Lancaster EPrints

Items where Subject is "M Music and Books on Music > M Music"

Up a level
Export as [feed] RSS 2.0 [feed] RSS 1.0 [feed] Atom
Group by: Creators | Item Type
Jump to: B | F | G | H | L | M | N | O | R | S | T | V | W
Number of items at this level: 225.

B

Boynton, N. (2000) Kompositionsverfahren 1923-1926:Das Kammerkonzert und die Lyrische Suite. In: Alban Berg und seine Zeit. Grosse Komponisten und ihre Zeit . Laaber-Verlag, Laaber, pp. 241-260. ISBN 3890072984

Boynton, Neil (1992) Alexander Goehr:A Checklist of his Writings and Broadcast Talks. Music Analysis, 11 (2-3). pp. 201-208. ISSN 0262-5245

Boynton, Neil (2002) Anton Webern, Variationen op. 27:Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen. In: Die Lehre von der musikalischen Aufführung in der Wiener Schule. Wiener Veröffentlichungen zur Musikgeschichte . Böhlau Verlag, Vienna, pp. 101-111. ISBN 978-3205988915

Boynton, Neil (2002) Anton Webern, Über musikalische Formen:Aus den Vortragsmitschriften von Ludwig Zenk, Siegfried Oehlgiesser, Rudolf Schopf und Erna Apostel. Schott, Mainz.

Boynton, Neil (1998) Combinazione di forme musicali nelle Variazioni Op. 30 di Webern. In: Anton Webern. Una cosa rara, Lucca, pp. 113-141. ISBN 8870962024

Boynton, Neil (1997) Compositional Technique 1923–1926:The Chamber Concerto and the Lyric Suite. In: The Cambridge Companion to Berg. Cambridge University Press, Cambridge, 189–203, 286–292. ISBN 0521564891

Boynton, Neil (1995) Formal Combination in Webern's Variations Op. 30. Music Analysis, 14 (2-3). pp. 193-220. ISSN 0262-5245

Boynton, Neil (1998) René Leibowitz:Schoenberg et son école. In: Settling New Scores. Schott, Mainz, pp. 232-234. ISBN 3795703476

Boynton, Neil (1996) Review of Arnold Schoenberg, Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre/Coherence, Counterpoint, Instrumentation, Instruction in Form, ed. Severine Neff, trans. Charlotte M. Cross and Severine Neff, Lincoln: University of Nebraska Press 1993. Music & Letters, 77 (4). pp. 636-640. ISSN 0027-4224

Boynton, Neil (2002) Review of Sabine Meine, Ein Zwölftöner in Paris. Studien zu Biographie und Wirkung von René Leibowitz (1913–1972), Publikationen der Hochschule für Musik und Theater Hannover, Bd. 10, Wißner, Augsburg 2000. Music & Letters, 83 (4). pp. 655-656. ISSN 0027-4224

Boynton, Neil (1996) Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993. Music Analysis, 15 (2-3). pp. 373-381. ISSN 0262-5245

Boynton, Neil and Quick, Andrew (2005) Hotel Methuselah (75'). UNSPECIFIED.

Boynton, Neil A. (2005) "And two times two equals four in every climate":Die Formenlehre der Wiener Schule als internationales Projekt. In: Musiktheoretisches Denken und kultureller Kontext. Edition Argus, Schliengen, pp. 203-229. ISBN 978-3931264512

Bray, R. W. (2002) Robert Fayrfax I : O bone Iesu. Early English Church Music . British Academy, London.

F

Felipe, Otondo (2003) Using the convolution to blend brass timbres. Journal of Music and Meaning, 1 (4). ISSN 1603-7170

Felipe, Otondo and Jorge, Soto (2004) Three strategies for a diagonal sound installation. Journal of Music and Meaning, 2 (6). ISSN 1603-7170

G

Gebhardt, Nicholas (2010) Crossing Borders I:the historical context for Ravel’s North American tour. In: Ravel Studies. University of Cambridge, Cambridge, pp. 92-113. ISBN 9780521886970

Gebhardt, Nicholas (2001) Going For Jazz:Musical Practices and American Ideology. University of Chicago Press, Chicago, Ill.. ISBN 9780226284668

Gebhardt, Nicholas (2010) On Jazz, memory and history:A response to Alyn Shipton. Jazz Research Journal, 4 (1). pp. 7-14. ISSN 17538645

H

Herissone, Rebecca (2000) Music theory in seventeenth-century England. Oxford monographs on music . Oxford University Press, Oxford. ISBN 0198167008

L

Leadbeater, Richard and Marsden, Alan (2013) Identity dimensions and age as predictors of adult music preferences. In: Developing the musician. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 7-28. ISBN 9781409450177

M

Marsden, A. A. (2000) Music, intelligence and artificiality. In: Readings in music and artificial intelligence. Contemporary music studies ; v. 20 . Harwood Academic, Amsterdam, pp. 15-28. ISBN 9057550946

Marsden, A. A. (2000) Representing musical time : a temporal-logic approach. Studies on new music research ; 4 . Swets & Zeitlinger Publishers, Lisse. ISBN 9026516355

Marsden, Alan (2009) Ambiguity and multiplicity in music representation. In: Knowledge Representation for Intelligent Music Processing, 2009-01-01, Dagstuhl, Germany.

