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Boynton, Neil (1992) Alexander Goehr:A Checklist of his Writings and Broadcast Talks. Music Analysis, 11 (2-3). pp. 201-208. ISSN 0262-5245

Boynton, Neil (2002) Review of Sabine Meine, Ein Zwölftöner in Paris. Studien zu Biographie und Wirkung von René Leibowitz (1913–1972), Publikationen der Hochschule für Musik und Theater Hannover, Bd. 10, Wißner, Augsburg 2000. Music and Letters, 83 (4). pp. 655-656. ISSN 0027-4224

Felipe, Otondo and Jorge, Soto (2004) Three strategies for a diagonal sound installation. Journal of Music and Meaning, 2 (6). ISSN 1603-7170

Gebhardt, Nicholas (2010) On Jazz, memory and history:A response to Alyn Shipton. Jazz Research Journal, 4 (1). pp. 7-14. ISSN 1753-8637

Marsden, Alan (2012) Interrogating melodic similarity:a definitive phenomenon or the product of interpretation? Journal of New Music Research, 41 (4). pp. 323-335. ISSN 1744-5027

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9737

Marsden, Alan (2010) Schenkerian analysis by computer:a proof of concept. Journal of New Music Research, 39 (3). pp. 269-289. ISSN 1744-5027

Marsden, Alan (2007) Timing in music and temporal logic. Journal of Mathematics and Music, 1 (3). pp. 173-189. ISSN 1745-9737

Marsden, Alan A. (2005) Generative Structural Representation of Tonal Music. Journal of New Music Research, 34 (4). pp. 409-428. ISSN 1744-5027

Marsden, Alan A. (2001) Representing Melodic Patterns as Networks of Elaborations. Computers and the Humanities, 35 (1). pp. 37-54. ISSN 1572-8412

Marsden, Alan A. and Lindsay, A. and MacKenzie, A. and Nock, H. (2007) Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey. Literary and Linguistic Computing, 22 (4). pp. 469-488. ISSN 1477-4615

Mawer, D. H. (2006) Balanchine's La Valse: meanings and implications for Ravel studies. The Opera Quarterly, 22 (1). pp. 90-116. ISSN 0736-0053

Mawer, Deborah (2012) Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste. Music and Letters, 93 (4). pp. 615-617. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Barbara L. Kelly, Tradition and Style in the Works of Darius Milhaud 1912–1939. Music and Letters, 85 (4). pp. 660-662. ISSN 0027-4224

Mawer, Deborah (2011) Book review: Barbara Lebrun, Protest Music in France. French History, 25 (1). pp. 130-132. ISSN 1477-4542

Mawer, Deborah (1997) Book review: Howard Boatwright, Chromaticism: Theory and Practice. Music Analysis, 16 (1). pp. 137-144. ISSN 0262-5245

Mawer, Deborah (2007) Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940. Music and Letters, 88 (2). pp. 367-370. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger. Music and Letters, 85 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2010) Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. Music and Letters, 91 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Roger Nichols, The Harlequin Years: Music in Paris 1917-1929. Music and Letters, 85 (1). pp. 120-123. ISSN 0027-4224

Mawer, Deborah (1999) Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. British Journal of Music Education, 16 (2). pp. 179-195. ISSN 1469-2104

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Otondo, Felipe (2008) Contemporary trends in the use of space in electroacoustic music. Organised Sound, 13 (1). pp. 77-81. ISSN 1469-8153

Otondo, Felipe (2007) Creating sonic spaces : an interview with Natasha Barrett. Computer Music Journal, 31 (2). pp. 10-19. ISSN 1531-5169

Otondo, Felipe (2010) Rediscovering Artaud's sonic order. Journal of Music and Meaning, 9 (n/a). pp. 4-11. ISSN 1603-7170

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rose, Emma and Boynton, Neil (2011) Landscapes in time:a psychotherapeutic intervention. International Journal of the Image, 1 (n/a). pp. 117-127. ISSN 2154-8579

Venn, Edward (2006) 'Asylum gained'? : madness and sanctuary in Thomas Adès's "Asyla". Music Analysis, 25 (1-2). pp. 89-120. ISSN 0262-5245

Venn, Edward (2008) 'Benjamin Britten: The Spiritual Dimension', by Graham Elliott (Oxford University Press). Music and Letters, 89 (1). pp. 143-148. ISSN 0027-4224

Venn, Edward (2005) CD Review: George Benjamin on Nimbus. Tempo, 59 (233). pp. 73-74. ISSN 1478-2286

