Lancaster EPrints

Items where Subject is "M Music and Books on Music > M Music"

Up a level
Export as [feed] RSS 2.0 [feed] RSS 1.0 [feed] Atom
Group by: Creators | Item Type
Number of items at this level: 73.


Boynton, Neil (1996) Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993. Music Analysis, 15 (2-3). pp. 373-381. ISSN 0262-5245

Gebhardt, Nicholas (2010) On Jazz, memory and history:A response to Alyn Shipton. Jazz Research Journal, 4 (1). pp. 7-14. ISSN 1753-8637

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9737

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (1997) Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'. Musicus: Computer Applications in Music Education, 5. pp. 19-29.

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rai, Takayuki (2004) DVD Program Notes:Part One, Takayuki Rai, Curator. Computer Music Journal, 28 (4). pp. 116-126. ISSN 0148-9267

Rai, Takayuki (2012) 音楽とコンピュータの歩み : 音楽とサウンド技術は融合して [Development of Music and Computer : the fusion of music and sound technology]. Sound, Kawai Foundation for Sound Technology & Music, 27. p. 20.

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 1478-2286

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res facta nova: Teksty o muzyce współczesnej, 11 (20). pp. 61-70.


Mawer, Deborah, ed. (2010) Ravel Studies. Cambridge University Press. ISBN 9780-521-886-970

Bray, R. W. (2002) Robert Fayrfax I : O bone Iesu. Early English Church Music . British Academy.

Gebhardt, Nicholas (2001) Going For Jazz:Musical Practices and American Ideology. University of Chicago Press. ISBN 9780226284668

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press. ISBN 0521648564

Mawer, D. H. (2006) The Ballets of Maurice Ravel: Creation and Interpretation. Ashgate. ISBN 0-7546-3029-3

Mawer, Deborah (1997) Darius Milhaud: Modality & Structure in Music of the 1920s. Ashgate. ISBN 1-85928-249-0

Venn, Edward (2008) The music of Hugh Wood. Ashgate. ISBN 9780754650294


Otondo, Felipe (2012) Teocalli. [Composition]

Conference or Workshop Item

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09.

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01.

Mawer, Deborah (1994) Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922). In: Lancaster Music Analysis Conference (LancMAC), 1994, 1994-09-011994-09-04. (Unpublished)

Mawer, Deborah (2010) (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell. In: 46th Annual Conference of the Royal Musical Association, 2010, 2010-07-152010-07-17. (Unpublished)

Miyama, Chikashi and Rai, Takayuki and Matsuda, Shu and Ando, Daichi (2003) Introduction of DIPS Programming Technique. In: International Computer Music Conference (ICMC 2003), Singapore, 2003-09-01.

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Venn, Edward (2007) The Blues in Michael Tippett’s "The Knot Garden". In: Research Seminar, 2007-02-06. (Unpublished)

Venn, Edward (2004) Codes, Invention and a ‘Freaky, Funky Rave’. In: SMA/RMA Study Day, 'Analysis and Compositional Process', 2004-03-29. (Unpublished)

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02. (Unpublished)

Venn, Edward (2009) Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-10-02. (Unpublished)

Venn, Edward (2006) Negotiating the Labyrinth: Act II of Sir Michael Tippett’s "The Knot Garden". In: Second International Conference on Music and Gesture, 2006-07-202006-07-23. (Unpublished)

Venn, Edward (2002) On-line discussion forums as a tool for critical reflection. In: CiLTHE conference, 2002-07-04. (Unpublished)

Venn, Edward (2005) 'Singing the Blues for Mr. Charlie’: The Blues as Archetype and Metaphor in Michael Tippett’s "The Knot Garden". In: Fourth Biennial International Conference on Twentieth-Century Music, 2005-08-252005-08-28. (Unpublished)

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11. (Unpublished)

Venn, Edward (2008) Thomas Adès’s "Brahms". In: Research Seminar, 2008-12-16. (Unpublished)

Venn, Edward (2008) Thomas Adès’s "Ecstasio". In: Music Colloquia, 2008-02-20. (Unpublished)

Venn, Edward (2007) Thomas Adés and Rave: the case of "Ecstasio". In: Research Forum, 2007-12-18. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20. (Unpublished)

Venn, Edward (2006) The reception of Maxwell Davies’s Naxos quartets. In: 2006 IAML-IAMIC-IMS International Joint Conference, 2006-06-182006-06-23.