Marsden, Alan (1999) Computers and the concept of tonality. In: Information technology and scholarship : applications in the humanities and social sciences. Oxford University Press for the British Academy, Oxford, pp. 33-52. ISBN 0197262058

Marsden, Alan (2004) Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. In: Sound and Music Computing '04, 2004-10-202004-10-22, Paris, France.

Marsden, Alan (2012) Interrogating melodic similarity:a definitive phenomenon or the product of interpretation? Journal of New Music Research, 41 (4). pp. 323-335. ISSN 1744-5027

Marsden, Alan (2012) Melodic Similarity: A Re-examination of the MIREX2005 Data. In: 12th International Conference on Music Perception and Cognition/8th Conference of the European Society for the Cognitive Sciences of Music, 2012-07-232012-07-28, Thessaloniki.

Marsden, Alan (2004) Novagen: a combination of Eyesweb and an elaboration-network representation for the generation of melodies under gestural control. In: COST287-ConGAS Symposium on Gesture Interfaces for Multimedia Systems, 2004-03-29, Leeds, UK.

Marsden, Alan (2011) The Plurality of Melodic Similarity. In: 8th Sound and Music Computing conference, 2011-07-062011-07-09, Padova.

Marsden, Alan (2012) Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals. Journal of Mathematics and Music, 6 (2). 145-153, 103-106, 125-128, 161-167. ISSN 1745-9745

Marsden, Alan (2010) Recognition of variations using automatic Schenkerian reduction. In: International Society for Music Information Retrieval (ISMIR 2010), 2010-08-01, Utrecht.

Marsden, Alan (2010) Schenkerian analysis by computer:a proof of concept. Journal of New Music Research, 39 (3). pp. 269-289. ISSN 1744-5027

Marsden, Alan (2011) Software for Schenkerian Analysis. In: International Computer Music Conference, 2011-07-312011-08-05, Huddersfield.

Marsden, Alan (2007) Timing in music and temporal logic. Journal of Mathematics and Music, 1 (3). pp. 173-189. ISSN 1745-9745

Marsden, Alan (2005) Towards Schenkerian analysis by computer : a reductional matrix. In: Proceedings of international computer music conference (ICMC), Barcelona 2005. UNSPECIFIED, pp. 247-250.

Marsden, Alan (2009) 'What was the question?': music analysis and the computer. In: Modern Methods for Musicology. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 137-147. ISBN 9780754673026

Marsden, Alan A. (2007) Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. In: International Conference on Music Information Retrieval, 2007-09-01, Vienna.

Marsden, Alan A. (2005) Generative Structural Representation of Tonal Music. Journal of New Music Research, 34 (4). pp. 409-428. ISSN 1744-5027

Marsden, Alan A. (2001) Representing Melodic Patterns as Networks of Elaborations. Computers and the Humanities, 35 (1). pp. 37-54. ISSN 1572-8412

Marsden, Alan A. and Lindsay, A. and MacKenzie, A. and Nock, H. (2007) Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey. Literary and Linguistic Computing, 22 (4). pp. 469-488.

Matsuda, Shu and Miyama, Chikashi and Ando, Daichi and Rai, Takayuki (2002) DIPS for Linux and Mac OS X. In: International Computer Music Conference (ICMC 2002), Gothenburg, Sweden, 2002-09-01.

Mawer, D. (2000) Ballet and the apotheosis of the dance. In: The Cambridge companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 140-161. ISBN 0521648564

Mawer, D. (2000) The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge. ISBN 0521648564

Mawer, D. (2000) Musical objects and machines. In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 47-67. ISBN 0521648564

Mawer, D. H. (2006) Balanchine's La Valse: meanings and implications for Ravel studies. The Opera Quarterly, 22 (1). pp. 90-116. ISSN 1476-2870

Mawer, D. H. (2006) The Ballets of Maurice Ravel: Creation and Interpretation. Ashgate. ISBN 0-7546-3029-3

Mawer, D. H. (2006) 'Dancing on the edge of the volcano': French music in the 1930s. In: French Music since Berlioz. Ashgate, pp. 249-280. ISBN 0754602826

Mawer, Deborah (2010) Appendix: itinerary for Ravel’s tour. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 110-113. ISBN 9780-521-886-970

Mawer, Deborah (1994) Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922). In: Lancaster Music Analysis Conference (LancMAC), 1994, 1994-09-011994-09-04, Lancaster University. (Unpublished)

Mawer, Deborah (2012) Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste. Music & Letters, 93 (4). pp. 615-617. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Barbara L. Kelly, Tradition and Style in the Works of Darius Milhaud 1912–1939. Music & Letters, 85 (4). pp. 660-662. ISSN 0027-4224

Mawer, Deborah (2011) Book review: Barbara Lebrun, Protest Music in France. French History, 25 (1). pp. 130-132.

