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Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 107.

B

Boynton, N. (2000) Kompositionsverfahren 1923-1926:Das Kammerkonzert und die Lyrische Suite. In: Alban Berg und seine Zeit. Grosse Komponisten und ihre Zeit . Laaber-Verlag, Laaber, pp. 241-260. ISBN 3890072984

Boynton, Neil (1992) Alexander Goehr:A Checklist of his Writings and Broadcast Talks. Music Analysis, 11 (2-3). pp. 201-208. ISSN 0262-5245

Boynton, Neil (2002) Anton Webern, Variationen op. 27:Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen. In: Die Lehre von der musikalischen Aufführung in der Wiener Schule. Wiener Veröffentlichungen zur Musikgeschichte . Böhlau Verlag, Vienna, pp. 101-111. ISBN 978-3205988915

Boynton, Neil (2002) Anton Webern, Über musikalische Formen:Aus den Vortragsmitschriften von Ludwig Zenk, Siegfried Oehlgiesser, Rudolf Schopf und Erna Apostel. Schott, Mainz.

Boynton, Neil (1998) Combinazione di forme musicali nelle Variazioni Op. 30 di Webern. In: Anton Webern. Una cosa rara, Lucca, pp. 113-141. ISBN 8870962024

Boynton, Neil (1997) Compositional Technique 1923–1926:The Chamber Concerto and the Lyric Suite. In: The Cambridge Companion to Berg. Cambridge University Press, Cambridge, 189–203, 286–292. ISBN 0521564891

Boynton, Neil (1995) Formal Combination in Webern's Variations Op. 30. Music Analysis, 14 (2-3). pp. 193-220. ISSN 0262-5245

Boynton, Neil (1998) René Leibowitz:Schoenberg et son école. In: Settling New Scores. Schott, Mainz, pp. 232-234. ISBN 3795703476

Boynton, Neil (1996) Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993. Music Analysis, 15 (2-3). pp. 373-381. ISSN 0262-5245

Boynton, Neil and Quick, Andrew (2005) Hotel Methuselah (75'). .

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

Bray, R. W. (2002) Robert Fayrfax I : O bone Iesu. Early English Church Music . British Academy.

G

Gebhardt, Nicholas (2001) Going For Jazz:Musical Practices and American Ideology. University of Chicago Press. ISBN 9780226284668

H

Herissone, Rebecca (2000) Music theory in seventeenth-century England. Oxford monographs on music . Oxford University Press. ISBN 0198167008

L

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

M

Marsden, A. A. (2000) Representing musical time : a temporal-logic approach. Studies on new music research ; 4 . Swets & Zeitlinger Publishers. ISBN 9026516355

Marsden, Alan (1999) Computers and the concept of tonality. In: Information technology and scholarship : applications in the humanities and social sciences. Oxford University Press for the British Academy, Oxford, pp. 33-52. ISBN 0197262058

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Matsuda, Shu and Miyama, Chikashi and Ando, Daichi and Rai, Takayuki (2002) DIPS for Linux and Mac OS X. In: International Computer Music Conference (ICMC 2002), Gothenburg, Sweden, 2002-09-01.

Mawer, D. (2000) Ballet and the apotheosis of the dance. In: The Cambridge companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 140-161. ISBN 0521648564

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press. ISBN 0521648564

Mawer, D. (2000) Musical objects and machines. In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 47-67. ISBN 0521648564

Mawer, D. H. (2006) 'Dancing on the edge of the volcano': French music in the 1930s. In: French Music since Berlioz. Ashgate, pp. 249-280. ISBN 0754602826

Mawer, Deborah (2010) Appendix: itinerary for Ravel’s tour. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 110-113. ISBN 9780-521-886-970

Mawer, Deborah (1994) Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922). In: Lancaster Music Analysis Conference (LancMAC), 1994, 1994-09-011994-09-04. (Unpublished)

Mawer, Deborah (1997) Book review: Howard Boatwright, Chromaticism: Theory and Practice. Music Analysis, 16 (1). pp. 137-144. ISSN 0262-5245

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Mawer, Deborah (1997) Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'. Musicus: Computer Applications in Music Education, 5. pp. 19-29.

