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Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 95.

B

Boynton, Neil and Quick, Andrew (2005) Hotel Methuselah (75'). .

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

G

Gebhardt, Nicholas (2010) On Jazz, memory and history:A response to Alyn Shipton. Jazz Research Journal, 4 (1). pp. 7-14. ISSN 1753-8637

L

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

M

Marsden, A. A. (2000) Music, intelligence and artificiality. In: Readings in music and artificial intelligence. Contemporary music studies ; v. 20 . Harwood Academic, Amsterdam, pp. 15-28. ISBN 9057550946

Marsden, A. A. (2000) Representing musical time : a temporal-logic approach. Studies on new music research ; 4 . Swets & Zeitlinger Publishers. ISBN 9026516355

Marsden, Alan (2009) Ambiguity and multiplicity in music representation. In: Knowledge Representation for Intelligent Music Processing, 2009-01-01.

Marsden, Alan (2004) Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. In: Sound and Music Computing '04, 2004-10-202004-10-22.

Marsden, Alan (2012) Interrogating melodic similarity:a definitive phenomenon or the product of interpretation? Journal of New Music Research, 41 (4). pp. 323-335. ISSN 1744-5027

Marsden, Alan (2012) Melodic Similarity: A Re-examination of the MIREX2005 Data. In: 12th International Conference on Music Perception and Cognition/8th Conference of the European Society for the Cognitive Sciences of Music, 2012-07-232012-07-28.

Marsden, Alan (2004) Novagen: a combination of Eyesweb and an elaboration-network representation for the generation of melodies under gestural control. In: COST287-ConGAS Symposium on Gesture Interfaces for Multimedia Systems, 2004-03-29.

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09.

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9737

Marsden, Alan (2010) Recognition of variations using automatic Schenkerian reduction. In: International Society for Music Information Retrieval (ISMIR 2010), 2010-08-01.

Marsden, Alan (2010) Schenkerian analysis by computer:a proof of concept. Journal of New Music Research, 39 (3). pp. 269-289. ISSN 1744-5027

Marsden, Alan (2007) Timing in music and temporal logic. Journal of Mathematics and Music, 1 (3). pp. 173-189. ISSN 1745-9737

Marsden, Alan (2005) Towards Schenkerian analysis by computer : a reductional matrix. In: Proceedings of international computer music conference (ICMC), Barcelona 2005. , pp. 247-250.

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01.

Marsden, Alan A. (2005) Generative Structural Representation of Tonal Music. Journal of New Music Research, 34 (4). pp. 409-428. ISSN 1744-5027

Marsden, Alan A. (2001) Representing Melodic Patterns as Networks of Elaborations. Computers and the Humanities, 35 (1). pp. 37-54. ISSN 1572-8412

Marsden, Alan A. and Lindsay, A. and MacKenzie, A. and Nock, H. (2007) Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey. Literary and Linguistic Computing, 22 (4). pp. 469-488. ISSN 1477-4615

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press. ISBN 0521648564

Mawer, D. H. (2006) Balanchine's La Valse: meanings and implications for Ravel studies. The Opera Quarterly, 22 (1). pp. 90-116. ISSN 0736-0053

Mawer, Deborah (2011) Book review: Barbara Lebrun, Protest Music in France. French History, 25 (1). pp. 130-132. ISSN 1477-4542

Mawer, Deborah (2007) Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940. Music and Letters, 88 (2). pp. 367-370. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger. Music and Letters, 85 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2010) Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. Music and Letters, 91 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (1999) Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. British Journal of Music Education, 16 (2). pp. 179-195. ISSN 1469-2104

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5730

Mawer, Deborah (2017) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet. Lund Humphries. ISBN 9781472442956 (In Press)

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

O

Otondo, Felipe (2008) Contemporary trends in the use of space in electroacoustic music. Organised Sound, 13 (1). pp. 77-81. ISSN 1469-8153

Otondo, Felipe (2007) Creating sonic spaces : an interview with Natasha Barrett. Computer Music Journal, 31 (2). pp. 10-19. ISSN 1531-5169

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

R

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996. Editions MNEMOSYNE, France,, pp. 64-65.

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki (1986) Friction for alto flute, clarinet, piano and harp [9 minutes]. [Composition]

Rai, Takayuki (1997) Impulse for percussion and computer (rev. 2004) [20 minutes]. [Composition]

Rai, Takayuki (1994) Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]. [Composition]

Rai, Takayuki (2004) Labyrinth for tape [10 minutes]. [Composition]

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

Rai, Takayuki (1993) Meteor for harp solo, in memory of Dr.Mori [9 minutes]. [Composition]

Rai, Takayuki (1983) Pain for two computers (tape) [11 minutes]. [Composition]

Rai, Takayuki (1987) Recursive Figuration for 6 cellos [8 minutes]. [Composition]

Rai, Takayuki (1995) Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]. [Composition]

Rai, Takayuki (1989) Sparkle for bass clarinet and tape [11 minutes]. [Composition]

Rai, Takayuki (1993) Three Unknown Spaces for gamelan instruments and tape (bonang barung, gender panerus, saron peking, saron barung, saron demung, kenongs, kempuls, gongs) [14 minutes]. [Composition]

Rai, Takayuki (2007) Time flows… for bass-fl./fl., perc., guitar, and computer, 13'. [Composition]

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Rose, Emma and Boynton, Neil (2011) Landscapes in time:a psychotherapeutic intervention. International Journal of the Image, 1 (n/a). pp. 117-127. ISSN 2154-8579

S

Saario, A. S. (2001) Invisible Tattoos. .