Mawer, Deborah (1997) Book review: Howard Boatwright, Chromaticism: Theory and Practice. Music Analysis, 16 (1). pp. 137-144. ISSN 0262-5245

Mawer, Deborah (2007) Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940. Music & Letters, 88 (2). pp. 367-370. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger. Music & Letters, 85 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2010) Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. Music & Letters, 91 (1). pp. 123-126. ISSN 0027-4224

Mawer, Deborah (2004) Book review: Roger Nichols, The Harlequin Years: Music in Paris 1917-1929. Music & Letters, 85 (1). pp. 120-123. ISSN 0027-4224

Mawer, Deborah (2011) Book review: Sylvia Kahan, In Search of New Scales. Journal of Music Theory, 55 (1). pp. 147-153.

Mawer, Deborah (1999) Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. British Journal of Music Education, 16 (2). pp. 179-195. ISSN 1469-2104

Mawer, Deborah (1992) Composing out the principles of music analysis across the wider musical community. Society for Music Analysis Newsletter, 1. pp. 8-12.

Mawer, Deborah (2010) Crossing borders II: Ravel’s theory and practice of jazz. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 114-137. ISBN 9780-521-886-970

Mawer, Deborah (1997) Darius Milhaud: Modality & Structure in Music of the 1920s. Ashgate, Aldershot. ISBN 1-85928-249-0

Mawer, Deborah (1997) Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'. Musicus: Computer Applications in Music Education, 5. pp. 19-29.

Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).

Mawer, Deborah (2011) French music reconfigured in the modal jazz of Bill Evans. In: Jazz Chameleon: 9th Nordic Jazz Conference Proceedings. Finnish Jazz and Pop Archive, Helsinki, pp. 77-89. ISBN 978-952-67401-5-7

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies. Cambridge University Press, Cambridge, pp. 1-8. ISBN 9780-521-886-970

Mawer, Deborah (2000) Introduction: the many masks of Ravel. In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 1-4, 266. ISBN 0521648564

Mawer, Deborah (2009) Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra. Twentieth-Century Music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2014) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet. Ashgate, Aldershot. (In Press)

Mawer, Deborah (2008) Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. University of Rochester Press, Rochester NY, pp. 172-193. ISBN 978-1580462723

Mawer, Deborah (2012) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In: Musique française: Esthétique et identité en mutation 1892-1992. Editions Delatour France, Sampzon, pp. 215-225. ISBN 978-2-7521-0106-8

Mawer, Deborah (2011) Maurice Ravel. In: Oxford Bibliographies Online: Music. Oxford University Press, New York, 130 annotated citations.

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

Mawer, Deborah (2008) ‘Parisomania'? Jack Hylton and the French connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 1471-6933

Mawer, Deborah (2008) Positioning Milhaud’s late chamber music: compositional 'full circle'? The Musical Times, 149 (4). pp. 45-60.

Mawer, Deborah (2006) Ravel, Daphnis et Chloé: a fantasy tale of time and place. Deutsche Grammophon, Hamburg.

Mawer, Deborah (2010) (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell. In: 46th Annual Conference of the Royal Musical Association, 2010, 2010-07-152010-07-17, London. (Unpublished)

Mawer, Deborah (2014) Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'. In: Darius Milhaud: Compositeur et expérimentateur. Musicologies . Librairie Vrin, Paris. (In Press)

Mawer, Deborah (2007) Ricard Viñes i Maurice Ravel: una amistat inspiradora. In: Ricard Viñes: el pianista de les avantguardes. Fundació Caixa Catalunya/Museu d’Art Jaume Morera, Barcelona & Lleida, 132-137, 318-321, 427-430. ISBN 978-84-89781-94-8

Mawer, Deborah (1994) Structural analysis in string teaching and performance: 'Voice-leading for Strings'. In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician. University of Florida, Tampa, Florida, pp. 57-71.

Mawer, Deborah (2001) A very French affair: 'Les Six' and the flute. Hyperion, London.

Mawer, Deborah and Pengelly, Michael (1996) Darius Milhaud: La Création du monde (Analytical Listening Guide). TLTP Music Consortium.

