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Passions and Actions : Deleuze's Cinematographic Cogito.

Rushton, Richard (2008) Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies, 2 (2). pp. 121-139.

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    Abstract

    When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a ‘cinematographic Cogito’. In this way, the article offers a way of understanding the processes of cinema spectatorship from a Deleuzian perspective.

    Item Type: Article
    Journal or Publication Title: Deleuze Studies
    Additional Information: ©2008 Edinburgh University Press
    Uncontrolled Keywords: cinema ; new media ; spectatorship ; interactive ; Mark Hansen ; Cogito
    Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
    Departments: Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts
    ID Code: 34744
    Deposited By: Dr Richard Rushton
    Deposited On: 08 Dec 2010 16:32
    Refereed?: Yes
    Published?: Published
    Last Modified: 26 Jul 2012 17:40
    Identification Number:
    URI: http://eprints.lancs.ac.uk/id/eprint/34744

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