edward (2009) First Performance Review: Milton Keynes, Hugh Wood’s 'Violin Concerto No. 2'. Tempo, 63 (249). pp. 54-55. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: Shrewsbury, Maidment Hall: Wood’s 'Overture'. Tempo, 60 (235). pp. 77-78. ISSN 1478-2286

Venn, Edward (2004) First Performance Review:London, Royal Opera House : Ades's 'The Tempest'. Tempo, 58 (229). pp. 72-73. ISSN 1478-2286

Venn, Edward (2010) 'Landscapes of the mind ::the music of John McCabe’, compiled and edited by George Odam (Ashgate) and 'The innumerable dance : the life and work of William Alwyn', by Adrian Wright (Boydell). Music and Letters, 91 (2). pp. 295-297. ISSN 0027-4224

Venn, Edward (2006) 'Letters From a Life: Selected Letters of Benjamin Britten, Volume Three 1946–51', eds. Donald Mitchell, Philip Reed and Mervyn Cooke (Faber and Faber); 'Selected Letters of Michael Tippett', ed. and trans. Thomas Schuttenhelm (Faber and Faber). Tempo, 60 (236). pp. 61-64. ISSN 1478-2286

Venn, Edward (2010) Rethinking Russolo. Tempo, 64 (251). pp. 8-16. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the later music of Hugh Wood part II. Tempo, 59 (233). pp. 26-37. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the recent music of Hugh Wood - part I. Tempo, 59 (231). pp. 2-13. ISSN 1478-2286

Venn, Edward (2009) A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music. Twentieth-Century Music, 6 (2). pp. 237-253. ISSN 1478-5730

Book/Report/Proceedings

Bray, R. W. (2002) Robert Fayrfax I : O bone Iesu. Early English Church Music . British Academy.

Mawer, D. H. (2006) The Ballets of Maurice Ravel: Creation and Interpretation. Ashgate. ISBN 0-7546-3029-3

Mawer, Deborah (1997) Darius Milhaud: Modality & Structure in Music of the 1920s. Ashgate. ISBN 1-85928-249-0

Composition

Rai, Takayuki (2007) Lucent Aquarelle for harp and computer [12 minutes]. [Composition]

Rai, Takayuki (1983) Solidity:the transformation of my internal dialogue for 10 instruments (oboe, clarinet, bass clarinet, bassoon, 2 violins, viola, cello, piano, harp) [8 minutes]. [Composition]

Rai, Takayuki (1991) Style for string quartet [11 minutes]. [Composition]

Conference or Workshop Item

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09.

Marsden, Alan (2010) Recognition of variations using automatic Schenkerian reduction. In: International Society for Music Information Retrieval (ISMIR 2010), 2010-08-01.

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Venn, Edward (2007) Thomas Adés and Rave: the case of "Ecstasio". In: Research Forum, 2007-12-18. (Unpublished)

Contribution in Book/Report/Proceedings

Boynton, N. (2000) Kompositionsverfahren 1923-1926:Das Kammerkonzert und die Lyrische Suite. In: Alban Berg und seine Zeit. Grosse Komponisten und ihre Zeit . Laaber-Verlag, Laaber, pp. 241-260. ISBN 3890072984

Boynton, Neil (2002) Anton Webern, Variationen op. 27:Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen. In: Die Lehre von der musikalischen Aufführung in der Wiener Schule. Wiener Veröffentlichungen zur Musikgeschichte . Böhlau Verlag, Vienna, pp. 101-111. ISBN 978-3205988915

Boynton, Neil (1998) Combinazione di forme musicali nelle Variazioni Op. 30 di Webern. In: Anton Webern. Una cosa rara, Lucca, pp. 113-141. ISBN 8870962024

Gebhardt, Nicholas (2010) Crossing Borders I:the historical context for Ravel’s North American tour. In: Ravel Studies. University of Cambridge, Cambridge, pp. 92-113. ISBN 9780521886970

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

Marsden, Alan (2005) Towards Schenkerian analysis by computer : a reductional matrix. In: Proceedings of international computer music conference (ICMC), Barcelona 2005. , pp. 247-250.

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Venn, Edward (2008) Finding Pathways from Onions:Large-scale Gestures in Berio's Reworking of his 'Sequenza VI for viola'. In: Music, Senses, Body. ISI/TorVergata/Umweb, Helsinki/Rome, pp. 273-278.

Venn, Edward (2007) Finzi's Serenade. In: The Clock of the Years. Chosen Press, Lichfield, pp. 149-152. ISBN 978 0 9556373 0 8

Venn, Edward (2013) Symphonic music in our modern times:Tippett and the Symphony. In: The Cambridge Companion to Michael Tippett. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9781107606135

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8

Other

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Saario, A. S. (2002) Bullet Train Ballad no.1. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #2. .

Whistlecroft, Lisa (2003) The Day Before (composition for fixed medium). , University of Sheffield, UK. (Unpublished)

Whistlecroft, Lisa (2006) The Saturated Moment (sound score on fixed medium for dance-theatre piece). , Bratislava, Slovakia. (Unpublished)

Whistlecroft, Lisa (2008) Walking with Ghosts (composition for fixed medium). , Millennium Point Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (2008) death among the apple trees (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)

Review

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

This list was generated on Thu Oct 19 02:23:31 2017 BST.