Venn, Edward (2005) CD Review: Harrison Birtwistle's Complete Piano Works. Tempo, 59 (234). pp. 64-65. ISSN 1478-2286

Venn, Edward (2010) CD Review: Hugh Wood's chamber music. Tempo, 64 (254). pp. 87-88. ISSN 1478-2286

Venn, Edward (2006) CD Review: Maxwell Davies compilation CDs and Naxos Quartets. Tempo, 60 (237). pp. 70-71. ISSN 1478-2286

Venn, Edward (2005) CD Review: Maxwell Davies' Naxos Quartets 3 and 4. Tempo, 59 (234). pp. 58-59. ISSN 1478-2286

Venn, Edward (2005) CD Review: Peter Maxwell Davies' new and classic. Tempo, 59 (233). pp. 79-80. ISSN 1478-2286

Venn, Edward (2009) CD Review: Simon Mawhinney: Music for violin and piano. Tempo, 63 (250). p. 84. ISSN 1478-2286

Venn, Edward (2005) CD Review: Thomas Adès’s Piano Quintet. Tempo, 59 (234). pp. 73-74. ISSN 1478-2286

Venn, Edward (2009) 'The Cambridge Companion to Shostakovich' ed. Pauline Fairclough and David Fanning (Cambridge University Press); 'Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich' by Sarah Reichardt (Ashgate). Tempo, 63 (250). pp. 72-73. ISSN 1478-2286

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 1478-2286

Venn, Edward (2010) Dane Rudhyar:his music, thought, and art by Deniz Ertan (University of Rochester Press). Tempo, 64 (254). pp. 70-72. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: London, Royal College of Music, Ades, 'Court Studies'. Tempo, 60 (235). pp. 80-81. ISSN 1478-2286

Venn, Edward (2005) First Performance Review: London, Temple Church and Cheltenham, Pittville Pump Room: Wood’s 'Cantilena and Fugue' and 'Tribute to Michael Berkeley'. Tempo, 59 (231). pp. 52-53. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: Manchester, Bridgewater Hall: Casken premiere and CDs. Tempo, 60 (235). pp. 73-75. ISSN 1478-2286

Venn, Edward (2004) First Performance Review: Manchester, RNCM: Robin Holloway’s String Quartet, op. 97. Tempo, 58 (228). pp. 64-66. ISSN 1478-2286

Venn, Edward (2009) First Performance Review: Milton Keynes, Hugh Wood’s 'Violin Concerto No. 2'. Tempo, 63 (249). pp. 54-55. ISSN 1478-2286

Venn, Edward (2006) First Performance Review: Shrewsbury, Maidment Hall: Wood’s 'Overture'. Tempo, 60 (235). pp. 77-78. ISSN 1478-2286

Venn, Edward (2004) First Performance Review:London, Royal Opera House : Ades's 'The Tempest'. Tempo, 58 (229). pp. 72-73. ISSN 1478-2286

Venn, Edward (2010) 'Landscapes of the mind ::the music of John McCabe’, compiled and edited by George Odam (Ashgate) and 'The innumerable dance : the life and work of William Alwyn', by Adrian Wright (Boydell). Music and Letters, 91 (2). pp. 295-297. ISSN 0027-4224

Venn, Edward (2006) 'Letters From a Life: Selected Letters of Benjamin Britten, Volume Three 1946–51', eds. Donald Mitchell, Philip Reed and Mervyn Cooke (Faber and Faber); 'Selected Letters of Michael Tippett', ed. and trans. Thomas Schuttenhelm (Faber and Faber). Tempo, 60 (236). pp. 61-64. ISSN 1478-2286

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res facta nova: Teksty o muzyce współczesnej, 11 (20). pp. 61-70.

Venn, Edward (2010) Rethinking Russolo. Tempo, 64 (251). pp. 8-16. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the later music of Hugh Wood part II. Tempo, 59 (233). pp. 26-37. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the recent music of Hugh Wood - part I. Tempo, 59 (231). pp. 2-13. ISSN 1478-2286

Venn, Edward (2004) 'Sing Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday', ed. Alison Latham (Ashgate). Tempo, 58 (228). pp. 42-44. ISSN 1478-2286

Venn, Edward (2009) A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music. Twentieth-Century Music, 6 (2). pp. 237-253. ISSN 1478-5730


Bray, R. W. (2002) Robert Fayrfax I : O bone Iesu. Early English Church Music . British Academy.

