Mawer, Deborah (2013) Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In: André Jolivet: Music, Art and Literature. Ashgate, Aldershot. (In Press)Full text not available from this repository.
A notable facet of the case of André Jolivet (1905-74) is the unusual amount and seriousness of attention that he devoted to writing articles on music theory. Generally, this was a reflective account which sought to explain both his compositional technique and his wider philosophy. What results is a rich theoretical repertoire to supplement the music. The objective of this chapter is thus twofold: firstly, to survey the most important concepts propounded in theoretic writings from the composer’s first mature period, chiefly those found in ‘André Jolivet, ou la magie expérimentale’; secondly, to pursue such music theory in action, with specific reference to Cinq danses rituelles (1939). Through this dual process, I aim to gauge relations between theory and practice, as well as those between Jolivet’s compositional approach to elucidating his music (‘poietic’ dimension) and receiver-based analytical or interpretative (‘esthesic’) approaches.
|Item Type:||Contribution in Book/Report/Proceedings|
|Subjects:||M Music and Books on Music > M Music|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited On:||22 May 2012 13:09|
|Last Modified:||11 Jan 2013 09:02|
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