Mawer, Deborah H. (2003) Enlivening analysis through performance : practising set theory. British Journal of Music Education, 20 (3). pp. 257-276. ISSN 1469-2104

McCaldin, Denis J. (2003) Haydn and Schubert Masses. Meridian Records, London.

Miyama, Chikashi and Rai, Takayuki and Matsuda, Shu and Ando, Daichi (2003) Introduction of DIPS Programming Technique. In: International Computer Music Conference (ICMC 2003), Singapore, 2003-09-01.

N

Nichols, Roger and Mawer, Deborah (2000) Appendix: early reception of Ravel’s music (1899–1939). In: The Cambridge Companion to Ravel. Cambridge companions to music . Cambridge University Press, Cambridge, 251-266, 281-282. ISBN 0521640264

O

Otondo, Felipe (2008) Contemporary trends in the use of space in electroacoustic music. Organised Sound, 13 (1). pp. 77-81. ISSN 1355-7718

Otondo, Felipe (2007) Creating sonic spaces : an interview with Natasha Barrett. Computer Music Journal, 31 (2). pp. 10-19. ISSN 1531-5169

Otondo, Felipe (2010) Rediscovering Artaud's sonic order. Journal of Music and Meaning, 9 (n/a). pp. 4-11. ISSN 1603-7170

Otondo, Felipe (2012) Teocalli. [Composition]

Otondo, Felipe (2013) Tutuguri. [Composition]

Otondo, Felipe and Holger-Rindel, Jens (2005) A new method for the radiation representation of musical instruments in auralizations. Acta Acustica United with Acustica, 91 (5). pp. 902-906. ISSN 1610-1928

R

Rai, Takayuki (2012) 研究概要報告書: ピアノとライブ・コンピュータシステムの為の作品創作、及びその初演. Kawai Foundation for Sound Technology & Music, Japan.

Rai, Takayuki (2009) 音楽創作とコンピュータ音楽. Journal of the Operations Research Society of Japan, 54 (9). pp. 563-569. ISSN 0453-4514

Rai, Takayuki (2009) Active Figuration for violin and computer, 13'. [Composition]

Rai, Takayuki (1997) Analyse en musique électroacoustique. In: Actes 2 - 1996. Editions MNEMOSYNE, France,, pp. 64-65.

Rai, Takayuki (1989) The Application of Computers in my Compositions:from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP". In: International Symposium on Music and Information Science, Tokyo, 1989-01-01.

Rai, Takayuki (1990) Broken White for 8 instruments (flute, oboe, clarinet, trombone, violin, viola, cello, piano) [10 minutes]. [Composition]

Rai, Takayuki (2004) DVD Program Notes:Part One, Takayuki Rai, Curator. Computer Music Journal, 28 (4). pp. 116-126. ISSN 0148-9267

Rai, Takayuki (2012) 音楽とコンピュータの歩み : 音楽とサウンド技術は融合して [Development of Music and Computer : the fusion of music and sound technology]. Sound, Kawai Foundation for Sound Technology & Music, 27. p. 20.

Rai, Takayuki (2012) Discrete Transfer for piano and computer, 11'. [Composition]

Rai, Takayuki (2003) Facade for guitar and computer [11 minutes]. [Composition]

Rai, Takayuki (1986) Five inventions accompanied by computers for clarinet, cello and piano [15 minutes]. [Composition]

Rai, Takayuki (1988) Four inventions for piano and a signal processing computer (rev. 1996) [15 minutes]. [Composition]

Rai, Takayuki (2011) Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay. Periferia Sheet Music, Spain.

Rai, Takayuki (1986) Friction for alto flute, clarinet, piano and harp [9 minutes]. [Composition]

Rai, Takayuki (2009) Horizontal stillness for electroacoustic, 11'. [Composition]

Rai, Takayuki (1997) Impulse for percussion and computer (rev. 2004) [20 minutes]. [Composition]

Rai, Takayuki (1980) Isolation for bass clarinet and tape (or three bass clarinets), 11'. [Composition]

Rai, Takayuki (1983) Junction for alto flute, violin, cello and harp [7 minutes]. [Composition]

Rai, Takayuki (1994) Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]. [Composition]

Rai, Takayuki (2004) Labyrinth for tape [10 minutes]. [Composition]

Rai, Takayuki (2001) Leo Kupper : Ways of the voice. [Review]

Rai, Takayuki (2007) Lucent Aquarelle for harp and computer [12 minutes]. [Composition]

Rai, Takayuki (1993) Meteor for harp solo, in memory of Dr.Mori [9 minutes]. [Composition]

Rai, Takayuki (2000) Mirage for 17-stringed koto and computer [8 minutes]. [Composition]

Rai, Takayuki (1983) Pain for two computers (tape) [11 minutes]. [Composition]

