Borio, Gianmario and Iddon, Martin (trans.) (2007) Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation. Contemporary Music Review, 26 (1). pp. 53-76. ISSN 0749-4467Full text not available from this repository.
This article examines Adorno's thinking on the relationship between musical analysis, interpretation and performance. Adorno's work is set in the context both of its aesthetic antecedents, particularly in the work of Schoenberg as composer and as music theorist, and of its subsequent critics. At the centre of the article is a discussion of the analysis seminars which Adorno gave during the Darmstadt Ferienkurse in the mid-1950s, on Schoenberg's Verklrte Nacht and Phantasy for violin and piano and Webern's Six Bagatelles for string quartet, op. 9.
|Journal or Publication Title:||Contemporary Music Review|
|Uncontrolled Keywords:||Adorno ; Schoenberg ; Structure ; Performance|
|Subjects:||?? ml ??|
|Departments:||Faculty of Arts & Social Sciences > Lancaster Institute for the Contemporary Arts|
|Deposited By:||Dr Martin Iddon|
|Deposited On:||16 Dec 2008 08:53|
|Last Modified:||29 Apr 2017 01:20|
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