Wong, Yoke-Sum (2012) A presence of a constant end:contemporary art and popular culture in Japan. In: The Ends of History. Routledge, London. ISBN 978-0-415-67355-6
Full text not available from this repository.Abstract
The paper proposes a historiography that is read through Japanese contemporary art and popular culture. It is not a historiography of Japanese history per se but posits a vantage point using Japanese art and pop culture to offer a different narrative of the ‘end of history’. Neither teleological or cyclical, what does a ‘Superflat’ history mean, and how does it help contribute to different ways of thinking about time and modernity that is neither Eastern or Western in categorical description.
| Item Type: | Contribution in Book/Report/Proceedings |
|---|---|
| Subjects: | D History General and Old World > D History (General) |
| Departments: | Faculty of Arts & Social Sciences > History |
| ID Code: | 54884 |
| Deposited By: | ep_importer_pure |
| Deposited On: | 06 Jun 2012 11:32 |
| Refereed?: | No |
| Published?: | Published |
| Last Modified: | 10 May 2013 10:30 |
| Identification Number: | |
| URI: | http://eprints.lancs.ac.uk/id/eprint/54884 |
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