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2011) French music reconfigured in the modal jazz of Bill Evans. In: Jazz Chameleon: 9th Nordic Jazz Conference Proceedings. Finnish Jazz and Pop Archive, Helsinki, pp. 77-89. ISBN 978-952-67401-5-7

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 1-8. ISBN 9780-521-886-970

Mawer, Deborah (2000) Introduction: the many masks of Ravel. In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 1-4, 266. ISBN 0521648564

Mawer, Deborah (2018) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet. Lund Humphries. ISBN 9781472442956 (In Press)

Mawer, Deborah (2008) Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. University of Rochester Press, Rochester NY, pp. 172-193. ISBN 978-1580462723

Mawer, Deborah (2012) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In: Musique française: Esthétique et identité en mutation 1892-1992. Editions Delatour France, Sampzon, pp. 215-225. ISBN 978-2-7521-0106-8

Mawer, Deborah (2011) Maurice Ravel. In: Oxford Bibliographies Online: Music. Oxford University Press, New York, 130 annotated citations.

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? Musical Times, 149 (4). pp. 45-60.

Mawer, Deborah (2006) Ravel, Daphnis et Chloé: a fantasy tale of time and place. Deutsche Grammophon, Hamburg.

Mawer, Deborah (2014) Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'. In: Darius Milhaud. Musicologies . Librairie Vrin, Paris. ISBN 9782711625277

Mawer, Deborah (2007) Ricard Viñes i Maurice Ravel: una amistat inspiradora. In: Ricard Viñes: el pianista de les avantguardes. Fundació Caixa Catalunya/Museu d’Art Jaume Morera, Barcelona & Lleida, 132-137, 318-321, 427-430. ISBN 978-84-89781-94-8

Mawer, Deborah (2001) A very French affair: 'Les Six' and the flute. Hyperion, London.

McCaldin, Denis J. (2003) Haydn and Schubert Masses. Meridian Records, London.

Miyama, Chikashi and Rai, Takayuki and Matsuda, Shu and Ando, Daichi (2003) Introduction of DIPS Programming Technique. In: International Computer Music Conference (ICMC 2003), Singapore, 2003-09-01.

N

Nichols, Roger and Mawer, Deborah (2000) Appendix: early reception of Ravel’s music (1899–1939). In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 251-266, 281-282. ISBN 0521640264

O

Otondo, Felipe (2010) Rediscovering Artaud's sonic order. Journal of Music and Meaning, 9 (n/a). pp. 4-11. ISSN 1603-7170

Otondo, Felipe (2012) Teocalli. [Composition]

Otondo, Felipe (2013) Tutuguri. [Composition]

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

R

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki (2004) DVD Program Notes:Part One, Takayuki Rai, Curator. Computer Music Journal, 28 (4). pp. 116-126. ISSN 0148-9267

Rai, Takayuki (2012) 音楽とコンピュータの歩み : 音楽とサウンド技術は融合して [Development of Music and Computer : the fusion of music and sound technology]. Sound, Kawai Foundation for Sound Technology & Music, 27. p. 20.

Rai, Takayuki (2011) Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay. Periferia Sheet Music, Spain.

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Rai, Takayuki and Ando, Yoshiko (1997) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Rai, Takayuki and Matsuda, Shu (2000) DIPS: the real-time digital image processing objects for Max environment. In: International Computer Music Conference (ICMC 2000), Berlin, Germany, 2000-09-01.

Rai, Takayuki and Matsuda, Shu and Miyama, Chiakshi (2006) DIPS3:Digital Image Processing with Sound. .

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Ando, Daichi (2000) DIPS2:Digital Image Processing with Sound. .

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Fukuda, Takuto and Hamano, Takayuki and Takahashi, Keitaro (2009) DIPS4:Digital Image Processing with Sound. N/A.

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Rose, Emma and Boynton, Neil (2011) Landscapes in time:a psychotherapeutic intervention. International Journal of the Image, 1 (n/a). pp. 117-127. ISSN 2154-8579

S

Saario, A. S. (2001) Invisible Tattoos. .

Saario, A. S. (2001) Viewpoints: G&T Swimmers. .

Saario, A. S. and Hamilton, J. (2003) Portrait Concr'te: Jo Hamilton in fixed media [16 bit x 44.1kHz x 21'31']. .

Saario, Antti S. (2005) Karen Foss quiet works. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #1. .

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #2. .