Marsden, A. A. (2000) Representing musical time : a temporal-logic approach. Studies on new music research ; 4 . Swets & Zeitlinger Publishers. ISBN 9026516355

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press. ISBN 0521648564

Mawer, D. H. (2006) The Ballets of Maurice Ravel: Creation and Interpretation. Ashgate. ISBN 0-7546-3029-3

Mawer, Deborah (1997) Darius Milhaud: Modality & Structure in Music of the 1920s. Ashgate. ISBN 1-85928-249-0

Venn, Edward (2008) The music of Hugh Wood. Ashgate. ISBN 9780754650294


Otondo, Felipe (2013) Tutuguri. [Composition]

Rai, Takayuki (1986) Five inventions accompanied by computers for clarinet, cello and piano [15 minutes]. [Composition]

Rai, Takayuki (1986) Friction for alto flute, clarinet, piano and harp [9 minutes]. [Composition]

Rai, Takayuki (1997) Impulse for percussion and computer (rev. 2004) [20 minutes]. [Composition]

Rai, Takayuki (1980) Isolation for bass clarinet and tape (or three bass clarinets), 11'. [Composition]

Rai, Takayuki (1983) Junction for alto flute, violin, cello and harp [7 minutes]. [Composition]

Rai, Takayuki (1994) Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]. [Composition]

Rai, Takayuki (2004) Labyrinth for tape [10 minutes]. [Composition]

Rai, Takayuki (2007) Lucent Aquarelle for harp and computer [12 minutes]. [Composition]

Rai, Takayuki (1993) Meteor for harp solo, in memory of Dr.Mori [9 minutes]. [Composition]

Rai, Takayuki (2000) Mirage for 17-stringed koto and computer [8 minutes]. [Composition]

Rai, Takayuki (1983) Pain for two computers (tape) [11 minutes]. [Composition]

Rai, Takayuki (1987) Recursive Figuration for 6 cellos [8 minutes]. [Composition]

Rai, Takayuki (1995) Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]. [Composition]

Rai, Takayuki (1983) Solidity:the transformation of my internal dialogue for 10 instruments (oboe, clarinet, bass clarinet, bassoon, 2 violins, viola, cello, piano, harp) [8 minutes]. [Composition]

Rai, Takayuki (1989) Sparkle for bass clarinet and tape [11 minutes]. [Composition]

Rai, Takayuki (1991) Style for string quartet [11 minutes]. [Composition]

Rai, Takayuki (1992) Three Inventions for soprano saxophone, double bass, piano, harp and a signal processing computer [14 minutes]. [Composition]

Rai, Takayuki (1993) Three Unknown Spaces for gamelan instruments and tape (bonang barung, gender panerus, saron peking, saron barung, saron demung, kenongs, kempuls, gongs) [14 minutes]. [Composition]

Rai, Takayuki (2007) Time flows… for bass-fl./fl., perc., guitar, and computer, 13'. [Composition]

Conference or Workshop Item

Marsden, Alan (2009) Ambiguity and multiplicity in music representation. In: Knowledge Representation for Intelligent Music Processing, 2009-01-01.

Marsden, Alan (2004) Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. In: Sound and Music Computing '04, 2004-10-202004-10-22.

Marsden, Alan (2012) Melodic Similarity: A Re-examination of the MIREX2005 Data. In: 12th International Conference on Music Perception and Cognition/8th Conference of the European Society for the Cognitive Sciences of Music, 2012-07-232012-07-28.

Marsden, Alan (2004) Novagen: a combination of Eyesweb and an elaboration-network representation for the generation of melodies under gestural control. In: COST287-ConGAS Symposium on Gesture Interfaces for Multimedia Systems, 2004-03-29.

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09.

Marsden, Alan (2010) Recognition of variations using automatic Schenkerian reduction. In: International Society for Music Information Retrieval (ISMIR 2010), 2010-08-01.

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01.

Matsuda, Shu and Miyama, Chikashi and Ando, Daichi and Rai, Takayuki (2002) DIPS for Linux and Mac OS X. In: International Computer Music Conference (ICMC 2002), Gothenburg, Sweden, 2002-09-01.

