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Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 95.

Article

Gebhardt, Nicholas (2010) On Jazz, memory and history:A response to Alyn Shipton. Jazz Research Journal, 4 (1). pp. 7-14. ISSN 1753-8637

Marsden, Alan (2012) Interrogating melodic similarity:a definitive phenomenon or the product of interpretation? Journal of New Music Research, 41 (4). pp. 323-335. ISSN 1744-5027

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9737

Marsden, Alan (2010) Schenkerian analysis by computer:a proof of concept. Journal of New Music Research, 39 (3). pp. 269-289. ISSN 1744-5027

Marsden, Alan (2007) Timing in music and temporal logic. Journal of Mathematics and Music, 1 (3). pp. 173-189. ISSN 1745-9737

Marsden, Alan A. (2005) Generative Structural Representation of Tonal Music. Journal of New Music Research, 34 (4). pp. 409-428. ISSN 1744-5027

Marsden, Alan A. (2001) Representing Melodic Patterns as Networks of Elaborations. Computers and the Humanities, 35 (1). pp. 37-54. ISSN 1572-8412

Marsden, Alan A. and Lindsay, A. and MacKenzie, A. and Nock, H. (2007) Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey. Literary and Linguistic Computing, 22 (4). pp. 469-488. ISSN 1477-4615

Mawer, D. H. (2006) Balanchine's La Valse: meanings and implications for Ravel studies. The Opera Quarterly, 22 (1). pp. 90-116. ISSN 0736-0053

Mawer, Deborah (2011) Book review: Barbara Lebrun, Protest Music in France. French History, 25 (1). pp. 130-132. ISSN 1477-4542

Mawer, Deborah (2007) Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940. Music and Letters, 88 (2). pp. 367-370. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger. Music and Letters, 85 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2010) Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. Music and Letters, 91 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (1999) Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. British Journal of Music Education, 16 (2). pp. 179-195. ISSN 1469-2104

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Otondo, Felipe (2008) Contemporary trends in the use of space in electroacoustic music. Organised Sound, 13 (1). pp. 77-81. ISSN 1469-8153

Otondo, Felipe (2007) Creating sonic spaces : an interview with Natasha Barrett. Computer Music Journal, 31 (2). pp. 10-19. ISSN 1531-5169

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rose, Emma and Boynton, Neil (2011) Landscapes in time:a psychotherapeutic intervention. International Journal of the Image, 1 (n/a). pp. 117-127. ISSN 2154-8579

Venn, Edward (2008) 'Benjamin Britten: The Spiritual Dimension', by Graham Elliott (Oxford University Press). Music and Letters, 89 (1). pp. 143-148. ISSN 0027-4224

Venn, Edward (2006) CD Review: Maxwell Davies compilation CDs and Naxos Quartets. Tempo, 60 (237). pp. 70-71. ISSN 1478-2286

Venn, Edward (2009) CD Review: Simon Mawhinney: Music for violin and piano. Tempo, 63 (250). p. 84. ISSN 1478-2286

Venn, Edward (2009) 'The Cambridge Companion to Shostakovich' ed. Pauline Fairclough and David Fanning (Cambridge University Press); 'Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich' by Sarah Reichardt (Ashgate). Tempo, 63 (250). pp. 72-73. ISSN 1478-2286

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 1478-2286

Venn, Edward (2010) Dane Rudhyar:his music, thought, and art by Deniz Ertan (University of Rochester Press). Tempo, 64 (254). pp. 70-72. ISSN 1478-2286

Venn, Edward (2010) 'Landscapes of the mind ::the music of John McCabe’, compiled and edited by George Odam (Ashgate) and 'The innumerable dance : the life and work of William Alwyn', by Adrian Wright (Boydell). Music and Letters, 91 (2). pp. 295-297. ISSN 0027-4224

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res facta nova: Teksty o muzyce współczesnej, 11 (20). pp. 61-70.

Venn, Edward (2010) Rethinking Russolo. Tempo, 64 (251). pp. 8-16. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the later music of Hugh Wood part II. Tempo, 59 (233). pp. 26-37. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the recent music of Hugh Wood - part I. Tempo, 59 (231). pp. 2-13. ISSN 1478-2286

Venn, Edward (2009) A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music. Twentieth-Century Music, 6 (2). pp. 237-253. ISSN 1478-5730

Book/Report/Proceedings

Marsden, A. A. (2000) Representing musical time : a temporal-logic approach. Studies on new music research ; 4 . Swets & Zeitlinger Publishers. ISBN 9026516355

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press. ISBN 0521648564

Venn, Edward (2008) The music of Hugh Wood. Ashgate. ISBN 9780754650294

Composition

Rai, Takayuki (1986) Friction for alto flute, clarinet, piano and harp [9 minutes]. [Composition]

Rai, Takayuki (1997) Impulse for percussion and computer (rev. 2004) [20 minutes]. [Composition]

Rai, Takayuki (1994) Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]. [Composition]

Rai, Takayuki (2004) Labyrinth for tape [10 minutes]. [Composition]