Rai, Takayuki (1987) Recursive Figuration for 6 cellos [8 minutes]. [Composition]

Rai, Takayuki (1995) Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]. [Composition]

Rai, Takayuki (1983) Solidity:the transformation of my internal dialogue for 10 instruments (oboe, clarinet, bass clarinet, bassoon, 2 violins, viola, cello, piano, harp) [8 minutes]. [Composition]

Rai, Takayuki (1989) Sparkle for bass clarinet and tape [11 minutes]. [Composition]

Rai, Takayuki (1993) Static Sequence for solo violin and 8 instruments (flute, oboe, clarinet, bassoon, violin, viola, cello, double bass) [8 minutes]. [Composition]

Rai, Takayuki (1991) Style for string quartet [11 minutes]. [Composition]

Rai, Takayuki (1992) Three Inventions for soprano saxophone, double bass, piano, harp and a signal processing computer [14 minutes]. [Composition]

Rai, Takayuki (1993) Three Unknown Spaces for gamelan instruments and tape (bonang barung, gender panerus, saron peking, saron barung, saron demung, kenongs, kempuls, gongs) [14 minutes]. [Composition]

Rai, Takayuki (2007) Time flows… for bass-fl./fl., perc., guitar, and computer, 13'. [Composition]

Rai, Takayuki (1999) Transfiguration for clarinet and computer (rev. 2003) [10 minutes]. [Composition]

Rai, Takayuki (1984) Transparency for harp and tape [8 minutes]. [Composition]

Rai, Takayuki (2009) A page of the score ‘Kinetic Figuration for MIDI piano, VP-1 synthesizer and computer’, included in the book 'NOTATIONS 21'. Mark Batty, New York.

Rai, Takayuki and Ando, Yoshiko (1997) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

Rai, Takayuki and Matsuda, Shu (2000) DIPS: the real-time digital image processing objects for Max environment. In: International Computer Music Conference (ICMC 2000), Berlin, Germany, 2000-09-01.

Rai, Takayuki and Matsuda, Shu and Fukuda, Takuto and Takahashi, Keitaro and Hamano, Takayuki and Miyama, Chikashi (2012) DIPS5:Digital Image Processing with Sound, version 5. N/A. (Submitted)

Rai, Takayuki and Matsuda, Shu and Miyama, Chiakshi (2006) DIPS3:Digital Image Processing with Sound. UNSPECIFIED.

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Ando, Daichi (2000) DIPS2:Digital Image Processing with Sound. UNSPECIFIED.

Rai, Takayuki and Matsuda, Shu and Miyama, Chikashi and Fukuda, Takuto and Hamano, Takayuki and Takahashi, Keitaro (2009) DIPS4:Digital Image Processing with Sound. N/A.

Rai, Takayuki and Matsunuma, Kohichi and Takasaki, Kozue and Mokusho, Sachiko (1993) Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. In: International Computer Music Conference (ICMC 1993), Tokyo,, 1993-09-01.

Rai, Takayuki and Miyama, Chikashi and Matsuda, Shu and Hamano, Takayuki and Morimoto, Yota (2007) Introduction of DIPS3 (version 2) for Max/MSP. In: International Computer Music Conference (ICMC 2007), Denmark, 2007-08-01.

Rose, Emma (2007) Reenchantment and reclamation. Zivot Umjetnosti: Croatian Magazine for Contemporary Arts, 81.

Rose, Emma and Boynton, Neil (2011) Landscapes in time:a psychotherapeutic intervention. International Journal of the Image, 1 (n/a). pp. 117-127. ISSN 2154-8579

S

Saario, A. S. (2002) Bullet Train Ballad no.1. UNSPECIFIED.

Saario, A. S. (2001) Invisible Tattoos. UNSPECIFIED.

Saario, A. S. (2001) Viewpoints: G&T Swimmers. UNSPECIFIED.

Saario, A. S. and Hamilton, J. (2003) Portrait Concr'te: Jo Hamilton in fixed media [16 bit x 44.1kHz x 21'31']. UNSPECIFIED.

Saario, Antti S. (2005) Karen Foss quiet works. UNSPECIFIED.

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #1. UNSPECIFIED.

Saario, Antti S. and Bastiansen, Gitte and Knarvik, Olaf (2005) Projection #2. UNSPECIFIED.

T

Takashiro, Osamu and Rai, Takayuki (1997) The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers. In: International Computer Music Conference (ICMC 1997), Thessaloniki, Greece, 1997-09-01.

