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A critical step to the side: Performing the loss of the mother

Aston, Elaine (2007) A critical step to the side: Performing the loss of the mother. Theatre Research International, 32 (2). pp. 130-142. ISSN 0307-8833

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    This essay sets out to ask in what ways it might be critically productive to come back to the maternal as a subject for feminism. Drawing on Eve Sedgwick's desire to 'loosen' the antiessentialist drive to get 'beyond' gender, and her consideration in this respect of a non-dualistic idea of 'beside', I locate my analysis in three performances, examined 'beside' each other. Each of these performances is a solo show: Anna Yen's Chinese Take Away (1997), SuAndi's The Story of M (1994) and Kazuko Hohki's Toothless (1998). Moreover, each solo is located in different inter-national, maternal geographies: Asian/Australian (Yen), black British (SuAndi) and Japanese/British (Hohki), and each performs the loss of the mother by the daughter. Working also with Judith Butler's proposal that grief and loss afford a political, transformative means of 'becoming undone', I 'read' these three international geographies of the maternal side by side as different from each other, but all connected to the critical project of rethinking the maternal.

    Item Type: Journal Article
    Journal or Publication Title: Theatre Research International
    Additional Information: The final, definitive version of this article has been published in the Journal, Theatre Research International, 32 (2), pp 130-142 2007, © 2007 Cambridge University Press.
    Subjects: ?? n1 ??
    Departments: Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts
    ID Code: 54686
    Deposited By: ep_importer_pure
    Deposited On: 29 May 2012 11:37
    Refereed?: Yes
    Published?: Published
    Last Modified: 24 May 2018 00:17
    Identification Number:

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