Mawer, Deborah (2010) (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell. In: 46th Annual Conference of the Royal Musical Association, 2010, 2010-07-152010-07-17. (Unpublished)

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki and Ando, Yoshiko (1997) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Venn, Edward (2003) 'Asylum gained’?: Madness and sanctuary in Thomas Adès’s "Asyla". In: Hull University Music Analysis Conference (HUMAC), 2003-07-102003-07-13. (Unpublished)

Venn, Edward (2004) Codes, Invention and a ‘Freaky, Funky Rave’. In: SMA/RMA Study Day, 'Analysis and Compositional Process', 2004-03-29. (Unpublished)

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02. (Unpublished)

Venn, Edward (2009) Music, Ritual and Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-03-26. (Unpublished)

Venn, Edward (2009) Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-10-02. (Unpublished)

Venn, Edward (2006) Negotiating the Labyrinth: Act II of Sir Michael Tippett’s "The Knot Garden". In: Second International Conference on Music and Gesture, 2006-07-202006-07-23. (Unpublished)

Venn, Edward (2004) Proliferations and Limitations: Berio’s Re-working of his Sequenzas. In: 40th Annual Conference of the Royal Musical Association, 2004-11-122004-11-14. (Unpublished)

Venn, Edward (2005) Reflections on "The Rose Lake". In: Tippett Study Day, 2005-02-27. (Unpublished)

Venn, Edward (2010) Rhetoric and Gesture in Britten's 'Variations on a theme of Frank Bridge'. In: Britten in Context, 2010-06-102010-06-12. (Unpublished)

Venn, Edward (2004) Signifying the Rave: Thomas Adès’s "Ecstasio". In: Eighth International Congress on Musical Signification, 2004-10-022004-10-08. (Unpublished)

Venn, Edward (2008) Smoke and Mirrors: Thomas Adès’s "Brahms". In: Cardiff University Music Analysis Conference, 2008-09-042008-09-07. (Unpublished)

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11. (Unpublished)

Venn, Edward (2008) Thomas Adès’s "Brahms". In: Research Seminar, 2008-12-16. (Unpublished)

Venn, Edward (2007) Thomas Adés and Rave: the case of "Ecstasio". In: Research Forum, 2007-12-18. (Unpublished)

Venn, Edward (2007) Thomas Adés’s ‘Freaky, Funky Rave’. In: 6th European Music Analysis Conference, 2007-10-102007-10-14. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20. (Unpublished)

Venn, Edward (2006) The reception of Maxwell Davies’s "Naxos" Quartets. In: Conference of the International Musicological Society, 2006-06-172006-06-23. (Unpublished)

Venn, Edward (2006) The reception of Maxwell Davies’s Naxos quartets. In: 2006 IAML-IAMIC-IMS International Joint Conference, 2006-06-182006-06-23.

Contribution in Book/Report/Proceedings

Boynton, N. (2000) Kompositionsverfahren 1923-1926:Das Kammerkonzert und die Lyrische Suite. In: Alban Berg und seine Zeit. Grosse Komponisten und ihre Zeit . Laaber-Verlag, Laaber, pp. 241-260. ISBN 3890072984

Boynton, Neil (2002) Anton Webern, Variationen op. 27:Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen. In: Die Lehre von der musikalischen Aufführung in der Wiener Schule. Wiener Veröffentlichungen zur Musikgeschichte . Böhlau Verlag, Vienna, pp. 101-111. ISBN 978-3205988915

Boynton, Neil (1998) Combinazione di forme musicali nelle Variazioni Op. 30 di Webern. In: Anton Webern. Una cosa rara, Lucca, pp. 113-141. ISBN 8870962024

Boynton, Neil (1998) René Leibowitz:Schoenberg et son école. In: Settling New Scores. Schott, Mainz, pp. 232-234. ISBN 3795703476

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

Gebhardt, Nicholas (2010) Crossing Borders I:the historical context for Ravel’s North American tour. In: Ravel Studies. University of Cambridge, Cambridge, pp. 92-113. ISBN 9780521886970

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

Marsden, A. A. (2000) Music, intelligence and artificiality. In: Readings in music and artificial intelligence. Contemporary music studies ; v. 20 . Harwood Academic, Amsterdam, pp. 15-28. ISBN 9057550946

Marsden, Alan (2005) Towards Schenkerian analysis by computer : a reductional matrix. In: Proceedings of international computer music conference (ICMC), Barcelona 2005. , pp. 247-250.