V

Venn, Edward (2008) 'All the Gods: Benjamin Britten’s "Night Piece" in Context', by Christopher Wintle (Plumbago). Music & Letters, 89 (4). pp. 684-685. ISSN 0027-4224

Venn, Edward (2006) 'Asylum gained'? : madness and sanctuary in Thomas Adès's "Asyla". Music Analysis, 25 (1-2). pp. 89-120. ISSN 0262-5245

Venn, Edward (2003) 'Asylum gained’?: Madness and sanctuary in Thomas Adès’s "Asyla". In: Hull University Music Analysis Conference (HUMAC), 2003-07-102003-07-13, Hull University. (Unpublished)

Venn, Edward (2008) 'Benjamin Britten: The Spiritual Dimension', by Graham Elliott (Oxford University Press). Music & Letters, 89 (1). pp. 143-148. ISSN 0027-4224

Venn, Edward (2007) The Blues in Michael Tippett’s "The Knot Garden". In: Research Seminar, 2007-02-06, Department of Music, University of Bristol. (Unpublished)

Venn, Edward (2005) CD Review: George Benjamin on Nimbus. Tempo, 59 (233). pp. 73-74. ISSN 0040-2982

Venn, Edward (2009) CD Review: Gubaidulina and Cercós: music for piano. Tempo, 63 (250). pp. 85-86. ISSN 0040-2982

Venn, Edward (2005) CD Review: Harrison Birtwistle's Complete Piano Works. Tempo, 59 (234). pp. 64-65. ISSN 0040-2982

Venn, Edward (2010) CD Review: Hugh Wood's chamber music. Tempo, 64 (254). pp. 87-88. ISSN 0040-2982

Venn, Edward (2006) CD Review: Maxwell Davies compilation CDs and Naxos Quartets. Tempo, 60 (237). pp. 70-71. ISSN 0040-2982

Venn, Edward (2005) CD Review: Maxwell Davies' Naxos Quartets 3 and 4. Tempo, 59 (234). pp. 58-59. ISSN 0040-2982

Venn, Edward (2010) CD Review: Nicolas Bacri concertos. Tempo, 64 (254). pp. 92-93. ISSN 0040-2982

Venn, Edward (2005) CD Review: Peter Maxwell Davies' new and classic. Tempo, 59 (233). pp. 79-80. ISSN 0040-2982

Venn, Edward (2009) CD Review: Simon Mawhinney: Music for violin and piano. Tempo, 63 (250). p. 84. ISSN 0040-2982

Venn, Edward (2005) CD Review: Thomas Adès’s Piano Quintet. Tempo, 59 (234). pp. 73-74. ISSN 0040-2982

Venn, Edward (2009) 'The Cambridge Companion to Shostakovich' ed. Pauline Fairclough and David Fanning (Cambridge University Press); 'Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich' by Sarah Reichardt (Ashgate). Tempo, 63 (250). pp. 72-73. ISSN 0040-2982

Venn, Edward (2004) Codes, Invention and a ‘Freaky, Funky Rave’. In: SMA/RMA Study Day, 'Analysis and Compositional Process', 2004-03-29, University of Surrey. (Unpublished)

Venn, Edward (2006) Cornelius Cardew's 'Autumn '60 for orchestra'. Tempo, 60 (238). pp. 2-7. ISSN 0040-2982

Venn, Edward (2010) Culture and Pop Culture in the Music of Thomas Adès. In: 11th International Conference on Musical Signification, 2010-09-272010-10-02, Academy of Music, Krakow, Poland. (Unpublished)

Venn, Edward (2010) Dane Rudhyar:his music, thought, and art by Deniz Ertan (University of Rochester Press). Tempo, 64 (254). pp. 70-72. ISSN 0040-2982

Venn, Edward (2010) Evoking the marvellous:Michael Tippett’s The Midsummer Marriage. In: Body, Performance, Agency, and Experience. Ritual Dynamics and the Science of Ritual (2). Harrassowitz, Wiesbaden, pp. 183-193. ISBN 978-3447062022

Venn, Edward (2008) Finding Pathways from Onions:Large-scale Gestures in Berio's Reworking of his 'Sequenza VI for viola'. In: Music, Senses, Body. ISI/TorVergata/Umweb, Helsinki/Rome, pp. 273-278.