Contribution in Book/Report/Proceedings

Boynton, N. (2000) Kompositionsverfahren 1923-1926:Das Kammerkonzert und die Lyrische Suite. In: Alban Berg und seine Zeit. Grosse Komponisten und ihre Zeit . Laaber-Verlag, Laaber, pp. 241-260. ISBN 3890072984

Boynton, Neil (2002) Anton Webern, Variationen op. 27:Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen. In: Die Lehre von der musikalischen Aufführung in der Wiener Schule. Wiener Veröffentlichungen zur Musikgeschichte . Böhlau Verlag, Vienna, pp. 101-111. ISBN 978-3205988915

Boynton, Neil (1997) Compositional Technique 1923–1926:The Chamber Concerto and the Lyric Suite. In: The Cambridge Companion to Berg. Cambridge University Press, Cambridge, 189–203, 286–292. ISBN 0521564891

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

Gebhardt, Nicholas (2010) Crossing Borders I:the historical context for Ravel’s North American tour. In: Ravel Studies. University of Cambridge, Cambridge, pp. 92-113. ISBN 9780521886970

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Mawer, D. H. (2006) 'Dancing on the edge of the volcano': French music in the 1930s. In: French Music since Berlioz. Ashgate, pp. 249-280. ISBN 0754602826

Mawer, Deborah (2010) Appendix: itinerary for Ravel’s tour. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 110-113. ISBN 9780-521-886-970

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 1-8. ISBN 9780-521-886-970

Mawer, Deborah (2000) Introduction: the many masks of Ravel. In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 1-4, 266. ISBN 0521648564

Mawer, Deborah (2012) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In: Musique française: Esthétique et identité en mutation 1892-1992. Editions Delatour France, Sampzon, pp. 215-225. ISBN 978-2-7521-0106-8

Mawer, Deborah (2007) Ricard Viñes i Maurice Ravel: una amistat inspiradora. In: Ricard Viñes: el pianista de les avantguardes. Fundació Caixa Catalunya/Museu d’Art Jaume Morera, Barcelona & Lleida, 132-137, 318-321, 427-430. ISBN 978-84-89781-94-8

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996. Editions MNEMOSYNE, France,, pp. 64-65.

Venn, Edward (2008) Finding Pathways from Onions:Large-scale Gestures in Berio's Reworking of his 'Sequenza VI for viola'. In: Music, Senses, Body. ISI/TorVergata/Umweb, Helsinki/Rome, pp. 273-278.

Venn, Edward (2007) Finzi's Serenade. In: The Clock of the Years. Chosen Press, Lichfield, pp. 149-152. ISBN 978 0 9556373 0 8

Venn, Edward (2002) Ideology and idealism in Tippett’s writings. In: Michael Tippett. Ashgate, Aldershot, pp. 35-59. ISBN 0754601323

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8


Mawer, Deborah (2006) Ravel, Daphnis et Chloé: a fantasy tale of time and place. Deutsche Grammophon, Hamburg.

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2011) Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay. Periferia Sheet Music, Spain.

Rai, Takayuki and Matsuda, Shu and Miyama, Chiakshi (2006) DIPS3:Digital Image Processing with Sound. .

Saario, A. S. (2002) Bullet Train Ballad no.1. .

Saario, A. S. (2001) Viewpoints: G&T Swimmers. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #2. .

Whistlecroft, Lisa (2003) The Day Before (composition for fixed medium). , University of Sheffield, UK. (Unpublished)

Whistlecroft, Lisa (2008) Walking with Ghosts (composition for fixed medium). , Millennium Point Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (2008) death among the apple trees (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)


Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

This list was generated on Tue Mar 28 02:23:57 2017 BST.