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Mawer, Deborah (2011) French music reconfigured in the modal jazz of Bill Evans. In: Jazz Chameleon: 9th Nordic Jazz Conference Proceedings. Finnish Jazz and Pop Archive, Helsinki, pp. 77-89. ISBN 978-952-67401-5-7

Mawer, Deborah (2018) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet. Lund Humphries. ISBN 9781472442956 (In Press)

Mawer, Deborah (2008) Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. University of Rochester Press, Rochester NY, pp. 172-193. ISBN 978-1580462723

Mawer, Deborah (2011) Maurice Ravel. In: Oxford Bibliographies Online: Music. Oxford University Press, New York, 130 annotated citations.

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

Mawer, Deborah (2014) Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'. In: Darius Milhaud. Musicologies . Librairie Vrin, Paris. ISBN 9782711625277

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

Nichols, Roger and Mawer, Deborah (2000) Appendix: early reception of Ravel’s music (1899–1939). In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 251-266, 281-282. ISBN 0521640264

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996. Editions MNEMOSYNE, France,, pp. 64-65.

Venn, Edward (2010) Evoking the marvellous:Michael Tippett’s The Midsummer Marriage. In: Body, Performance, Agency, and Experience. Ritual Dynamics and the Science of Ritual (2). Harrassowitz, Wiesbaden, pp. 183-193. ISBN 978-3447062022

Venn, Edward (2008) Finding Pathways from Onions:Large-scale Gestures in Berio's Reworking of his 'Sequenza VI for viola'. In: Music, Senses, Body. ISI/TorVergata/Umweb, Helsinki/Rome, pp. 273-278.

Venn, Edward (2007) Finzi's Serenade. In: The Clock of the Years. Chosen Press, Lichfield, pp. 149-152. ISBN 978 0 9556373 0 8

Venn, Edward (2002) Ideology and idealism in Tippett’s writings. In: Michael Tippett. Ashgate, Aldershot, pp. 35-59. ISBN 0754601323

Venn, Edward (2007) Proliferations and limitations:Re-working the sequenzas. In: Berio’s Sequenzas. Ashgate, Aldershot, pp. 171-190. ISBN 9780754654452

Venn, Edward (2013) Symphonic music in our modern times:Tippett and the Symphony. In: The Cambridge Companion to Michael Tippett. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9781107606135

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8


Boynton, Neil (2002) Anton Webern, Über musikalische Formen:Aus den Vortragsmitschriften von Ludwig Zenk, Siegfried Oehlgiesser, Rudolf Schopf und Erna Apostel. Schott, Mainz.

Boynton, Neil and Quick, Andrew (2005) Hotel Methuselah (75'). .

Mawer, Deborah (2001) A very French affair: 'Les Six' and the flute. Hyperion, London.

McCaldin, Denis J. (2003) Haydn and Schubert Masses. Meridian Records, London.

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Fukuda, Takuto and Hamano, Takayuki and Takahashi, Keitaro (2009) DIPS4:Digital Image Processing with Sound. N/A.

Saario, A. S. (2002) Bullet Train Ballad no.1. .

Saario, A. S. (2001) Invisible Tattoos. .

Saario, A. S. (2001) Viewpoints: G&T Swimmers. .

Saario, A. S. and Hamilton, J. (2003) Portrait Concr'te: Jo Hamilton in fixed media [16 bit x 44.1kHz x 21'31']. .

Saario, Antti S. (2005) Karen Foss quiet works. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #1. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #2. .

Venn, Edward (2010) Music performance tuition in higher education : student expectations. PALATINE, Lancaster.

Whistlecroft, Lisa (2006) Almost Nothing But (Butterflies and Clouds) (composition for fixed medium). , Goldsmiths, University of London, UK. (Unpublished)

Whistlecroft, Lisa (2003) The Day Before (composition for fixed medium). , University of Sheffield, UK. (Unpublished)

Whistlecroft, Lisa (2004) GFAAW Silent Key (composition for fixed medium). , BCA Gallery, Bedford, UK. (Unpublished)

Whistlecroft, Lisa (2004) Palimpsest: stella obscura (composition for fixed medium). , California State University, Fullerton, USA. (Unpublished)

Whistlecroft, Lisa (2006) The Saturated Moment (sound score on fixed medium for dance-theatre piece). , Bratislava, Slovakia. (Unpublished)

Whistlecroft, Lisa (2001) Souvenirs (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (2008) Walking with Ghosts (composition for fixed medium). , Millennium Point Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (1996) Work for the Railways (composition for fixed medium). , Winnipeg, Canada.

Whistlecroft, Lisa (2008) death among the apple trees (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)


Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

This list was generated on Thu Dec 14 02:21:53 2017 GMT.