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Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.

Mawer, Deborah (2012) Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé. In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Cahiers de la Société québécoise de recherche en musique, Montreal, pp. 77-85.

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Abstract

This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.

Item Type: Contribution in Book/Report/Proceedings
Subjects: M Music and Books on Music > M Music
Departments: Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts
ID Code: 54472
Deposited By: ep_importer_pure
Deposited On: 22 May 2012 13:14
Refereed?: No
Published?: Published
Last Modified: 10 Apr 2014 01:08
Identification Number:
URI: http://eprints.lancs.ac.uk/id/eprint/54472

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