Mawer, Deborah (2007) Exploring complementation in Bartók’s Third Quartet. Music Theory Online, 13 (4).Full text not available from this repository.
Despite, on the one hand, a healthy if circumscribed tradition of Bartók music studies and, on the other, a continuing analytical concern with notions of complementation and contrast, I argue that these two domains have not been brought together to full effect, and that doing so can significantly enhance a reading of Bartók’s Third Quartet of 1927. In this setting, complementation applies not only to sets and pitches, but also to modes and, more broadly interpreted, to parameters such as texture, rhythm and form. Complementation across several parameters, or at different levels of significance, may operate as a multi-faceted complex which serves to heighten, or on occasion diffuse, tensions in the music.
|Journal or Publication Title:||Music Theory Online|
|Additional Information:||8,000 words|
|Uncontrolled Keywords:||complementation ; post-tonal theory ; set theory ; Bartók ; quartet|
|Subjects:||M Music and Books on Music > M Music|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited On:||22 May 2012 12:00|
|Last Modified:||02 May 2016 00:00|
Actions (login required)