Venn, Edward (2007) Finzi's Serenade. In: The Clock of the Years. Chosen Press, Lichfield, pp. 149-152. ISBN 978 0 9556373 0 8

Venn, Edward (2006) First Performance Review: London, Royal College of Music, Ades, 'Court Studies'. Tempo, 60 (235). pp. 80-81. ISSN 0040-2982

Venn, Edward (2005) First Performance Review: London, Temple Church and Cheltenham, Pittville Pump Room: Wood’s 'Cantilena and Fugue' and 'Tribute to Michael Berkeley'. Tempo, 59 (231). pp. 52-53. ISSN 0040-2982

Venn, Edward (2006) First Performance Review: Manchester, Bridgewater Hall: Casken premiere and CDs. Tempo, 60 (235). pp. 73-75. ISSN 0040-2982

Venn, Edward (2004) First Performance Review: Manchester, RNCM: Robin Holloway’s String Quartet, op. 97. Tempo, 58 (228). pp. 64-66. ISSN 0040-2982

Venn, Edward (2009) First Performance Review: Milton Keynes, Hugh Wood’s 'Violin Concerto No. 2'. Tempo, 63 (249). pp. 54-55. ISSN 0040-2982

Venn, Edward (2006) First Performance Review: Shrewsbury, Maidment Hall: Wood’s 'Overture'. Tempo, 60 (235). pp. 77-78. ISSN 0040-2982

Venn, Edward (2004) First Performance Review:London, Royal Opera House : Ades's 'The Tempest'. Tempo, 58 (229). pp. 72-73. ISSN 0040-2982

Venn, Edward (2005) 'I think I know of thee’: Comparing sources of The Beatles’ ‘Strawberry Fields Forever’. In: RMA Study Day, 'Exploring Music Sources', 2005-02-12, Lancaster University. (Unpublished)

Venn, Edward (2002) Ideology and idealism in Tippett’s writings. In: Michael Tippett. Ashgate, Aldershot, pp. 35-59. ISBN 0754601323

Venn, Edward (2010) 'Landscapes of the mind ::the music of John McCabe’, compiled and edited by George Odam (Ashgate) and 'The innumerable dance : the life and work of William Alwyn', by Adrian Wright (Boydell). Music & Letters, 91 (2). pp. 295-297. ISSN 0027-4224

Venn, Edward (2006) 'Letters From a Life: Selected Letters of Benjamin Britten, Volume Three 1946–51', eds. Donald Mitchell, Philip Reed and Mervyn Cooke (Faber and Faber); 'Selected Letters of Michael Tippett', ed. and trans. Thomas Schuttenhelm (Faber and Faber). Tempo, 60 (236). pp. 61-64. ISSN 0040-2982

Venn, Edward (2010) Music performance tuition in higher education : student expectations. PALATINE, Lancaster.

Venn, Edward (2009) Music, Ritual and Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-03-26, Royal Scottish Academy of Music and Drama. (Unpublished)

Venn, Edward (2009) Musical Ritual in Michael Tippett's first two operas. In: Research Seminar, 2009-10-02, Royal Northern College of Music. (Unpublished)

Venn, Edward (2010) Narrativity in Thomas Adès’s Asyla. Res Facta Nova, 11 (20). pp. 61-70.

Venn, Edward (2006) Negotiating the Labyrinth: Act II of Sir Michael Tippett’s "The Knot Garden". In: Second International Conference on Music and Gesture, 2006-07-202006-07-23, Royal Northern College of Music. (Unpublished)

Venn, Edward (2009) 'Nicholas Maw: Odyssey', by Kenneth Gloag (Ashgate). Music & Letters, 90 (3). pp. 519-521. ISSN 0027-4224

Venn, Edward (2002) On-line discussion forums as a tool for critical reflection. In: CiLTHE conference, 2002-07-04, Lancaster University. (Unpublished)

Venn, Edward (2004) Proliferations and Limitations: Berio’s Re-working of his Sequenzas. In: 40th Annual Conference of the Royal Musical Association, 2004-11-122004-11-14, University of Birmingham. (Unpublished)

Venn, Edward (2007) Proliferations and limitations:Re-working the sequenzas. In: Berio’s Sequenzas. Ashgate, Aldershot, pp. 171-190. ISBN 9780754654452

Venn, Edward (2005) Reflections on "The Rose Lake". In: Tippett Study Day, 2005-02-27, LSO St Luke's. (Unpublished)

Venn, Edward (2010) Rethinking Russolo. Tempo, 64 (251). pp. 8-16. ISSN 0040-2982

Venn, Edward (2011) Review of "Composing in Words: William Alwyn on his Art" ed. by Andrew Palmer. Music & Letters, 92 (3). pp. 506-508. ISSN 0027-4224

Venn, Edward (2011) Review of "Harrison Birtwistle: The Mask of Orpheus" by Jonathan Cross. Music & Letters, 92 (2). pp. 332-334. ISSN 0027-4224

Venn, Edward (2010) Rhetoric and Gesture in Britten's 'Variations on a theme of Frank Bridge'. In: Britten in Context, 2010-06-102010-06-12, Liverpool Hope University. (Unpublished)

Venn, Edward (2008) The Semiotics of Musical Ritual. In: International Symposium on Cultural Semiotics, 2008-11-152008-11-17, Nanjing Normal University, China. (Unpublished)

Venn, Edward (2005) Serenades and elegies : the later music of Hugh Wood part II. Tempo, 59 (233). pp. 26-37. ISSN 0040-2982

