Mawer, Deborah (2012) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In: Musique française: Esthétique et identité en mutation 1892-1992. Editions Delatour France, Sampzon, pp. 215-225. ISBN 978-2-7521-0106-8Full text not available from this repository.
In order to illuminate a French musical identity of the 1920s achieved via foreign influence, my article examines two subtle transformations: on the one hand between Ravel’s ‘theory’ of early jazz-blues and the actualities of early jazz, already partially Gallicized and classicized; and on the other between Ravel’s theory (of transformation) and his practice in the Violin Sonata. His ‘Blues’ gives as much as it takes, catalyzing his late music, yet also anticipating popular developments of the 1930s, in France and abroad.
|Item Type:||Contribution in Book/Report/Proceedings|
|Subjects:||M Music and Books on Music > M Music|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited On:||22 May 2012 11:21|
|Last Modified:||18 Jun 2016 02:30|
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