Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.
Full text not available from this repository.Abstract
This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.
| Item Type: | Contribution in Book/Report/Proceedings |
|---|---|
| Subjects: | M Music and Books on Music > M Music |
| Departments: | Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts |
| ID Code: | 54472 |
| Deposited By: | ep_importer_pure |
| Deposited On: | 22 May 2012 13:14 |
| Refereed?: | No |
| Published?: | Published |
| Last Modified: | 07 Oct 2012 13:42 |
| Identification Number: | |
| URI: | http://eprints.lancs.ac.uk/id/eprint/54472 |
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