Venn, Edward (2005) Serenades and elegies : the recent music of Hugh Wood - part I. Tempo, 59 (231). pp. 2-13. ISSN 0040-2982

Venn, Edward (2004) Signifying the Rave: Thomas Adès’s "Ecstasio". In: Eighth International Congress on Musical Signification, 2004-10-022004-10-08, Sorbonne, Paris, France. (Unpublished)

Venn, Edward (2004) 'Sing Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday', ed. Alison Latham (Ashgate). Tempo, 58 (228). pp. 42-44. ISSN 0040-2982

Venn, Edward (2005) 'Singing the Blues for Mr. Charlie’: The Blues as Archetype and Metaphor in Michael Tippett’s "The Knot Garden". In: Fourth Biennial International Conference on Twentieth-Century Music, 2005-08-252005-08-28, University of Sussex. (Unpublished)

Venn, Edward (2008) Smoke and Mirrors: Thomas Adès’s "Brahms". In: Cardiff University Music Analysis Conference, 2008-09-042008-09-07, School of Music, Cardiff University. (Unpublished)

Venn, Edward (2010) Theorizing Musical Ritual. In: 13th International Doctoral and Postdoctoral Seminar on Musical Semiotics, 2010-03-072010-03-11, Department of Musicology, University of Helsinki, Finland. (Unpublished)

Venn, Edward (2010) Thomas Adès. In: Nowa Muzyka Brytyjska [New British Music]. Ha!Art, Krakow, pp. 182-201. ISBN 978-83-61816-05-8

Venn, Edward (2008) Thomas Adès’s "Brahms". In: Research Seminar, 2008-12-16, Birmingham Conservatoire. (Unpublished)

Venn, Edward (2008) Thomas Adès’s "Ecstasio". In: Music Colloquia, 2008-02-20, Faculty of Music, University of Cambridge. (Unpublished)

Venn, Edward (2007) Thomas Adés and Rave: the case of "Ecstasio". In: Research Forum, 2007-12-18, School of Music, University of Huddersfield. (Unpublished)

Venn, Edward (2007) Thomas Adés’s ‘Freaky, Funky Rave’. In: 6th European Music Analysis Conference, 2007-10-102007-10-14, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany. (Unpublished)

Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31, University of East Anglia (Norwich). (Unpublished)

Venn, Edward (2009) A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music. Twentieth-Century Music, 6 (2). pp. 237-253. ISSN 1478-5722

Venn, Edward (2005) ‘A discharge of emotion’:the Blues as metaphor in "The Knot Garden". In: Tippett Symposium, 2005-01-20, University of Glasgow. (Unpublished)

Venn, Edward (2008) The music of Hugh Wood. Ashgate, Aldershot. ISBN 9780754650294

Venn, Edward (2006) The reception of Maxwell Davies’s "Naxos" Quartets. In: Conference of the International Musicological Society, 2006-06-172006-06-23, University of Göteborg, Sweden. (Unpublished)

Venn, Edward (2006) The reception of Maxwell Davies’s Naxos quartets. In: 2006 IAML-IAMIC-IMS International Joint Conference, 2006-06-182006-06-23, Göteborg.

W

Whistlecroft, Lisa (2006) Almost Nothing But (Butterflies and Clouds) (composition for fixed medium). UNSPECIFIED, Goldsmiths, University of London, UK. (Unpublished)

Whistlecroft, Lisa (2003) The Day Before (composition for fixed medium). UNSPECIFIED, University of Sheffield, UK. (Unpublished)

Whistlecroft, Lisa (2004) GFAAW Silent Key (composition for fixed medium). UNSPECIFIED, BCA Gallery, Bedford, UK. (Unpublished)

Whistlecroft, Lisa (2004) Palimpsest: stella obscura (composition for fixed medium). UNSPECIFIED, California State University, Fullerton, USA. (Unpublished)

Whistlecroft, Lisa (2006) The Saturated Moment (sound score on fixed medium for dance-theatre piece). UNSPECIFIED, Bratislava, Slovakia. (Unpublished)

Whistlecroft, Lisa (2001) Souvenirs (composition for fixed medium). UNSPECIFIED, CBSO Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (2008) Walking with Ghosts (composition for fixed medium). UNSPECIFIED, Millennium Point Centre, Birmingham, UK. (Unpublished)

Whistlecroft, Lisa (1996) Work for the Railways (composition for fixed medium). UNSPECIFIED, Winnipeg, Canada.

Whistlecroft, Lisa (2008) death among the apple trees (composition for fixed medium). UNSPECIFIED, CBSO Centre, Birmingham, UK. (Unpublished)

This list was generated on Fri Oct 24 02:11:33 2014 BST.