Venn, Edward (2003) Towards a semiotics of conducting. In: First International Conference 'Music and Gesture', 2003-08-282003-08-31. (Unpublished)Full text not available from this repository.
The semiotic status of conducting is one that is intuitively felt to be correct, but rarely subjected to scrutiny. The multitude of potential expressive gestures, including but not limited to the use of the hands, arms, body, head, facial expressions and eyes, present the would-be semiotic researcher with a veritable Gordian knot. The result of this is that too often, conductors are assessed solely on the performance that results from their gestures, rather than on the gestures themselves. Restricting the semiotic domain to the more readily classifiable use of the hands and arms, the paper examines the semiotics of conducting in terms of both codes and sign-production, in order to provide a theoretical framework for the syntactic and semantic analysis of conducting gestures. The paper concludes with some suggestions as to how this framework might be used in practical terms.
|Item Type:||Conference or Workshop Item (Paper)|
|Journal or Publication Title:||First International Conference 'Music and Gesture'|
|Subjects:||M Music and Books on Music > M Music|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited By:||Dr Edward Venn|
|Deposited On:||08 Dec 2010 14:43|
|Last Modified:||29 Jan 2017 00:11|
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