Rushton, Richard (2010) Acknowledgement and Unknown Women : The Films of Catherine Breillat. Journal for Cultural Research, 14 (1). pp. 85-101. ISSN 1479-7585Full text not available from this repository.
The films of Catherine Breillat are interpreted here through the lens of acknowledgement, especially insofar as that term is understood by the American philosopher Stanley Cavell. Breillat's films are primarily ones which portray the coming-together (and breaking-apart) of romantic couples. The journeys charted by these couples are ones whose destinations aim for states of mutual acknowledgement. These journeys do not, however, result in happy endings. They do, on the contrary, tend to chart the failure or impossibility of acknowledgement. Ultimately, the failure of acknowledgement is a failure on the part of men to recognize or understand the value of acknowledgement, but the insistent demand for acknowledgement expressed by the female protagonists of Breillat's films points to the centrality of the concept of acknowledgement in her cinematic oeuvre.
|Journal or Publication Title:||Journal for Cultural Research|
|Subjects:||N Fine Arts > N Visual arts (General) For photography, see TR|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited By:||Dr Richard Rushton|
|Deposited On:||08 Dec 2010 16:44|
|Last Modified:||22 Feb 2017 01:40|
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