Rai, Takayuki (1993) Meteor for harp solo, in memory of Dr.Mori [9 minutes]. [Composition]

Rai, Takayuki (1983) Pain for two computers (tape) [11 minutes]. [Composition]

Rai, Takayuki (1987) Recursive Figuration for 6 cellos [8 minutes]. [Composition]

Rai, Takayuki (1995) Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]. [Composition]

Rai, Takayuki (1989) Sparkle for bass clarinet and tape [11 minutes]. [Composition]

Rai, Takayuki (1993) Three Unknown Spaces for gamelan instruments and tape (bonang barung, gender panerus, saron peking, saron barung, saron demung, kenongs, kempuls, gongs) [14 minutes]. [Composition]

Rai, Takayuki (2007) Time flows… for bass-fl./fl., perc., guitar, and computer, 13'. [Composition]

Conference or Workshop Item

Marsden, Alan (2009) Ambiguity and multiplicity in music representation. In: Knowledge Representation for Intelligent Music Processing, 2009-01-01.

Marsden, Alan (2004) Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. In: Sound and Music Computing '04, 2004-10-202004-10-22.

Marsden, Alan (2012) Melodic Similarity: A Re-examination of the MIREX2005 Data. In: 12th International Conference on Music Perception and Cognition/8th Conference of the European Society for the Cognitive Sciences of Music, 2012-07-232012-07-28.

Marsden, Alan (2004) Novagen: a combination of Eyesweb and an elaboration-network representation for the generation of melodies under gestural control. In: COST287-ConGAS Symposium on Gesture Interfaces for Multimedia Systems, 2004-03-29.

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09.

Marsden, Alan (2010) Recognition of variations using automatic Schenkerian reduction. In: International Society for Music Information Retrieval (ISMIR 2010), 2010-08-01.

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01.

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Venn, Edward (2003) 'Asylum gained’?: Madness and sanctuary in Thomas Adès’s "Asyla". In: Hull University Music Analysis Conference (HUMAC), 2003-07-102003-07-13. (Unpublished)

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02. (Unpublished)

Venn, Edward (2009) Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-10-02. (Unpublished)

Venn, Edward (2006) Negotiating the Labyrinth: Act II of Sir Michael Tippett’s "The Knot Garden". In: Second International Conference on Music and Gesture, 2006-07-202006-07-23. (Unpublished)

Venn, Edward (2010) Rhetoric and Gesture in Britten's 'Variations on a theme of Frank Bridge'. In: Britten in Context, 2010-06-102010-06-12. (Unpublished)

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11. (Unpublished)

Venn, Edward (2008) Thomas Adès’s "Brahms". In: Research Seminar, 2008-12-16. (Unpublished)

Venn, Edward (2007) Thomas Adés’s ‘Freaky, Funky Rave’. In: 6th European Music Analysis Conference, 2007-10-102007-10-14. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20. (Unpublished)

Venn, Edward (2006) The reception of Maxwell Davies’s "Naxos" Quartets. In: Conference of the International Musicological Society, 2006-06-172006-06-23. (Unpublished)

Contribution in Book/Report/Proceedings

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

Marsden, A. A. (2000) Music, intelligence and artificiality. In: Readings in music and artificial intelligence. Contemporary music studies ; v. 20 . Harwood Academic, Amsterdam, pp. 15-28. ISBN 9057550946

Marsden, Alan (2005) Towards Schenkerian analysis by computer : a reductional matrix. In: Proceedings of international computer music conference (ICMC), Barcelona 2005. , pp. 247-250.

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Mawer, Deborah (2017) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet. Lund Humphries. ISBN 9781472442956 (In Press)

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996. Editions MNEMOSYNE, France,, pp. 64-65.

Venn, Edward (2010) Evoking the marvellous:Michael Tippett’s The Midsummer Marriage. In: Body, Performance, Agency, and Experience. Ritual Dynamics and the Science of Ritual (2). Harrassowitz, Wiesbaden, pp. 183-193. ISBN 978-3447062022

Venn, Edward (2002) Ideology and idealism in Tippett’s writings. In: Michael Tippett. Ashgate, Aldershot, pp. 35-59. ISBN 0754601323

Venn, Edward (2013) Symphonic music in our modern times:Tippett and the Symphony. In: The Cambridge Companion to Michael Tippett. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9781107606135

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8

Other

Boynton, Neil and Quick, Andrew (2005) Hotel Methuselah (75'). .

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Saario, A. S. (2001) Invisible Tattoos. .

Saario, A. S. (2001) Viewpoints: G&T Swimmers. .

Saario, Antti S. (2005) Karen Foss quiet works. .

Venn, Edward (2010) Music performance tuition in higher education : student expectations. PALATINE, Lancaster.

Whistlecroft, Lisa (2001) Souvenirs (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (1996) Work for the Railways (composition for fixed medium). , Winnipeg, Canada.

Review

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

This list was generated on Sun Aug 20 02:22:02 2017 BST.