Elliott, Kamilla (2010) Adaptation as Compendium:Tim Burton’s Alice in Wonderland. Adaptation, 3 (2). pp. 193-201. ISSN 1755-0637
Full text not available from this repository.Abstract
Most reviewers decree Tim Burton's Alice in Wonderland ‘disappointinger and disappointinger’, both as a literary adaptation and as a film, largely because the film adapts so many things besides Carroll's books, rendering it digressive and derivative. The script, which expresses anxieties about being ‘the wrong Alice’, figures the adaptation/sequel as a compendium (a brief treatment of a subject). Compendium's second sense, inventory, points more centrally to the film as pastiche. Since literary film adaptations are increasingly constructed as deliberate pastiches of other cultural productions, I argue that it is time to ask new questions of these processes rather than view them solely as failing the books and copying rather than creating. The review ends with a discussion of how CGI (computer-generated imagery) and 3D displace Carroll's nonsense as superior sense with fantasy as alternative reality and how the film's colonial ending reflects Disney's own, very real capitalist enterprises in China.
| Item Type: | Article |
|---|---|
| Journal or Publication Title: | Adaptation |
| Subjects: | UNSPECIFIED |
| Departments: | Faculty of Arts & Social Sciences > English & Creative Writing |
| ID Code: | 53070 |
| Deposited By: | ep_importer_pure |
| Deposited On: | 09 Mar 2012 02:43 |
| Refereed?: | Yes |
| Published?: | Published |
| Last Modified: | 26 Jul 2012 19:30 |
| Identification Number: | |
| URI: | http://eprints.lancs.ac.uk/id/eprint/53070 |
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