Saario, A. S. (2001) Viewpoints: G&T Swimmers. .

Saario, Antti S. (2005) Karen Foss quiet works. .

T

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

V

Venn, Edward (2003) 'Asylum gained’?: Madness and sanctuary in Thomas Adès’s "Asyla". In: Hull University Music Analysis Conference (HUMAC), 2003-07-102003-07-13. (Unpublished)

Venn, Edward (2008) 'Benjamin Britten: The Spiritual Dimension', by Graham Elliott (Oxford University Press). Music and Letters, 89 (1). pp. 143-148. ISSN 0027-4224

Venn, Edward (2006) CD Review: Maxwell Davies compilation CDs and Naxos Quartets. Tempo, 60 (237). pp. 70-71. ISSN 1478-2286

Venn, Edward (2009) CD Review: Simon Mawhinney: Music for violin and piano. Tempo, 63 (250). p. 84. ISSN 1478-2286

Venn, Edward (2009) 'The Cambridge Companion to Shostakovich' ed. Pauline Fairclough and David Fanning (Cambridge University Press); 'Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich' by Sarah Reichardt (Ashgate). Tempo, 63 (250). pp. 72-73. ISSN 1478-2286

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 1478-2286

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02. (Unpublished)

Venn, Edward (2010) Dane Rudhyar:his music, thought, and art by Deniz Ertan (University of Rochester Press). Tempo, 64 (254). pp. 70-72. ISSN 1478-2286

Venn, Edward (2010) Evoking the marvellous:Michael Tippett’s The Midsummer Marriage. In: Body, Performance, Agency, and Experience. Ritual Dynamics and the Science of Ritual (2). Harrassowitz, Wiesbaden, pp. 183-193. ISBN 978-3447062022

Venn, Edward (2002) Ideology and idealism in Tippett’s writings. In: Michael Tippett. Ashgate, Aldershot, pp. 35-59. ISBN 0754601323

Venn, Edward (2010) 'Landscapes of the mind ::the music of John McCabe’, compiled and edited by George Odam (Ashgate) and 'The innumerable dance : the life and work of William Alwyn', by Adrian Wright (Boydell). Music and Letters, 91 (2). pp. 295-297. ISSN 0027-4224

Venn, Edward (2010) Music performance tuition in higher education : student expectations. PALATINE, Lancaster.

Venn, Edward (2009) Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-10-02. (Unpublished)

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res facta nova: Teksty o muzyce współczesnej, 11 (20). pp. 61-70.

Venn, Edward (2006) Negotiating the Labyrinth: Act II of Sir Michael Tippett’s "The Knot Garden". In: Second International Conference on Music and Gesture, 2006-07-202006-07-23. (Unpublished)

Venn, Edward (2010) Rethinking Russolo. Tempo, 64 (251). pp. 8-16. ISSN 1478-2286

Venn, Edward (2010) Rhetoric and Gesture in Britten's 'Variations on a theme of Frank Bridge'. In: Britten in Context, 2010-06-102010-06-12. (Unpublished)

Venn, Edward (2005) Serenades and elegies : the later music of Hugh Wood part II. Tempo, 59 (233). pp. 26-37. ISSN 1478-2286

Venn, Edward (2005) Serenades and elegies : the recent music of Hugh Wood - part I. Tempo, 59 (231). pp. 2-13. ISSN 1478-2286

Venn, Edward (2013) Symphonic music in our modern times:Tippett and the Symphony. In: The Cambridge Companion to Michael Tippett. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9781107606135

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11. (Unpublished)

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8

Venn, Edward (2008) Thomas Adès’s "Brahms". In: Research Seminar, 2008-12-16. (Unpublished)

Venn, Edward (2007) Thomas Adés’s ‘Freaky, Funky Rave’. In: 6th European Music Analysis Conference, 2007-10-102007-10-14. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)

Venn, Edward (2009) A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music. Twentieth-Century Music, 6 (2). pp. 237-253. ISSN 1478-5730

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20. (Unpublished)

Venn, Edward (2008) The music of Hugh Wood. Ashgate. ISBN 9780754650294

Venn, Edward (2006) The reception of Maxwell Davies’s "Naxos" Quartets. In: Conference of the International Musicological Society, 2006-06-172006-06-23. (Unpublished)

W

Whistlecroft, Lisa (2001) Souvenirs (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (1996) Work for the Railways (composition for fixed medium). , Winnipeg, Canada.

This list was generated on Sun Aug 20 02:22:02 2017 BST.