V

Venn, Edward (2003) 'Asylum gained’?: Madness and sanctuary in Thomas Adès’s "Asyla". In: Hull University Music Analysis Conference (HUMAC), 2003-07-102003-07-13. (Unpublished)

Venn, Edward (2007) The Blues in Michael Tippett’s "The Knot Garden". In: Research Seminar, 2007-02-06. (Unpublished)

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02. (Unpublished)

Venn, Edward (2010) Evoking the marvellous:Michael Tippett’s The Midsummer Marriage. In: Body, Performance, Agency, and Experience. Ritual Dynamics and the Science of Ritual (2). Harrassowitz, Wiesbaden, pp. 183-193. ISBN 978-3447062022

Venn, Edward (2008) Finding Pathways from Onions:Large-scale Gestures in Berio's Reworking of his 'Sequenza VI for viola'. In: Music, Senses, Body. ISI/TorVergata/Umweb, Helsinki/Rome, pp. 273-278.

Venn, Edward (2005) 'I think I know of thee’: Comparing sources of The Beatles’ ‘Strawberry Fields Forever’. In: RMA Study Day, 'Exploring Music Sources', 2005-02-12. (Unpublished)

Venn, Edward (2009) Music, Ritual and Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-03-26. (Unpublished)

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res facta nova: Teksty o muzyce współczesnej, 11 (20). pp. 61-70.

Venn, Edward (2002) On-line discussion forums as a tool for critical reflection. In: CiLTHE conference, 2002-07-04. (Unpublished)

Venn, Edward (2004) Proliferations and Limitations: Berio’s Re-working of his Sequenzas. In: 40th Annual Conference of the Royal Musical Association, 2004-11-122004-11-14. (Unpublished)

Venn, Edward (2007) Proliferations and limitations:Re-working the sequenzas. In: Berio’s Sequenzas. Ashgate, Aldershot, pp. 171-190. ISBN 9780754654452

Venn, Edward (2005) Reflections on "The Rose Lake". In: Tippett Study Day, 2005-02-27. (Unpublished)

Venn, Edward (2010) Rhetoric and Gesture in Britten's 'Variations on a theme of Frank Bridge'. In: Britten in Context, 2010-06-102010-06-12. (Unpublished)

Venn, Edward (2008) The Semiotics of Musical Ritual. In: International Symposium on Cultural Semiotics, 2008-11-152008-11-17. (Unpublished)

Venn, Edward (2004) Signifying the Rave: Thomas Adès’s "Ecstasio". In: Eighth International Congress on Musical Signification, 2004-10-022004-10-08. (Unpublished)

Venn, Edward (2005) 'Singing the Blues for Mr. Charlie’: The Blues as Archetype and Metaphor in Michael Tippett’s "The Knot Garden". In: Fourth Biennial International Conference on Twentieth-Century Music, 2005-08-252005-08-28. (Unpublished)

Venn, Edward (2008) Smoke and Mirrors: Thomas Adès’s "Brahms". In: Cardiff University Music Analysis Conference, 2008-09-042008-09-07. (Unpublished)

Venn, Edward (2013) Symphonic music in our modern times:Tippett and the Symphony. In: The Cambridge Companion to Michael Tippett. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9781107606135

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11. (Unpublished)

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8

Venn, Edward (2008) Thomas Adès’s "Ecstasio". In: Music Colloquia, 2008-02-20. (Unpublished)

Venn, Edward (2007) Thomas Adés’s ‘Freaky, Funky Rave’. In: 6th European Music Analysis Conference, 2007-10-102007-10-14. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20. (Unpublished)

Venn, Edward (2008) The music of Hugh Wood. Ashgate. ISBN 9780754650294

Venn, Edward (2006) The reception of Maxwell Davies’s "Naxos" Quartets. In: Conference of the International Musicological Society, 2006-06-172006-06-23. (Unpublished)

W

Whistlecroft, Lisa (2006) Almost Nothing But (Butterflies and Clouds) (composition for fixed medium). , Goldsmiths, University of London, UK. (Unpublished)

Whistlecroft, Lisa (2003) The Day Before (composition for fixed medium). , University of Sheffield, UK. (Unpublished)

Whistlecroft, Lisa (2004) GFAAW Silent Key (composition for fixed medium). , BCA Gallery, Bedford, UK. (Unpublished)

Whistlecroft, Lisa (2004) Palimpsest: stella obscura (composition for fixed medium). , California State University, Fullerton, USA. (Unpublished)

Whistlecroft, Lisa (2006) The Saturated Moment (sound score on fixed medium for dance-theatre piece). , Bratislava, Slovakia. (Unpublished)

Whistlecroft, Lisa (2001) Souvenirs (composition for fixed medium). , CBSO Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (2008) Walking with Ghosts (composition for fixed medium). , Millennium Point Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (1996) Work for the Railways (composition for fixed medium). , Winnipeg, Canada.

This list was generated on Thu Apr 26 02:15:07 2018 BST.